Voice in Motion : : Staging Gender, Shaping Sound in Early Modern England / / Gina Bloom.
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern idea...
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| Superior document: | Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection |
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| Place / Publishing House: | Philadelphia : : University of Pennsylvania Press, , [2013] ©2007 |
| Year of Publication: | 2013 |
| Language: | English |
| Series: | Material Texts
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| Online Access: | |
| Physical Description: | 1 online resource (288 p.) :; 5 illus. |
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Table of Contents:
- Frontmatter
- Contents
- Introduction. From Excitable Speech to Voice in Motion
- Chapter 1. Squeaky Voices: Marston, Mulcaster, and the Boy Actor
- Chapter 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter
- Chapter 3. Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience
- Chapter 4. Echoic Sound: Sandys's Englished Ovid and Feminist Criticism
- Epilogue. Performing the Voice of Queen Elizabeth
- Notes
- Bibliography
- Index
- Acknowledgments