The Edinburgh Companion to Literature and Music / / Delia da Sousa Correa.
Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical se...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Companions to Literature and the Humanities
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Physical Description: | 1 online resource (720 p.) :; 24 B/W illustrations 76 musical illustrations |
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da Sousa Correa, Delia, author. aut http://id.loc.gov/vocabulary/relators/aut The Edinburgh Companion to Literature and Music / Delia da Sousa Correa. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (720 p.) : 24 B/W illustrations 76 musical illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Introduction -- 1. Intertextuality, Topic Theory and the Open Text -- 2. Secrets, Technology and Musical Narrative: Remarks on Method -- 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- Part I: Literature and Music before 1500 -- Introduction -- 4. Music and the Book: The Textualisation of Music and the -- 5. Liturgical Music and Drama -- 6. Intermedial Texts -- 7. Citation and Quotation -- 8. Polytextuality -- 9. Courtly Subjectivities -- 10. Gender: The Art and Hermeneutics of (In)differentiation -- Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- Introduction -- 11. Music and the Literature of Science in Seventeenth-Century England -- 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- 14. Against ‘the Music of Poetry’ -- 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- Performers and Performance -- 16. Shakespeare’s Musicians: Status and Hierarchy -- 17. Best-Selling Ballads in Seventeenth-Century England -- 18. Italian Performance Practices in Seventeenth-Century English Song -- Theatre Music and Opera -- 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- 21. All-Sung English Opera Experiments in the Seventeenth Century -- Part III: Literature and Music in the Eighteenth Century -- Introduction -- 22. Thomas Arne and ‘Inferior’ English Opera -- 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- Oratorio -- 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- 26. Maurice Greene and the English Church Music Tradition -- Eighteenth-Century Fiction and Music -- 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- Music, Poetry and Song -- 30. Shelley’s Musical Gifts -- 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- 32. The Musical Poetry of the Graveyard -- 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- Part IV: Literature and Music in the Nineteenth Century -- Introduction -- 34. Music and the Rise of Narrative -- Opera -- 35. From English Literature to Italian Opera: A Tangled Web of Translation -- 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- Nineteenth-Century Fiction and Music -- 38. Stendhal at La Scala: The Birth of Musical Fandom -- 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- Music, Poetry and Song -- 41. Music in Romantic and Victorian Poetry -- 42. The Princess and the Tennysons’ Performance of Childhood -- 43. Tchaikovsky’s Songs: Music as Poetry -- 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- Introduction -- Music and Critical Theory -- 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- Music and Fiction since 1900 -- 47. Music in Proust: The Evolution of an Idea -- 48. Music in Woolf’s Short Fiction -- 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- 50. E. M. Forster and Music: Listening for the Amateur -- 51. Beckett, Music and the Ineffable -- 52. Jean Rhys and the Politics of Sound -- 53. Music in Contemporary Fiction -- Music, Poetry and Song -- 54. Modernist Poetry and Music: Pound Notes -- 55. Auden’s Imaginary Song -- 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- 57. Music and Contemporary Poetry: Audience, Apology and Silence -- Opera -- 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- 59. Britten, Austen and Mansfi eld Park -- 60. Tippett, Eliot and Madame Sosostris -- Literature, Pop Music and Sound -- 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- 63. Words in Popular Songs -- 64. Notes on Soundtracked Fiction: The Past as Future -- Coda -- 65. Origins and Destinations: A Future for Literature and Music -- Notes on Contributors -- Editorial Advisory Board -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Literature History and criticism. Music and literature. Literary Studies. LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh Aspden, Suzanne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Benson, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boon Cuillé, Tili, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Boulton, Maureen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Breatnach, Mary, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brown, Marshall, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bullock, Philip Ross, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Butterfield, Ardis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Clark, Suzannah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coombes, T. F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Correa, Delia da