Masculinity and Italian Cinema : : Sexual Politics, Social Conflict and Male Crisis in the 1970s / / Sergio Rigoletto.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
• VerfasserIn: Rigoletto, Sergio,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2014
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (176 p.) :; 40 B/W illustrations
• Other title: Frontmatter --; CONTENTS --; Acknowledgements --; List of Figures --; 1. Introduction --; 2. Male Crisis: Between Apocalypse and Nostalgia --; 3. Contesting National Memory: Male Dilemmas and Oedipal Scenarios --; 4. Undoing Genre, Undoing Masculinity --; 5. Pier Paolo Pasolini's Erotic Imagery and the Significance of the Male Body --; 6. Male Subjectivity and the Legacy of 1968: Nanni Moretti's Ecce Bombo --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748654550; 9783110780451
• DOI: 10.1515/9780748654550?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Sergio Rigoletto.

A study of how Italian films re-envisage male identity in response to sexual liberationHow did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon?Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film.