The Art of Being Jewish in Modern Times / / ed. by Barbara Kirshenblatt-Gimblett, Jonathan Karp.

The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popul...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2013]
©2008
Year of Publication:2013
Language:English
Series:Jewish Culture and Contexts
Online Access:
Physical Description:1 online resource (464 p.) :; 59 illus.
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Table of Contents:
  • Frontmatter
  • Contents
  • Illustrations
  • Preface
  • Introduction
  • I. Culture, Commerce, and Class
  • Introduction
  • Chapter 1. Theater as Educational Institution: Jewish Immigrant Intellectuals and Yiddish Theater Reform
  • Chapter 2. Film and Vaudeville on New York's Lower East Side
  • Chapter 3. Of Maestros and Minstrels: American Jewish Composers between Black Vernacular and European Art Music
  • II. Siting the Jewish Tomorrow
  • Introduction
  • Chapter 4. May Day, Tractors, and Piglets: Yiddish Songs for Little Communists
  • Chapter 5. Performing the State: The Jewish Palestine Pavilion at the New York World's Fair, 1939/40
  • Chapter 6. Was There Anything Particularly Jewish about ''The First Hebrew City''?
  • Chapter 7. Re-Routing Roots: Zehava Ben's Journey between Shuk and Suk
  • III. Lost in Place
  • Introduction
  • Chapter 8. The ''Wandering Jew'' from Medieval Legend to Modern Metaphor
  • Chapter 9. Diasporic Values in Contemporary Art: Kitaj, Katchor, Frenkel
  • IV. Portraits of the Artist as Jew
  • Introduction
  • Chapter 10. Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings
  • Chapter 11. Max Liebermann and the Amsterdam Jewish Quarter
  • Chapter 12. Rome and Jerusalem: The Figure of Jesus in the Creation of Mark Antokol'skii
  • V. In Search of a Usable Aesthetic
  • Introduction
  • Chapter 13. A Modern Mitzvah-Space-Aesthetic: The Philosophy of Franz Rosenzweig
  • Chapter 14. Reestablishing a ''Jewish Spirit'' in American Synagogue Music: The Music of A. W. Binder
  • Chapter 15. The Evolution of Philadelphia's Russian Sher Medley
  • VI. Hotel Terminus
  • Introduction
  • Chapter 16. Framing Nazi Art Loot
  • Chapter 17. Joseph Lewitan and the Nazification of Dance in Germany
  • Chapter 18. History, Memory, and Moral Judgment in Documentary Film: On Marcel Ophuls's Hotel Terminus: The Life and Times of Klaus Barbie
  • Notes
  • Notes on Contributors
  • Acknowledgments