Empathy and the Psychology of Literary Modernism / / Meghan Marie Hammond.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
• VerfasserIn: Hammond, Meghan Marie,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2014
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (216 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Abbreviations --; Introduction: The Problem of Other Minds and the Fin de Siècle World --; 1. Into Other Minds: William and Henry James --; 2. Dorothy Richardson’s Modernist Innovation --; 3. Communities of Feeling in Katherine Mansfield’s Fiction --; 4. Empathy and Violence in the Works of Ford Madox Ford --; 5. Virginia Woolf and the Limits of Empathy --; Coda: New Structures of Fellow Feeling --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748690992; 9783110780451
• DOI: 10.1515/9780748690992?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Meghan Marie Hammond.

Shows how fin de siècle conceptions of empathy are woven into the fabric of literary modernismGBS_insertPreviewButtonPopup(['ISBN:9780748690985','ISBN:9780748690992','ISBN:9780748698547']);Empathy is a cognitive and affective structure of feeling, a bridge across interpersonal distance. Coined in 1909 to combine English ‘sympathy’ and German ‘Einfühlung,’ ‘empathy’ is a specifically twentieth-century concept of fellow feeling. Empathy and the Psychology of Literary Modernism looks into the little-known history of empathy, revealing how this multi-faceted concept had a profound effect on literary modernism.Meghan Marie Hammond shows how five exemplary writers (Henry James, Dorothy Richardson, Katherine Mansfield, Ford Madox Ford, and Virginia Woolf) tackle the so-called ‘problem of other minds’ in ways that reflect and enrich early twentieth-century discourses of fellow feeling. Hammond argues that these authors reconfigure notions of intersubjective experience; their writings mark a key shift away from sympathetic forms of literary representation toward empathic forms that strive to provide an immediate sense of another’s thoughts and feelings. But while literary modernism values empathic experience as an ideal, it is also teeming with voices that recognize potential for danger, even violence, in acts of empathy. These voices illuminate our culture’s ongoing concern with empathy’s limits. Key Features:Recovers early psychology, a discipline that has often been neglected in favor of psychoanalysis, as a framework for literary modernismProvides a conceptual history of empathy that expands our understanding of the modernist worldGrants new insight into modernist technique by explaining how it relates to contemporaneous psychological and aesthetic theories on empathyPrompts a rethinking of empathy, a capacity that is as widely misunderstood as it is celebrated"