Sousa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Davison, Claire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dayan, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Deeming, Helen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb D’Arcy Wood, Gillen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fuller, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gallo, Denise P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gardner, Matthew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gouk, Penelope, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Griffths, Dai, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gritten, Anthony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Halliday, Sam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Halliwell, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Heller, Wendy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hoene, Christin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hohl Trillini, Regula, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hughes, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Joncus, Berta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, Ewan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kennedy, Kate, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kenny, Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb King, Ros, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Klein, Michael L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kramer, Lawrence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Langham Smith, Richard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Leach, Elizabeth Eva, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marsh, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb May, Will, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Minear, Erin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Newark, Cormac, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb O’Gorman, Francis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paterson, Adrian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Petersen, Nils Holger, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pinnock, Andrew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Price, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Prieto, Eric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reid, Susan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Richards, Annette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Saltzstein, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Ruth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Snaith, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Soden, Oliver, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sokol, B. J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb St Clair, Justin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stagg, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stone, Anne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Strohm, Reinhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sutton, Emma, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Swift, Helen J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Weliver, Phyllis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wilcox, Helen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wiley, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wood, Gillen D’Arcy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zeeman, Nicolette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 https://doi.org/10.1515/9780748693139 https://www.degruyter.com/isbn/9780748693139 Cover https://www.degruyter.com/document/cover/isbn/9780748693139/original |
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da Sousa Correa, Delia, da Sousa Correa, Delia, |
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da Sousa Correa, Delia, da Sousa Correa, Delia, The Edinburgh Companion to Literature and Music / Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Introduction -- 1. Intertextuality, Topic Theory and the Open Text -- 2. Secrets, Technology and Musical Narrative: Remarks on Method -- 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- Part I: Literature and Music before 1500 -- 4. Music and the Book: The Textualisation of Music and the -- 5. Liturgical Music and Drama -- 6. Intermedial Texts -- 7. Citation and Quotation -- 8. Polytextuality -- 9. Courtly Subjectivities -- 10. Gender: The Art and Hermeneutics of (In)differentiation -- Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- 11. Music and the Literature of Science in Seventeenth-Century England -- 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- 14. Against ‘the Music of Poetry’ -- 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- Performers and Performance -- 16. Shakespeare’s Musicians: Status and Hierarchy -- 17. Best-Selling Ballads in Seventeenth-Century England -- 18. Italian Performance Practices in Seventeenth-Century English Song -- Theatre Music and Opera -- 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- 21. All-Sung English Opera Experiments in the Seventeenth Century -- Part III: Literature and Music in the Eighteenth Century -- 22. Thomas Arne and ‘Inferior’ English Opera -- 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- Oratorio -- 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- 