This Is Our Music : : Free Jazz, the Sixties, and American Culture / / Iain Anderson.
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist inn...
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Superior document: | Title is part of eBook package: De Gruyter Penn Press eBook Package American History |
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Place / Publishing House: | Philadelphia : : University of Pennsylvania Press, , [2012] ©2007 |
Year of Publication: | 2012 |
Language: | English |
Series: | The Arts and Intellectual Life in Modern America
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Physical Description: | 1 online resource (264 p.) :; 23 illus. |
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Anderson, Iain, author. aut http://id.loc.gov/vocabulary/relators/aut This Is Our Music : Free Jazz, the Sixties, and American Culture / Iain Anderson. Philadelphia : University of Pennsylvania Press, [2012] ©2007 1 online resource (264 p.) : 23 illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda The Arts and Intellectual Life in Modern America Frontmatter -- Contents -- Introduction -- 1. The Resurgence of Jazz in the 1950s -- 2. Free Improvisation Challenges the Jazz Canon -- 3. Free Jazz and Black Nationalism -- 4. The Musicians and Their Audience -- 5. Jazz Outside the Marketplace -- Epilogue -- Notes -- Bibliography -- Index -- Acknowledgments restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters-and potentially those in other arts-have both challenged and accommodated themselves to an ongoing process of cultural stratification. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) African American jazz musicians. Black Arts movement. Free jazz United States History and criticism. Jazz Social aspects United States. American Studies. HISTORY / United States / 20th Century. bisacsh American History. Music. Title is part of eBook package: De Gruyter Penn Press eBook Package American History 9783110413496 Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection 9783110413458 Title is part of eBook package: De Gruyter University of Pennsylvania Backlist eBook-Package 2000-2013 9783110459548 print 9780812220032 https://doi.org/10.9783/9780812201123 https://www.degruyter.com/isbn/9780812201123 Cover https://www.degruyter.com/document/cover/isbn/9780812201123/original |
language |
English |
format |
eBook |
author |
Anderson, Iain, Anderson, Iain, |
spellingShingle |
Anderson, Iain, Anderson, Iain, This Is Our Music : Free Jazz, the Sixties, and American Culture / The Arts and Intellectual Life in Modern America Frontmatter -- Contents -- Introduction -- 1. The Resurgence of Jazz in the 1950s -- 2. Free Improvisation Challenges the Jazz Canon -- 3. Free Jazz and Black Nationalism -- 4. The Musicians and Their Audience -- 5. Jazz Outside the Marketplace -- Epilogue -- Notes -- Bibliography -- Index -- Acknowledgments |
author_facet |
Anderson, Iain, Anderson, Iain, |
author_variant |
i a ia i a ia |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Anderson, Iain, |
title |
This Is Our Music : Free Jazz, the Sixties, and American Culture / |
title_sub |
Free Jazz, the Sixties, and American Culture / |
title_full |
This Is Our Music : Free Jazz, the Sixties, and American Culture / Iain Anderson. |
title_fullStr |
This Is Our Music : Free Jazz, the Sixties, and American Culture / Iain Anderson. |
title_full_unstemmed |
This Is Our Music : Free Jazz, the Sixties, and American Culture / Iain Anderson. |
title_auth |
This Is Our Music : Free Jazz, the Sixties, and American Culture / |
title_alt |
Frontmatter -- Contents -- Introduction -- 1. The Resurgence of Jazz in the 1950s -- 2. Free Improvisation Challenges the Jazz Canon -- 3. Free Jazz and Black Nationalism -- 4. The Musicians and Their Audience -- 5. Jazz Outside the Marketplace -- Epilogue -- Notes -- Bibliography -- Index -- Acknowledgments |
title_new |
This Is Our Music : |
title_sort |
this is our music : free jazz, the sixties, and american culture / |
series |
The Arts and Intellectual Life in Modern America |
series2 |
The Arts and Intellectual Life in Modern America |
publisher |
University of Pennsylvania Press, |
publishDate |
2012 |
physical |
1 online resource (264 p.) : 23 illus. Issued also in print. |
contents |
Frontmatter -- Contents -- Introduction -- 1. The Resurgence of Jazz in the 1950s -- 2. Free Improvisation Challenges the Jazz Canon -- 3. Free Jazz and Black Nationalism -- 4. The Musicians and Their Audience -- 5. Jazz Outside the Marketplace -- Epilogue -- Notes -- Bibliography -- Index -- Acknowledgments |
isbn |
9780812201123 9783110413496 9783110413458 9783110459548 9780812220032 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3508 |
callnumber-sort |
ML 43508 A53 42007EB |
geographic_facet |
United States United States. |
url |
https://doi.org/10.9783/9780812201123 https://www.degruyter.com/isbn/9780812201123 https://www.degruyter.com/document/cover/isbn/9780812201123/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
781 - General principles & musical forms |
dewey-full |
781.65/5 |
dewey-sort |
3781.65 15 |
dewey-raw |
781.65/5 |
dewey-search |
781.65/5 |
doi_str_mv |
10.9783/9780812201123 |
oclc_num |
979744144 |
work_keys_str_mv |
AT andersoniain thisisourmusicfreejazzthesixtiesandamericanculture |
status_str |
n |
ids_txt_mv |
(DE-B1597)448965 (OCoLC)979744144 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Penn Press eBook Package American History Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection Title is part of eBook package: De Gruyter University of Pennsylvania Backlist eBook-Package 2000-2013 |
is_hierarchy_title |
This Is Our Music : Free Jazz, the Sixties, and American Culture / |
container_title |
Title is part of eBook package: De Gruyter Penn Press eBook Package American History |
_version_ |
1806143361272250368 |
fullrecord |
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