Hosay Trinidad : : Muharram Performances in an Indo-Caribbean Diaspora / / Frank J. Korom.

The multivocalic rite known as Hosay in the Caribbean developed out of earlier practices originating in Iraq and Iran which diffused to Trinidad by way of South Asian indentured laborers brought to the Caribbean by the British from the mid-1800s to the early decades of the twentieth century. The rit...

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Superior document:Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection
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Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2012]
©2003
Year of Publication:2012
Language:English
Online Access:
Physical Description:1 online resource (320 p.) :; 31 illus.
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100 1 |a Korom, Frank J.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Hosay Trinidad :  |b Muharram Performances in an Indo-Caribbean Diaspora /  |c Frank J. Korom. 
264 1 |a Philadelphia :   |b University of Pennsylvania Press,   |c [2012] 
264 4 |c ©2003 
300 |a 1 online resource (320 p.) :  |b 31 illus. 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t A Note on Orthography --   |t Introduction --   |t 1 Orientations and Overview --   |t 2 Muharram Rituals in Iran:Past and Present --   |t 3 The Passage of Rites to South Asia --   |t 4 Onward to the Caribbean --   |t 5 Building the Tadjah, Constructing Community --   |t 6 Conclusion: Maintenance and Transformation via Cultural Creolization --   |t Epilogue --   |t Notes --   |t Glossary --   |t Bibliography --   |t Index --   |t Acknowledgments 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The multivocalic rite known as Hosay in the Caribbean developed out of earlier practices originating in Iraq and Iran which diffused to Trinidad by way of South Asian indentured laborers brought to the Caribbean by the British from the mid-1800s to the early decades of the twentieth century. The rituals are important as a Shi'i religious observance, but they also are emblems of ethnic and national identity for Indo-Trinidadians. Frank Korom investigates the essential role of Hosay in the performance of multiple identities by historically and ethnographically situating the event in Middle Eastern, South Asian, and Caribbean contexts. Hosay Trinidad: Muharram Performances in an Indo-Caribbean Diaspora is the first detailed historical and ethnographic study of Islamic muharram rituals performed on the island of Trinidad.Korom's central argument is that the annual rite is a polyphonic discourse that is best understood by employing multiple levels of interpretation. On the symbolic level the observance provides esoteric meaning to a small community of Indo-Trinidadian Muslims. On another level, it is perceived to be representative of "transplanted" Indian culture as a whole. Finally, the rituals are becoming emblematic of Trinidad's polyethnic population. Addressing strategies used to resist integration and assimilation, Hosay Trinidad is engaged with theories concerning the notion of cultural creolization in the Caribbean as well as in the general study of global diasporas. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) 
650 0 |a Muslims  |v Trinidad and Tobago. 
650 0 |a Muslims  |z Trinidad and Tobago. 
650 0 |a SOCIAL SCIENCE  |v Anthropology  |v Cultural. 
650 0 |a Shi`ah  |v Customs and practices. 
650 0 |a Shi`ah  |v Trinidad and Tobago. 
650 0 |a Shīʿah  |x Customs and practices. 
650 0 |a Shīʿah  |z Trinidad and Tobago. 
650 0 |a Shīʻah  |x Customs and practices. 
650 0 |a Shīʻah  |z Trinidad and Tobago. 
650 0 |a Tenth of Muḥarram. 
650 0 |a Tenth of Muḥarram. 
650 4 |a Folklore. 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural & Social.  |2 bisacsh 
653 |a Anthropology. 
653 |a Folklore. 
653 |a Linguistics. 
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