Interfaces of the Word : : Studies in the Evolution of Consciousness and Culture / / Walter J. Ong.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
• VerfasserIn: Ong, Walter J.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Physical Description: 1 online resource (352 p.)
• Other title: Frontmatter --; Contents --; Preface --; I. CLEAVAGE AND GROWTH --; 1. Transformations of the Word and Alienation --; II. THE SEQUESTRATION OF VOICE --; 2. The Writer's Audience Is Always a Fiction --; 3. Media Transformation: The Talked Book --; 4. African Talking Drums and Oral Noetics --; 5. "I See What You Say": Sense Analogues for Intellect --; III. CLOSURE AND PRINT --; 6. Typographic Rhapsody: Ravisius Textor, Zwinger, and Shakespeare --; 7. From Epithet to Logic: Miltonic Epic and the Closure of Existence --; 8. The Poem as a Closed Field: The Once New Criticism and the Nature of Literature --; 9. Maranatha: Death and Life in the Text of the Book --; 10. From Mimesis to Irony: Writing and Print as Integuments of Voice --; IV. PRESENT AND FUTURE --; 11. Voice and the Opening of Closed Systems --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780801466311; 9783110536157
• DOI: 10.7591/9780801466311
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Walter J. Ong.

Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.