War and the Mind : : Ford Madox Ford's Parade's End, Modernism, and Psychology / / Ashley Chantler, Rob Hawkes.
New critical essays illuminate Ford Madox Ford's epic First World War modernist masterpiece, Parade's EndThis is the first full-length critical study of Parade's End to focus on the psychological effects of the war. Originally published in 4 volumes between 1924 and 1928, Parade'...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2015 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (224 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1. 'Sex ferocity' and 'the sadic lusts of certain novelists': Sexuality, Sadomasochism, and Suppression in Parade's End
- 2. Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford's Wartime Writing
- 3. Empathy, Trauma, and the Space of War in Parade's End
- 4. Fellow Feeling in Ford's Last Post: Modernist Empathy and the Eighteenth-Century Man
- 5. The Self-Analysis of Christopher Tietjens
- 6. Composing the War and the Mind; Composing Parade's
- 7. The Work of Sleep: Insomnia and Discipline in Ford and Sassoon
- 8. Representing Shell Shock: A Return to Ford and Rebecca West
- 9. 'I hate soldiering': Ford, May Sinclair, and War Heroism
- 10. Peace of Mind in Parade's End
- Notes on Contributors
- Bibliography
- Index