Fictions of Consent : : Slavery, Servitude, and Free Service in Early Modern England / / Urvashi Chakravarty.

In Fictions of Consent Urvashi Chakravarty excavates the ideologies of slavery that took root in early modern England in the period that preceded the development of an organized trade in enslaved persons.Despite the persistent fiction that England was innocent of racialized slavery, Chakravarty argu...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2022]
©2022
Year of Publication:2022
Language:English
Series:RaceB4Race: Critical Race Studies of the Premodern
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Physical Description:1 online resource (328 p.) :; 25 halftones
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Other title:Frontmatter --
Contents --
Note on Transcription --
Introduction. “Too Pure an Air for Slaves to Breath In”: Slavery “Before” Slaves in Early Modern England --
Chapter 1. Marking Service: Livery, Liberty, and Legal Fictions in Early Modern England --
Chapter 2. “Leaue to Liue More at Libertie”: Race, Slavery, and Pedagogy in the Early Modern Schoolroom --
Chapter 3. “Am I Not Consanguineous?”: The Foreign Famulus and the Early Modern Household --
Chapter 4. Faithful Covenant Servants and Inbred Enemies: Indenture and Natality in Paradise Lost --
Chapter 5. “Of a Bondslaue I Made Thee My Free Man”: Servitude, Manumission, and the Macula Servitutis in The Tempest and Its Early American Afterlife --
Epilogue. Fictions of Consent in the Atlantic World --
Notes --
Bibliography --
Index --
Acknowledgments
Summary:In Fictions of Consent Urvashi Chakravarty excavates the ideologies of slavery that took root in early modern England in the period that preceded the development of an organized trade in enslaved persons.Despite the persistent fiction that England was innocent of racialized slavery, Chakravarty argues that we must hold early modern England—and its narratives of exceptional and essential freedom—to account for the frameworks of slavery that it paradoxically but strategically engendered. Slavery was not a foreign or faraway phenomenon, she demonstrates; rather, the ideologies of slavery were seeded in the "idian spaces of English life and in the everyday contexts of England's service society, from the family to the household, in the theater and, especially, the grammar school classroom, where the legacies of classical slavery and race were inherited and negotiated. The English conscripted the Roman freedman's figurative "stain of slavery" to register an immutable sign of bondage and to secure slavery to epidermal difference, even as early modern frameworks of "volitional service" provided the strategies for later fictions of "happy slavery" in the Atlantic world. Early modern texts presage the heritability of slavery in early America, reveal the embeddedness of slavery within the family, and illuminate the ways in which bloodlines of descent underwrite the racialized futures of enslavement.Fictions of Consent intervenes in a number of areas including early modern literary and cultural studies, premodern critical race studies, the reception of classical antiquity, and the histories of law, education, and labor to uncover the conceptual genealogies of slavery and servitude and to reveal the everyday sites where the foundations of racialized slavery were laid. Although early modern England claimed to have "too pure an Air for Slaves to breathe in," Chakravarty reveals slavery was a quintessentially English phenomenon.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780812298260
9783110993899
9783110994810
9783110993752
9783110993738
9783110767674
DOI:10.9783/9780812298260
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Urvashi Chakravarty.