The Art of Contact : : Comparative Approaches to Greek and Phoenician Art / / S. Rebecca Martin.
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a...
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Martin, S. Rebecca, author. aut http://id.loc.gov/vocabulary/relators/aut The Art of Contact : Comparative Approaches to Greek and Phoenician Art / S. Rebecca Martin. Philadelphia : University of Pennsylvania Press, [2017] ©2017 1 online resource (408 p.) : 38 color, 59 b/w illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction -- Chapter 11. Culture, Contact, and Art History: Framing the Theoretical Landscape -- Chapter 2. Arts of Contact -- Chapter 3. Exceptional Greeks and Phantom Phoenicians -- Chapter 4. The Rise of Phoenicianism -- Chapter 5. Hybridity, the Middle Ground, and the “Conundrum of ‘Mixing’ ” -- Conclusion -- Notes -- Works Cited -- Index -- Acknowl edgments restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. It is this perspective that informs the argument of The Art of Contact: Comparative Approaches to Greek and Phoenician Art.Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction.Examining Athenian and Tyrian coins, kouros statues and wall mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper," Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity. Explicating the relationship between theory, method, and interpretation, The Art of Contact destabilizes categories such as orientalism and Hellenism and offers fresh perspectives on Greek and Phoenician art history. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2020) Ancient Studies. Archaeology. Architecture. Classics. Fine Art. Garden History. ART / History / Ancient & Classical. bisacsh Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017 9783110540550 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE ENGLISH 2017 9783110625264 Title is part of eBook package: De Gruyter EBOOK PACKAGE Classical Studies 2017 9783110547733 ZDB-23-DGD Title is part of eBook package: De Gruyter Penn Press eBook Package 2017 9783110550306 https://doi.org/10.9783/9780812293944 https://www.degruyter.com/isbn/9780812293944 Cover https://www.degruyter.com/cover/covers/9780812293944.jpg |
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Martin, S. Rebecca, Martin, S. Rebecca, |
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Martin, S. Rebecca, Martin, S. Rebecca, The Art of Contact : Comparative Approaches to Greek and Phoenician Art / Frontmatter -- Contents -- Introduction -- Chapter 11. Culture, Contact, and Art History: Framing the Theoretical Landscape -- Chapter 2. Arts of Contact -- Chapter 3. Exceptional Greeks and Phantom Phoenicians -- Chapter 4. The Rise of Phoenicianism -- Chapter 5. Hybridity, the Middle Ground, and the “Conundrum of ‘Mixing’ ” -- Conclusion -- Notes -- Works Cited -- Index -- Acknowl edgments |
author_facet |
Martin, S. Rebecca, Martin, S. Rebecca, |
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s r m sr srm s r m sr srm |
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Martin, S. Rebecca, |
title |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / |
title_sub |
Comparative Approaches to Greek and Phoenician Art / |
title_full |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / S. Rebecca Martin. |
title_fullStr |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / S. Rebecca Martin. |
title_full_unstemmed |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / S. Rebecca Martin. |
title_auth |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / |
title_alt |
Frontmatter -- Contents -- Introduction -- Chapter 11. Culture, Contact, and Art History: Framing the Theoretical Landscape -- Chapter 2. Arts of Contact -- Chapter 3. Exceptional Greeks and Phantom Phoenicians -- Chapter 4. The Rise of Phoenicianism -- Chapter 5. Hybridity, the Middle Ground, and the “Conundrum of ‘Mixing’ ” -- Conclusion -- Notes -- Works Cited -- Index -- Acknowl edgments |
title_new |
The Art of Contact : |
title_sort |
the art of contact : comparative approaches to greek and phoenician art / |
publisher |
University of Pennsylvania Press, |
publishDate |
2017 |
physical |
1 online resource (408 p.) : 38 color, 59 b/w illus. |
contents |
Frontmatter -- Contents -- Introduction -- Chapter 11. Culture, Contact, and Art History: Framing the Theoretical Landscape -- Chapter 2. Arts of Contact -- Chapter 3. Exceptional Greeks and Phantom Phoenicians -- Chapter 4. The Rise of Phoenicianism -- Chapter 5. Hybridity, the Middle Ground, and the “Conundrum of ‘Mixing’ ” -- Conclusion -- Notes -- Works Cited -- Index -- Acknowl edgments |
isbn |
9780812293944 9783110540550 9783110625264 9783110547733 9783110550306 |
url |
https://doi.org/10.9783/9780812293944 https://www.degruyter.com/isbn/9780812293944 https://www.degruyter.com/cover/covers/9780812293944.jpg |
illustrated |
Illustrated |
doi_str_mv |
10.9783/9780812293944 |
oclc_num |
985342112 |
work_keys_str_mv |
AT martinsrebecca theartofcontactcomparativeapproachestogreekandphoenicianart AT martinsrebecca artofcontactcomparativeapproachestogreekandphoenicianart |
status_str |
n |
ids_txt_mv |
(DE-B1597)481196 (OCoLC)985342112 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE ENGLISH 2017 Title is part of eBook package: De Gruyter EBOOK PACKAGE Classical Studies 2017 Title is part of eBook package: De Gruyter Penn Press eBook Package 2017 |
is_hierarchy_title |
The Art of Contact : Comparative Approaches to Greek and Phoenician Art / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2017 |
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1770176450731704320 |
fullrecord |
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