26. Maurice Greene and the English Church Music Tradition -- Eighteenth-Century Fiction and Music -- 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- Music, Poetry and Song -- 30. Shelley’s Musical Gifts -- 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- 32. The Musical Poetry of the Graveyard -- 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- Part IV: Literature and Music in the Nineteenth Century -- 34. Music and the Rise of Narrative -- Opera -- 35. From English Literature to Italian Opera: A Tangled Web of Translation -- 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- Nineteenth-Century Fiction and Music -- 38. Stendhal at La Scala: The Birth of Musical Fandom -- 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- 41. Music in Romantic and Victorian Poetry -- 42. The Princess and the Tennysons’ Performance of Childhood -- 43. Tchaikovsky’s Songs: Music as Poetry -- 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- Music and Critical Theory -- 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- Music and Fiction since 1900 -- 47. Music in Proust: The Evolution of an Idea -- 48. Music in Woolf’s Short Fiction -- 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- 50. E. M. Forster and Music: Listening for the Amateur -- 51. Beckett, Music and the Ineffable -- 52. Jean Rhys and the Politics of Sound -- 53. Music in Contemporary Fiction -- 54. Modernist Poetry and Music: Pound Notes -- 55. Auden’s Imaginary Song -- 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- 57. Music and Contemporary Poetry: Audience, Apology and Silence -- 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- 59. Britten, Austen and Mansfi eld Park -- 60. Tippett, Eliot and Madame Sosostris -- Literature, Pop Music and Sound -- 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- 63. Words in Popular Songs -- 64. Notes on Soundtracked Fiction: The Past as Future -- Coda -- 65. Origins and Destinations: A Future for Literature and Music -- Notes on Contributors -- Editorial Advisory Board -- Index |
author_facet |
da Sousa Correa, Delia, da Sousa Correa, Delia, Aspden, Suzanne, Aspden, Suzanne, Benson, Stephen, Benson, Stephen, Boon Cuillé, Tili, Boon Cuillé, Tili, Boulton, Maureen, Boulton, Maureen, Breatnach, Mary, Breatnach, Mary, Brown, Marshall, Brown, Marshall, Bullock, Philip Ross, Bullock, Philip Ross, Butterfield, Ardis, Butterfield, Ardis, Clark, Suzannah, Clark, Suzannah, Coombes, T. F., Coombes, T. F., Correa, Delia da Sousa, Correa, Delia da Sousa, Davison, Claire, Davison, Claire, Dayan, Peter, Dayan, Peter, Deeming, Helen, Deeming, Helen, D’Arcy Wood, Gillen, D’Arcy Wood, Gillen, Fuller, David, Fuller, David, Gallo, Denise P., Gallo, Denise P., Gardner, Matthew, Gardner, Matthew, Gouk, Penelope, Gouk, Penelope, Griffths, Dai, Griffths, Dai, Gritten, Anthony, Gritten, Anthony, Halliday, Sam, Halliday, Sam, Halliwell, Michael, Halliwell, Michael, Heller, Wendy, Heller, Wendy, Hoene, Christin, Hoene, Christin, Hohl Trillini, Regula, Hohl Trillini, Regula, Hughes, John, Hughes, John, Joncus, Berta, Joncus, Berta, Jones, Ewan, Jones, Ewan, Kennedy, Kate, Kennedy, Kate, Kenny, Elizabeth, Kenny, Elizabeth, King, Ros, King, Ros, Klein, Michael L., Klein, Michael L., Kramer, Lawrence, Kramer, Lawrence, Langham Smith, Richard, Langham Smith, Richard, Leach, Elizabeth Eva, Leach, Elizabeth Eva, Marsh, Christopher, Marsh, Christopher, May, Will, May, Will, Minear, Erin, Minear, Erin, Newark, Cormac, Newark, Cormac, O’Gorman, Francis, O’Gorman, Francis, Paterson, Adrian, Paterson, Adrian, Petersen, Nils Holger, Petersen, Nils Holger, Pinnock, Andrew, Pinnock, Andrew, Price, Christopher, Price, Christopher, Prieto, Eric, Prieto, Eric, Reid, Susan, Reid, Susan, Richards, Annette, Richards, Annette, Saltzstein, Jennifer, Saltzstein, Jennifer, Smith, Ruth, Smith, Ruth, Snaith, Anna, Snaith, Anna, Soden, Oliver, Soden, Oliver, Sokol, B. J., Sokol, B. J., St Clair, Justin, St Clair, Justin, Stagg, Robert, Stagg, Robert, Stone, Anne, Stone, Anne, Strohm, Reinhard, Strohm, Reinhard, Sutton, Emma, Sutton, Emma, Swift, Helen J., Swift, Helen J., Weliver, Phyllis, Weliver, Phyllis, Wilcox, Helen, Wilcox, Helen, Wiley, Christopher, Wiley, Christopher, Wood, Gillen D’Arcy, Wood, Gillen D’Arcy, Zeeman, Nicolette, Zeeman, Nicolette, |
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Aspden, Suzanne, Aspden, Suzanne, Benson, Stephen, Benson, Stephen, Boon Cuillé, Tili, Boon Cuillé, Tili, Boulton, Maureen, Boulton, Maureen, Breatnach, Mary, Breatnach, Mary, Brown, Marshall, Brown, Marshall, Bullock, Philip Ross, Bullock, Philip Ross, Butterfield, Ardis, Butterfield, Ardis, Clark, Suzannah, Clark, Suzannah, Coombes, T. F., Coombes, T. F., Correa, Delia da Sousa, Correa, Delia da Sousa, Davison, Claire, Davison, Claire, Dayan, Peter, Dayan, Peter, Deeming, Helen, Deeming, Helen, D’Arcy Wood, Gillen, D’Arcy Wood, Gillen, Fuller, David, Fuller, David, Gallo, Denise P., Gallo, Denise P., Gardner, Matthew, Gardner, Matthew, Gouk, Penelope, Gouk, Penelope, Griffths, Dai, Griffths, Dai, Gritten, Anthony, Gritten, Anthony, Halliday, Sam, Halliday, Sam, Halliwell, Michael, Halliwell, Michael, Heller, Wendy, Heller, Wendy, Hoene, Christin, Hoene, Christin, Hohl