Images, Iconoclasm, and the Carolingians / / Thomas F. X. Noble.
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues w...
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Place / Publishing House: | Philadelphia : : University of Pennsylvania Press, , [2012] ©2009 |
Year of Publication: | 2012 |
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Series: | The Middle Ages Series
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Noble, Thomas F. X., author. aut http://id.loc.gov/vocabulary/relators/aut Images, Iconoclasm, and the Carolingians / Thomas F. X. Noble. Philadelphia : University of Pennsylvania Press, [2012] ©2009 1 online resource (496 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda The Middle Ages Series Frontmatter -- Contents -- Introduction -- Chapter one. Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm -- Chapter two. Byzantine Iconoclasm in the Eighth Century -- Chapter three. Art and Art Talk in the West in the First Age of Iconoclasm -- Chapter four. The Franks and Nicaea: Opus Caroli Regis -- Chapter five. Tradition, Order, and Worship in the Age of Charlemagne -- Chapter six. The Age of Second Iconoclasm -- Chapter seven. Art and Argument in the Age of Louis the Pious -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Carolingians. Iconoclasm Europe. Medieval and Renaissance Studies. HISTORY / Medieval. bisacsh History. Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection 9783110413458 Title is part of eBook package: De Gruyter Penn Press eBook Package World History 9783110413472 Title is part of eBook package: De Gruyter University of Pennsylvania Backlist eBook-Package 2000-2013 9783110459548 print 9780812241419 https://doi.org/10.9783/9780812202960 https://www.degruyter.com/isbn/9780812202960 Cover https://www.degruyter.com/document/cover/isbn/9780812202960/original |
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English |
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author |
Noble, Thomas F. X., Noble, Thomas F. X., |
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Noble, Thomas F. X., Noble, Thomas F. X., Images, Iconoclasm, and the Carolingians / The Middle Ages Series Frontmatter -- Contents -- Introduction -- Chapter one. Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm -- Chapter two. Byzantine Iconoclasm in the Eighth Century -- Chapter three. Art and Art Talk in the West in the First Age of Iconoclasm -- Chapter four. The Franks and Nicaea: Opus Caroli Regis -- Chapter five. Tradition, Order, and Worship in the Age of Charlemagne -- Chapter six. The Age of Second Iconoclasm -- Chapter seven. Art and Argument in the Age of Louis the Pious -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments |
author_facet |
Noble, Thomas F. X., Noble, Thomas F. X., |
author_variant |
t f x n tfx tfxn t f x n tfx tfxn |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Noble, Thomas F. X., |
title |
Images, Iconoclasm, and the Carolingians / |
title_full |
Images, Iconoclasm, and the Carolingians / Thomas F. X. Noble. |
title_fullStr |
Images, Iconoclasm, and the Carolingians / Thomas F. X. Noble. |
title_full_unstemmed |
Images, Iconoclasm, and the Carolingians / Thomas F. X. Noble. |
title_auth |
Images, Iconoclasm, and the Carolingians / |
title_alt |
Frontmatter -- Contents -- Introduction -- Chapter one. Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm -- Chapter two. Byzantine Iconoclasm in the Eighth Century -- Chapter three. Art and Art Talk in the West in the First Age of Iconoclasm -- Chapter four. The Franks and Nicaea: Opus Caroli Regis -- Chapter five. Tradition, Order, and Worship in the Age of Charlemagne -- Chapter six. The Age of Second Iconoclasm -- Chapter seven. Art and Argument in the Age of Louis the Pious -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments |
title_new |
Images, Iconoclasm, and the Carolingians / |
title_sort |
images, iconoclasm, and the carolingians / |
series |
The Middle Ages Series |
series2 |
The Middle Ages Series |
publisher |
University of Pennsylvania Press, |
publishDate |
2012 |
physical |
1 online resource (496 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Introduction -- Chapter one. Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm -- Chapter two. Byzantine Iconoclasm in the Eighth Century -- Chapter three. Art and Art Talk in the West in the First Age of Iconoclasm -- Chapter four. The Franks and Nicaea: Opus Caroli Regis -- Chapter five. Tradition, Order, and Worship in the Age of Charlemagne -- Chapter six. The Age of Second Iconoclasm -- Chapter seven. Art and Argument in the Age of Louis the Pious -- Conclusion -- Notes -- Bibliography -- Index -- Acknowledgments |
isbn |
9780812202960 9783110413458 9783110413472 9783110459548 9780812241419 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BR - Christianity |
callnumber-label |
BR238 ǂB N63 2009EB |
callnumber-sort |
BR 3238 _B N63 42009EB |
geographic_facet |
Europe. |
url |
https://doi.org/10.9783/9780812202960 https://www.degruyter.com/isbn/9780812202960 https://www.degruyter.com/document/cover/isbn/9780812202960/original |
illustrated |
Not Illustrated |
dewey-hundreds |
200 - Religion |
dewey-tens |
240 - Christian practice & observance |
dewey-ones |
246 - Use of art in Christianity |
dewey-full |
246/.2 |
dewey-sort |
3246 12 |
dewey-raw |
246/.2 |
dewey-search |
246/.2 |
doi_str_mv |
10.9783/9780812202960 |
oclc_num |
794702351 |
work_keys_str_mv |
AT noblethomasfx imagesiconoclasmandthecarolingians |
status_str |
n |
ids_txt_mv |
(DE-B1597)449154 (OCoLC)794702351 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection Title is part of eBook package: De Gruyter Penn Press eBook Package World History Title is part of eBook package: De Gruyter University of Pennsylvania Backlist eBook-Package 2000-2013 |
is_hierarchy_title |
Images, Iconoclasm, and the Carolingians / |
container_title |
Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection |
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1770176424981823488 |
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Art and Argument in the Age of Louis the Pious -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Acknowledgments</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. 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