Mixed Faith and Shared Feeling : : Theater in Post-Reformation London / / Musa Gurnis.
Mixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideolo...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 English |
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Place / Publishing House: | Philadelphia : : University of Pennsylvania Press, , [2018] ©2019 |
Year of Publication: | 2018 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (272 p.) :; 5 illus. |
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100 | 1 | |a Gurnis, Musa, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Mixed Faith and Shared Feeling : |b Theater in Post-Reformation London / |c Musa Gurnis. |
264 | 1 | |a Philadelphia : |b University of Pennsylvania Press, |c [2018] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (272 p.) : |b 5 illus. | ||
336 | |a text |b txt |2 rdacontent | ||
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505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Introduction -- |t Chapter 1. Mixed Faith -- |t Chapter 2. Shared Feeling -- |t Chapter 3. In Mixed Company: Collaboration in Commercial Theater -- |t Chapter 4. Making a Public Through A Game at Chess -- |t Chapter 5. Measure for Measure: Theatrical Cues and Confessional Codes -- |t Epilogue: Pity in the Public Sphere -- |t Notes -- |t Bibliography -- |t Index -- |t Acknowledgments |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Mixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideological baggage that individual playgoers bring into the theater. While early modern English drama was shaped by the polyvocal, confessional scene in which it was embedded, Musa Gurnis contends that theater does not simply reflect culture but shapes it. According to Gurnis, shared theatrical experience allowed mixed-faith audiences to vicariously occupy alternative emotional and cognitive perspectives across the confessional spectrum.In looking at individual plays, such as Thomas Middleton's A Game of Chess and Shakespeare's Measure for Measure, Gurnis shows how theatrical process can restructure playgoers' experiences of confessional material and interrupt dominant habits of religious thought. She refutes any assumption that audiences consisted of conforming Church of England Protestants by tracking the complex and changing religious lives of seventy known playgoers. Arguing against work that seeks to draw fixed lines of religious affiliation around individual playwrights or companies, she highlights the common practice of cross-confessional collaboration among playhouse colleagues. Mixed Faith and Shared Feeling demonstrates how post-Reformation representational practices actively reshaped the ways ideologically diverse Londoners accessed the mixture of religious life across the spectrum of beliefs. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) | |
650 | 0 | |a English drama |y 17th century |x History and criticism. | |
650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History andcriticism. | |
650 | 0 | |a Theater and society |z Great Britain |x History |y 16th century. | |
650 | 0 | |a Theater and society |z Great Britain |x History |y 17th century. | |
650 | 0 | |a Theater audiences |z Great Britain |x Religious aspects |x History |y 16th century. | |
650 | 0 | |a Theater audiences |z Great Britain |x Religious aspects |x History |y 16thcentury. | |
650 | 0 | |a Theater audiences |z Great Britain |x Religious aspects |x History |y 17th century. | |
650 | 0 | |a Theater audiences |z Great Britain |x Religious aspects |x History |y 17thcentury. | |
650 | 0 | |a Theater |z Great Britain |x Religious aspects |x History |y 16th century. | |
650 | 0 | |a Theater |z Great Britain |x Religious aspects |x History |y 17th century. | |
650 | 7 | |a LITERARY CRITICISM / Renaissance. |2 bisacsh | |
653 | |a Cultural Studies. | ||
653 | |a Literature. | ||
653 | |a Medieval and Renaissance Studies. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2018 English |z 9783110604252 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2018 |z 9783110603255 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Literary, Cultural and Area Stud. 2018 English |z 9783110604184 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Literary, Cultural and Area Studies 2018 |z 9783110603187 |o ZDB-23-DKU |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Penn Press eBook Frontlist Package 2019 |z 9783110652055 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Univ.of Pennsylvania Press eBook-Package 2018 |z 9783110606638 |
856 | 4 | 0 | |u https://doi.org/10.9783/9780812295184 |
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