Trillini, Regula, Hohl Trillini, Regula, Hughes, John, Hughes, John, Joncus, Berta, Joncus, Berta, Jones, Ewan, Jones, Ewan, Kennedy, Kate, Kennedy, Kate, Kenny, Elizabeth, Kenny, Elizabeth, King, Ros, King, Ros, Klein, Michael L., Klein, Michael L., Kramer, Lawrence, Kramer, Lawrence, Langham Smith, Richard, Langham Smith, Richard, Leach, Elizabeth Eva, Leach, Elizabeth Eva, Marsh, Christopher, Marsh, Christopher, May, Will, May, Will, Minear, Erin, Minear, Erin, Newark, Cormac, Newark, Cormac, O’Gorman, Francis, O’Gorman, Francis, Paterson, Adrian, Paterson, Adrian, Petersen, Nils Holger, Petersen, Nils Holger, Pinnock, Andrew, Pinnock, Andrew, Price, Christopher, Price, Christopher, Prieto, Eric, Prieto, Eric, Reid, Susan, Reid, Susan, Richards, Annette, Richards, Annette, Saltzstein, Jennifer, Saltzstein, Jennifer, Smith, Ruth, Smith, Ruth, Snaith, Anna, Snaith, Anna, Soden, Oliver, Soden, Oliver, Sokol, B. J., Sokol, B. J., St Clair, Justin, St Clair, Justin, Stagg, Robert, Stagg, Robert, Stone, Anne, Stone, Anne, Strohm, Reinhard, Strohm, Reinhard, Sutton, Emma, Sutton, Emma, Swift, Helen J., Swift, Helen J., Weliver, Phyllis, Weliver, Phyllis, Wilcox, Helen, Wilcox, Helen, Wiley, Christopher, Wiley, Christopher, Wood, Gillen D’Arcy, Wood, Gillen D’Arcy, Zeeman, Nicolette, Zeeman, Nicolette, |
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author_sort |
da Sousa Correa, Delia, |
title |
The Edinburgh Companion to Literature and Music / |
title_full |
The Edinburgh Companion to Literature and Music / Delia da Sousa Correa. |
title_fullStr |
The Edinburgh Companion to Literature and Music / Delia da Sousa Correa. |
title_full_unstemmed |
The Edinburgh Companion to Literature and Music / Delia da Sousa Correa. |
title_auth |
The Edinburgh Companion to Literature and Music / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Introduction -- 1. Intertextuality, Topic Theory and the Open Text -- 2. Secrets, Technology and Musical Narrative: Remarks on Method -- 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- Part I: Literature and Music before 1500 -- 4. Music and the Book: The Textualisation of Music and the -- 5. Liturgical Music and Drama -- 6. Intermedial Texts -- 7. Citation and Quotation -- 8. Polytextuality -- 9. Courtly Subjectivities -- 10. Gender: The Art and Hermeneutics of (In)differentiation -- Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- 11. Music and the Literature of Science in Seventeenth-Century England -- 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- 14. Against ‘the Music of Poetry’ -- 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- Performers and Performance -- 16. Shakespeare’s Musicians: Status and Hierarchy -- 17. Best-Selling Ballads in Seventeenth-Century England -- 18. Italian Performance Practices in Seventeenth-Century English Song -- Theatre Music and Opera -- 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- 21. All-Sung English Opera Experiments in the Seventeenth Century -- Part III: Literature and Music in the Eighteenth Century -- 22. Thomas Arne and ‘Inferior’ English Opera -- 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- Oratorio -- 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- 26. Maurice Greene and the English Church Music Tradition -- Eighteenth-Century Fiction and Music -- 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- Music, Poetry and Song -- 30. Shelley’s Musical Gifts -- 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- 32. The Musical Poetry of the Graveyard -- 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- Part IV: Literature and Music in the Nineteenth Century -- 34. Music and the Rise of Narrative -- Opera -- 35. From English Literature to Italian Opera: A Tangled Web of Translation -- 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- Nineteenth-Century Fiction and Music -- 38. Stendhal at La Scala: The Birth of Musical Fandom -- 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- 41. Music in Romantic and Victorian Poetry -- 42. The Princess and the Tennysons’ Performance of Childhood -- 43. Tchaikovsky’s Songs: Music as Poetry -- 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- Music and Critical Theory -- 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- Music and Fiction since 1900 -- 47. Music in Proust: The Evolution of an Idea -- 48. Music in Woolf’s Short Fiction -- 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- 50. E. M. Forster and Music: Listening for the Amateur -- 51. Beckett, Music and the Ineffable -- 52. Jean Rhys and the Politics of Sound -- 53. Music in Contemporary Fiction -- 54. Modernist Poetry and Music: Pound Notes -- 55. Auden’s Imaginary Song -- 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- 57. Music and Contemporary Poetry: Audience, Apology and Silence -- 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- 59. Britten, Austen and Mansfi eld Park -- 60. Tippett, Eliot and Madame Sosostris -- Literature, Pop Music and Sound -- 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- 63. Words in Popular Songs -- 64. Notes on Soundtracked Fiction: The Past as Future -- Coda -- 65. Origins and Destinations: A Future for Literature and Music -- Notes on Contributors -- Editorial Advisory Board -- Index |
