East, West and Centre : : Reframing post-1989 European Cinema / / Michael Gott, Todd Herzog.
Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2014 |
Year of Publication: | 2022 |
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Gott, Michael, author. aut http://id.loc.gov/vocabulary/relators/aut East, West and Centre : Reframing post-1989 European Cinema / Michael Gott, Todd Herzog. Edinburgh : Edinburgh University Press, [2022] ©2014 1 online resource (360 p.) : 18 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction: East, West and Centre: 'Mapping Post-1989 European Cinema' -- Part I Redrawing the Lines: De/Recentring Europe -- 1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts's Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka's Rabbit à la Berlin (2009) -- 2 Changing Sides: East/West Travesties in Lionel Baier's Comme des voleurs (à l'est) -- 3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski -- 4 Challenging the East-West Divide in Ulrich Seidl's Import Export (2007) -- 5 Fatih Akın's Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) -- 6 Salami Aleikum - The 'Near East' Meets the 'Middle East' in Europe -- 7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona -- Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe -- 8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema -- 9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema -- 10 'Weirdness', Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) -- 11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 -- 12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema -- 13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s -- Part III Spectres of the East -- 14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World -- 15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf 's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012) -- 16 Barluschke: Towards an East-West Schizo-history -- 17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) -- 18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian's Le Voyage en Arménie -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania).This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well.Read the introduction for free Key FeaturesThe most comprehensive investigation of Central European cinema in the early 21st centuryContributions address recent films from or about Bulgaria, France, Germany, Lithuania, and RomaniaIntroduces readers to new films and directors from different national and transnational cinemas" Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures Europe, Central. Motion pictures Europe, Eastern. Motion pictures Europe. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Garn, Rimma, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Georgescu, Lucian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gott, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gueneli, Berna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Herzog, Todd, author. aut http://id.loc.gov/vocabulary/relators/aut Herzog, Todd, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hodgin, Nick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jenkins, Danica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ludewig, Alexandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mai, Joseph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Michell, Kalani, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Näripea, Eva, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Okada, Jun, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Petrescu, Mihaela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rice, Alison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sathe, Nikhil, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Skrodzka, Aga, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stümer, Jenny, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tonkin, Kati, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Trifonova, Temenuga, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Van Heuckelom, Kris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Šukaitytė, Renata, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 9783110780451 print 9780748694150 https://doi.org/10.1515/9780748694167?locatt=mode:legacy https://www.degruyter.com/isbn/9780748694167 Cover https://www.degruyter.com/document/cover/isbn/9780748694167/original |
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English |
format |
eBook |
author |
Gott, Michael, Gott, Michael, Herzog, Todd, |
spellingShingle |
Gott, Michael, Gott, Michael, Herzog, Todd, East, West and Centre : Reframing post-1989 European Cinema / Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction: East, West and Centre: 'Mapping Post-1989 European Cinema' -- Part I Redrawing the Lines: De/Recentring Europe -- 1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts's Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka's Rabbit à la Berlin (2009) -- 2 Changing Sides: East/West Travesties in Lionel Baier's Comme des voleurs (à l'est) -- 3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski -- 4 Challenging the East-West Divide in Ulrich Seidl's Import Export (2007) -- 5 Fatih Akın's Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) -- 6 Salami Aleikum - The 'Near East' Meets the 'Middle East' in Europe -- 7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona -- Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe -- 8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema -- 9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema -- 10 'Weirdness', Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) -- 11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 -- 12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema -- 13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s -- Part III Spectres of the East -- 14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World -- 15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf 's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012) -- 16 Barluschke: Towards an East-West Schizo-history -- 17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) -- 18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian's Le Voyage en Arménie -- Notes -- Bibliography -- Index |
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author_sort |
Gott, Michael, |
title |
East, West and Centre : Reframing post-1989 European Cinema / |
title_sub |
Reframing post-1989 European Cinema / |
title_full |
East, West and Centre : Reframing post-1989 European Cinema / Michael Gott, Todd Herzog. |
title_fullStr |
East, West and Centre : Reframing post-1989 European Cinema / Michael Gott, Todd Herzog. |
title_full_unstemmed |
East, West and Centre : Reframing post-1989 European Cinema / Michael Gott, Todd Herzog. |
title_auth |
East, West and Centre : Reframing post-1989 European Cinema / |
title_alt |
Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction: East, West and Centre: 'Mapping Post-1989 European Cinema' -- Part I Redrawing the Lines: De/Recentring Europe -- 1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts's Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka's Rabbit à la Berlin (2009) -- 2 Changing Sides: East/West Travesties in Lionel Baier's Comme des voleurs (à l'est) -- 3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski -- 4 Challenging the East-West Divide in Ulrich Seidl's Import Export (2007) -- 5 Fatih Akın's Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) -- 6 Salami Aleikum - The 'Near East' Meets the 'Middle East' in Europe -- 7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona -- Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe -- 8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema -- 9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema -- 10 'Weirdness', Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) -- 11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 -- 12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema -- 13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s -- Part III Spectres of the East -- 14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World -- 15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf 's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012) -- 16 Barluschke: Towards an East-West Schizo-history -- 17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) -- 18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian's Le Voyage en Arménie -- Notes -- Bibliography -- Index |
