Films on Ice : : Cinemas of the Arctic / / Scott MacKenzie, Anna Westerstahl Stenport.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
• VerfasserIn: MacKenzie, Scott,; Westerstahl Stenport, Anna,
• MitwirkendeR: Bohr, Marco,; Bredin, Marian,; Bugaeva, Lyubov,; Dahlquist, Marina,; Diesen, Jan Anders,; Fienup-Riordan, Ann,; Genauer, Rebecca,; Henlin-Stromme, Sabine,; Holloway, Caroline Forcier,; Ihle, Johanne Haaber,; Iversen, Gunnar,; Jorgensen, Anne Mette,; Korber, Lill-Ann,; Kääpä, Pietari,; Luthersdottir, Helga Hlaogerour,; MacKenzie, Scott,; Mecsei, Monica Kim,; Neely, Sarah,; Norofjoro, Bjorn,; Potter, Russell A.,; Sandberg, Mark,; Sarkisova, Oksana,; Shembel, Daria,; Stenport, Anna Westerstahl,; Thisted, Kirsten,; Volquardsen, Ebbe,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2014
• Year of Publication: 2022
• Language: English
• Series: Traditions in World Cinema : TWC
• Physical Description: 1 online resource (384 p.) :; 52 B/W illustrations

A comprehensive study of films made in a region of the world central to its future: The ArcticThe first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice: Cinemas of the Arctic presents the region as one of great and previously overlooked cinematic diversity. With chapters on polar explorer films, silent cinema, documentaries, ethnographic and indigenous film, gender and ecology, as well as Hollywood and the USSR’s uses and abuses of the Arctic, this book provides a groundbreaking account of Arctic cinemas from 1898 to the present. Challenging dominant notions of the region in popular and political culture, it demonstrates how moving images (cinema, television, video, and digital media) have been central to the very definition of the Arctic since the end of the nineteenth century. Bringing together an international array of European, Russian, Nordic, and North American scholars, Films on Ice radically alters stereotypical views of the Arctic region, and therefore of film history itself.‘Gathering leading scholars across the three continents meeting in the Arctic, MacKenzie and Stenport open up the utopian, dystopian and heterotopian dimensions of Arctic film, a shimmering, crystalline view not only on the contest over the meanings of polar space, but onto the possibilities for reconceptualising world cinema.’ - Sean Cubitt, Professor of Film and Television, Goldsmiths, University of London

Table of Contents

Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- TRADITIONS IN WORLD CINEMA -- Introduction: What are Arctic Cinemas? -- PART I GLOBAL INDIGENEITY -- 1. ‘Who Were We? And What Happened to Us?’: Inuit Memory and Arctic Futures in Igloolik Isuma Film and Video -- 2. Northern Exposures and Marginal Critiques: The Politics of Sovereignty in Sami Cinema -- 3. Frozen in Film: Alaska Eskimos in the Movies -- 4. Cultural Stereotypes and Negotiations in Sami Cinema -- 5. Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat: The Fast Runner -- 6. Cosmopolitan Inuit: New Perspectives On Greenlandic Film -- 7. Arctic Carnivalesque: Ethnicity, Gender And Transnationality In The Films Of Tommy Wirkola -- PART II HOLLYWOOD HEGEMONY -- 8. Fact And Fiction In ‘Northerns’ And Early ‘Arctic’ Films -- 9. California’s Yukon As Comic Space -- 10. ‘See The Crashing Masses Of White Death . . .’: Greenland, Germany And The Sublime In The ‘Bergfilm’ SOS Eisberg -- 11. The Threat Of The Thaw: The Cold War On The Screen -- 12. Hollywood Does Iceland: Authenticity, Genericity And The Picturesque -- 13. White On White: Twenty-First-Century Norwegian Horror Films Negotiate Masculinist Arctic Imaginaries -- PART III ETHNOGRAPHY AND THE DOCUMENTARY DILEMMA -- 14. The Creative Treatment Of Alterity: Nanook As The North -- 15. From Objects To Actors: Knud Rasmussen’S Ethnographic Feature Film The Wedding of Palo -- 16. Arctic Travelogues: Conquering The Soviet North -- 17. A Gentle Gaze On The Colony: Jette Bang’S Documentary Filming In Greenland 1938-9 -- 18. Exercise Musk-Ox: The Challenges of Filming a Military Expedition in Canada’s Arctic -- 19. The Tour: A Film About Longyearbyen, Svalbard. An Interview with Eva la Cour -- PART IV MYTHS AND MODES OF EXPLORATION -- 20. The Changing Polar Films: Silent Films from Arctic Exploration 1900-30 -- 21. The Attractions of the North: Early Film Expeditions to the Exotic Snowscape -- 22. Frozen in Motion: Ethnographic Representation in Donald B. MacMillan’s Arctic Films -- 23. ‘My Heart Beat for the Wilderness’: Isobel Wylie Hutchison, Jenny Gilbertson, Margaret Tait and Other Twentieth-Century Scottish Women Filmmakers -- 24. ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site -- 25. Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah -- 26. DJ Spooky and Dziga Vertov: Experimental Cinema Meets Digital Art in Exploring the Polar Regions -- Notes on the Contributors -- Index