title_new |
The Edinburgh Companion to Literature and Music / |
title_sort |
the edinburgh companion to literature and music / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (720 p.) : 24 B/W illustrations 76 musical illustrations |
contents |
Frontmatter -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Introduction -- 1. Intertextuality, Topic Theory and the Open Text -- 2. Secrets, Technology and Musical Narrative: Remarks on Method -- 3. Derrida, de Man, Barthes, and Music as the Soul of Writing -- Part I: Literature and Music before 1500 -- 4. Music and the Book: The Textualisation of Music and the -- 5. Liturgical Music and Drama -- 6. Intermedial Texts -- 7. Citation and Quotation -- 8. Polytextuality -- 9. Courtly Subjectivities -- 10. Gender: The Art and Hermeneutics of (In)differentiation -- Part II: Literature and Music in the Sixteenth and Seventeenth Centuries -- 11. Music and the Literature of Science in Seventeenth-Century England -- 12. The ‘Sister’ Arts of Music and Poetry in Early Modern England -- Metrical Forms and Rhythmic Effects: Music, Poetry and Song -- 13. The Music of Narrative Poetry: Spenser, Shakespeare, Milton -- 14. Against ‘the Music of Poetry’ -- 15. Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline -- Performers and Performance -- 16. Shakespeare’s Musicians: Status and Hierarchy -- 17. Best-Selling Ballads in Seventeenth-Century England -- 18. Italian Performance Practices in Seventeenth-Century English Song -- Theatre Music and Opera -- 19. From Tragicomedy to Opera? John Marston’s Antonio and Mellida -- 20. Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy -- 21. All-Sung English Opera Experiments in the Seventeenth Century -- Part III: Literature and Music in the Eighteenth Century -- 22. Thomas Arne and ‘Inferior’ English Opera -- 23. Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- 24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- Oratorio -- 25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- 26. Maurice Greene and the English Church Music Tradition -- Eighteenth-Century Fiction and Music -- 27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- 28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- 29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- Music, Poetry and Song -- 30. Shelley’s Musical Gifts -- 31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- 32. The Musical Poetry of the Graveyard -- 33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- Part IV: Literature and Music in the Nineteenth Century -- 34. Music and the Rise of Narrative -- Opera -- 35. From English Literature to Italian Opera: A Tangled Web of Translation -- 36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- 37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- Nineteenth-Century Fiction and Music -- 38. Stendhal at La Scala: The Birth of Musical Fandom -- 39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- 40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- 41. Music in Romantic and Victorian Poetry -- 42. The Princess and the Tennysons’ Performance of Childhood -- 43. Tchaikovsky’s Songs: Music as Poetry -- 44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- Music and Critical Theory -- 45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- 46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- Music and Fiction since 1900 -- 47. Music in Proust: The Evolution of an Idea -- 48. Music in Woolf’s Short Fiction -- 49. Listening in to D. H. Lawrence: Music, Body, Feelings -- 50. E. M. Forster and Music: Listening for the Amateur -- 51. Beckett, Music and the Ineffable -- 52. Jean Rhys and the Politics of Sound -- 53. Music in Contemporary Fiction -- 54. Modernist Poetry and Music: Pound Notes -- 55. Auden’s Imaginary Song -- 56. Ivor Gurney: Embracing and Attacking A. E. Housman -- 57. Music and Contemporary Poetry: Audience, Apology and Silence -- 58. Le Cas Debussy: Layers of Resonance from Literature into Music -- 59. Britten, Austen and Mansfi eld Park -- 60. Tippett, Eliot and Madame Sosostris -- Literature, Pop Music and Sound -- 61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- 62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- 63. Words in Popular Songs -- 64. Notes on Soundtracked Fiction: The Past as Future -- Coda -- 65. Origins and Destinations: A Future for Literature and Music -- Notes on Contributors -- Editorial Advisory Board -- Index |
isbn |
9780748693139 9783110780413 |
url |
https://doi.org/10.1515/9780748693139 https://www.degruyter.com/isbn/9780748693139 https://www.degruyter.com/document/cover/isbn/9780748693139/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780/.08 |
dewey-sort |
3780 18 |
dewey-raw |
780/.08 |
dewey-search |
780/.08 |
doi_str_mv |
10.1515/9780748693139 |
oclc_num |
1312727098 |