title_new |
East, West and Centre : |
title_sort |
east, west and centre : reframing post-1989 european cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (360 p.) : 18 B/W illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Figures -- Notes on Contributors -- Acknowledgements -- Introduction: East, West and Centre: 'Mapping Post-1989 European Cinema' -- Part I Redrawing the Lines: De/Recentring Europe -- 1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts's Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka's Rabbit à la Berlin (2009) -- 2 Changing Sides: East/West Travesties in Lionel Baier's Comme des voleurs (à l'est) -- 3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski -- 4 Challenging the East-West Divide in Ulrich Seidl's Import Export (2007) -- 5 Fatih Akın's Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) -- 6 Salami Aleikum - The 'Near East' Meets the 'Middle East' in Europe -- 7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona -- Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe -- 8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema -- 9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema -- 10 'Weirdness', Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) -- 11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 -- 12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema -- 13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s -- Part III Spectres of the East -- 14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World -- 15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf 's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012) -- 16 Barluschke: Towards an East-West Schizo-history -- 17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) -- 18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian's Le Voyage en Arménie -- Notes -- Bibliography -- Index |
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9780748694167 9783110780451 9780748694150 |
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Europe, Central. Europe, Eastern. Europe. |
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https://doi.org/10.1515/9780748694167?locatt=mode:legacy https://www.degruyter.com/isbn/9780748694167 https://www.degruyter.com/document/cover/isbn/9780748694167/original |
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Not Illustrated |
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700 - Arts & recreation |
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790 - Sports, games & entertainment |
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791 - Public performances |
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791.43094 |
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East, West and Centre : Reframing post-1989 European Cinema / |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08603nam a22009975i 4500</leader><controlfield tag="001">9780748694167</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20222014stk fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2014501258</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748694167</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748694167</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)614285</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1993.5.E8</subfield><subfield code="b">G67 2015</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.5.E8</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43094</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44906</subfield><subfield code="q">BSZ</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/7516:663</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gott, Michael, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">East, West and Centre :</subfield><subfield code="b">Reframing post-1989 European Cinema /</subfield><subfield code="c">Michael Gott, Todd Herzog.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (360 p.) :</subfield><subfield code="b">18 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Figures -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction: East, West and Centre: 'Mapping Post-1989 European Cinema' -- </subfield><subfield code="t">Part I Redrawing the Lines: De/Recentring Europe -- </subfield><subfield code="t">1 The Berlin Wall Revisited: Reframing Historical Space between East and West in Cynthia Beatts's Cycling the Frame (1988), The Invisible Frame (2009) and Bartosz Konopka's Rabbit à la Berlin (2009) -- </subfield><subfield code="t">2 Changing Sides: East/West Travesties in Lionel Baier's Comme des voleurs (à l'est) -- </subfield><subfield code="t">3 Dubbing and Doubling Over: The Disorientation of France in the Films of Michael Haneke and Krzysztof Kieślowski -- </subfield><subfield code="t">4 Challenging the East-West Divide in Ulrich Seidl's Import Export (2007) -- </subfield><subfield code="t">5 Fatih Akın's Filmic Visions of a New Europe: Spatial and Aural Constructions of Europe in Im Juli/In July (2000) -- </subfield><subfield code="t">6 Salami Aleikum - The 'Near East' Meets the 'Middle East' in Europe -- </subfield><subfield code="t">7 Cinematic Fairy Tales of Female Mobility in Post-Wall Europe: Hanna v. Mona -- </subfield><subfield code="t">Part II Border Spaces, Eastern Margins and Eastern Markets: Belonging and the Road to/from Europe -- </subfield><subfield code="t">8 Contemporary Bulgarian Cinema: From Allegorical Expressionism to Declined National Cinema -- </subfield><subfield code="t">9 The Point of No Return: From Great Expectations to Great Desperation in New Romanian Cinema -- </subfield><subfield code="t">10 'Weirdness', Modernity and the Other Europe in Attenberg (2010, Athina Rachel Tsangari) -- </subfield><subfield code="t">11 Lithuania Redirected: New Connections, Businesses and Lifestyles in Cinema since 2000 -- </subfield><subfield code="t">12 Lessons of Neo-liberalism: Co-productions and the Changing Image of Estonian Cinema -- </subfield><subfield code="t">13 Decentring Europe from the Fringe: Reimagining Balkan Identities in the Films of the 1990s -- </subfield><subfield code="t">Part III Spectres of the East -- </subfield><subfield code="t">14 Through the Lens of Black Humour: A Polish Adam in the Post-Wall World -- </subfield><subfield code="t">15 East Germany Revisited, Reimagined, Repositioned: Representing the GDR in Dominik Graf 's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012) -- </subfield><subfield code="t">16 Barluschke: Towards an East-West Schizo-history -- </subfield><subfield code="t">17 The Limits of Nostalgia and (Trans) National Cinema in Cum mi-am petrecut sfârşitul lumii (2006) -- </subfield><subfield code="t">18 The Ideal of Ararat: Friendship, Politics and National Origins in Robert Guédiguian's Le Voyage en Arménie -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Re-examines notions of East and West in contemporary European cinemaTwenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania).This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well.Read the introduction for free Key FeaturesThe most comprehensive investigation of Central European cinema in the early 21st centuryContributions address recent films from or about Bulgaria, France, Germany, Lithuania, and RomaniaIntroduces readers to new films and directors from different national and transnational cinemas"</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe, Central.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe, Eastern.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Garn, Rimma, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Georgescu, Lucian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gott, Michael, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gueneli, Berna, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Herzog, Todd, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Herzog, 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