Deleuze and Cinema : : The Aesthetics of Sensation / / Barbara Kennedy.
Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorpo...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2000 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (240 p.) |
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Kennedy, Barbara, author. aut http://id.loc.gov/vocabulary/relators/aut Deleuze and Cinema : The Aesthetics of Sensation / Barbara Kennedy. Edinburgh : Edinburgh University Press, [2022] ©2000 1 online resource (240 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- Discovering the Beautiful Strange -- From Micro-politics to Aesthetics -- From Oedipal Myths . . . to New Interventions -- From Abstract Machines to Deleuzian Becomings -- Constituting Bodies ± from Subjectivity and Affect to the Becoming-woman of the Cinematic -- Towards an Aesthetics of Sensation -- Orlando - Deleuzian Landscapes of Immanence -- The English Patient - Deleuzian Landscapes of Immanence -- Romeo and Juliet - Deleuzian Sensations -- Strange Days - Deleuzian Sensations -- Reconfiguring Love . . . A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child -- Bibliography -- Filmography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Philosophy. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748611348 https://doi.org/10.1515/9780748665914 https://www.degruyter.com/isbn/9780748665914 Cover https://www.degruyter.com/document/cover/isbn/9780748665914/original |
language |
English |
format |
eBook |
author |
Kennedy, Barbara, Kennedy, Barbara, |
spellingShingle |
Kennedy, Barbara, Kennedy, Barbara, Deleuze and Cinema : The Aesthetics of Sensation / Frontmatter -- Contents -- Acknowledgements -- Discovering the Beautiful Strange -- From Micro-politics to Aesthetics -- From Oedipal Myths . . . to New Interventions -- From Abstract Machines to Deleuzian Becomings -- Constituting Bodies ± from Subjectivity and Affect to the Becoming-woman of the Cinematic -- Towards an Aesthetics of Sensation -- Orlando - Deleuzian Landscapes of Immanence -- The English Patient - Deleuzian Landscapes of Immanence -- Romeo and Juliet - Deleuzian Sensations -- Strange Days - Deleuzian Sensations -- Reconfiguring Love . . . A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child -- Bibliography -- Filmography -- Index |
author_facet |
Kennedy, Barbara, Kennedy, Barbara, |
author_variant |
b k bk b k bk |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Kennedy, Barbara, |
title |
Deleuze and Cinema : The Aesthetics of Sensation / |
title_sub |
The Aesthetics of Sensation / |
title_full |
Deleuze and Cinema : The Aesthetics of Sensation / Barbara Kennedy. |
title_fullStr |
Deleuze and Cinema : The Aesthetics of Sensation / Barbara Kennedy. |
title_full_unstemmed |
Deleuze and Cinema : The Aesthetics of Sensation / Barbara Kennedy. |
title_auth |
Deleuze and Cinema : The Aesthetics of Sensation / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Discovering the Beautiful Strange -- From Micro-politics to Aesthetics -- From Oedipal Myths . . . to New Interventions -- From Abstract Machines to Deleuzian Becomings -- Constituting Bodies ± from Subjectivity and Affect to the Becoming-woman of the Cinematic -- Towards an Aesthetics of Sensation -- Orlando - Deleuzian Landscapes of Immanence -- The English Patient - Deleuzian Landscapes of Immanence -- Romeo and Juliet - Deleuzian Sensations -- Strange Days - Deleuzian Sensations -- Reconfiguring Love . . . A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child -- Bibliography -- Filmography -- Index |
title_new |
Deleuze and Cinema : |
title_sort |
deleuze and cinema : the aesthetics of sensation / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (240 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgements -- Discovering the Beautiful Strange -- From Micro-politics to Aesthetics -- From Oedipal Myths . . . to New Interventions -- From Abstract Machines to Deleuzian Becomings -- Constituting Bodies ± from Subjectivity and Affect to the Becoming-woman of the Cinematic -- Towards an Aesthetics of Sensation -- Orlando - Deleuzian Landscapes of Immanence -- The English Patient - Deleuzian Landscapes of Immanence -- Romeo and Juliet - Deleuzian Sensations -- Strange Days - Deleuzian Sensations -- Reconfiguring Love . . . A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child -- Bibliography -- Filmography -- Index |
isbn |
9780748665914 9783110780468 9780748611348 |
url |
https://doi.org/10.1515/9780748665914 https://www.degruyter.com/isbn/9780748665914 https://www.degruyter.com/document/cover/isbn/9780748665914/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9780748665914 |
work_keys_str_mv |
AT kennedybarbara deleuzeandcinematheaestheticsofsensation |
status_str |
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ids_txt_mv |
(DE-B1597)614851 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
is_hierarchy_title |
Deleuze and Cinema : The Aesthetics of Sensation / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
_version_ |
1770176377246449664 |
fullrecord |
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