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Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays -- </subfield><subfield code="t">24. ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce -- </subfield><subfield code="t">Oratorio -- </subfield><subfield code="t">25. National Aspiration: Samson Agonistes Transformed in Handel’s Samson -- </subfield><subfield code="t">26. Maurice Greene and the English Church Music Tradition -- </subfield><subfield code="t">Eighteenth-Century Fiction and Music -- </subfield><subfield code="t">27. The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners -- </subfield><subfield code="t">28. ‘Dreadful Insanity’: Jane Austen and Musical Performance -- </subfield><subfield code="t">29. Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction -- </subfield><subfield code="t">Music, Poetry and Song -- </subfield><subfield code="t">30. Shelley’s Musical Gifts -- </subfield><subfield code="t">31. Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert -- </subfield><subfield code="t">32. The Musical Poetry of the Graveyard -- </subfield><subfield code="t">33. Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song -- </subfield><subfield code="t">Part IV: Literature and Music in the Nineteenth Century -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">34. Music and the Rise of Narrative -- </subfield><subfield code="t">Opera -- </subfield><subfield code="t">35. From English Literature to Italian Opera: A Tangled Web of Translation -- </subfield><subfield code="t">36. James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ -- </subfield><subfield code="t">37. Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ -- </subfield><subfield code="t">Nineteenth-Century Fiction and Music -- </subfield><subfield code="t">38. Stendhal at La Scala: The Birth of Musical Fandom -- </subfield><subfield code="t">39. George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda -- </subfield><subfield code="t">40. Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ -- </subfield><subfield code="t">Music, Poetry and Song -- </subfield><subfield code="t">41. Music in Romantic and Victorian Poetry -- </subfield><subfield code="t">42. The Princess and the Tennysons’ Performance of Childhood -- </subfield><subfield code="t">43. Tchaikovsky’s Songs: Music as Poetry -- </subfield><subfield code="t">44. Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard -- </subfield><subfield code="t">Part V: Literature and Music in the Twentieth and Twenty-First Centuries -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Music and Critical Theory -- </subfield><subfield code="t">45. Nelson Goodman: An Analytic Approach to Music and Literature Studies -- </subfield><subfield code="t">46. Lyotard, Phenomenology and the Shared Paternity of Literature and Music -- </subfield><subfield code="t">Music and Fiction since 1900 -- </subfield><subfield code="t">47. Music in Proust: The Evolution of an Idea -- </subfield><subfield code="t">48. Music in Woolf’s Short Fiction -- </subfield><subfield code="t">49. Listening in to D. H. Lawrence: Music, Body, Feelings -- </subfield><subfield code="t">50. E. M. Forster and Music: Listening for the Amateur -- </subfield><subfield code="t">51. Beckett, Music and the Ineffable -- </subfield><subfield code="t">52. Jean Rhys and the Politics of Sound -- </subfield><subfield code="t">53. Music in Contemporary Fiction -- </subfield><subfield code="t">Music, Poetry and Song -- </subfield><subfield code="t">54. Modernist Poetry and Music: Pound Notes -- </subfield><subfield code="t">55. Auden’s Imaginary Song -- </subfield><subfield code="t">56. Ivor Gurney: Embracing and Attacking A. E. Housman -- </subfield><subfield code="t">57. Music and Contemporary Poetry: Audience, Apology and Silence -- </subfield><subfield code="t">Opera -- </subfield><subfield code="t">58. Le Cas Debussy: Layers of Resonance from Literature into Music -- </subfield><subfield code="t">59. Britten, Austen and Mansfi eld Park -- </subfield><subfield code="t">60. Tippett, Eliot and Madame Sosostris -- </subfield><subfield code="t">Literature, Pop Music and Sound -- </subfield><subfield code="t">61. Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ -- </subfield><subfield code="t">62. ‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism -- </subfield><subfield code="t">63. Words in Popular Songs -- </subfield><subfield code="t">64. Notes on Soundtracked Fiction: The Past as Future -- </subfield><subfield code="t">Coda -- </subfield><subfield code="t">65. Origins and Destinations: A Future for Literature and Music -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Editorial Advisory Board -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides a pioneering interdisciplinary overview of the literature and music of nine centuriesOffers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other mediaBringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Literature</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Aspden, Suzanne, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Benson, Stephen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Boon Cuillé, Tili, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Boulton, Maureen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Breatnach, Mary, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, Marshall, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bullock, Philip Ross, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Butterfield, Ardis, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clark, Suzannah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Coombes, T. 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