The Place of Breath in Cinema / / Davina Quinlivan.
How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in fil...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 12 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780748649006 |
---|---|
lccn |
2013498615 |
ctrlnum |
(DE-B1597)614533 (OCoLC)1302163132 |
collection |
bib_alma |
record_format |
marc |
spelling |
Quinlivan, Davina, author. aut http://id.loc.gov/vocabulary/relators/aut The Place of Breath in Cinema / Davina Quinlivan. Edinburgh : Edinburgh University Press, [2022] ©2012 1 online resource (232 p.) : 12 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction: Troubling Invisibility and the Breathing Body -- 1. The Haptic Logic of a Breathing Body: Elemental Topographies of Memory and Loss -- 2. An ‘Air in Flesh’: An Anatomy of Breath, Carnality and Transcendence: The Breathing Bodies of David Cronenberg -- 3. Towards Inter-subjectivities of Breath and the Breathing Film Viewer: Lars von Trier’s ‘Gold Heart’ Trilogy -- Conclusion -- Bibliography -- Filmography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: Case studies are taken from the work of major directors, including David Cronenberg, Atom Egoyan and Lars von TrierKey concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality)Makes a notable contribution to the study of film sound and haptic perception Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Human body in motion pictures. Motion pictures -- Philosophy. Motion pictures Aesthetics. Respiration. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748648993 https://doi.org/10.1515/9780748649006 https://www.degruyter.com/isbn/9780748649006 Cover https://www.degruyter.com/document/cover/isbn/9780748649006/original |
language |
English |
format |
eBook |
author |
Quinlivan, Davina, Quinlivan, Davina, |
spellingShingle |
Quinlivan, Davina, Quinlivan, Davina, The Place of Breath in Cinema / Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction: Troubling Invisibility and the Breathing Body -- 1. The Haptic Logic of a Breathing Body: Elemental Topographies of Memory and Loss -- 2. An ‘Air in Flesh’: An Anatomy of Breath, Carnality and Transcendence: The Breathing Bodies of David Cronenberg -- 3. Towards Inter-subjectivities of Breath and the Breathing Film Viewer: Lars von Trier’s ‘Gold Heart’ Trilogy -- Conclusion -- Bibliography -- Filmography -- Index |
author_facet |
Quinlivan, Davina, Quinlivan, Davina, |
author_variant |
d q dq d q dq |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Quinlivan, Davina, |
title |
The Place of Breath in Cinema / |
title_full |
The Place of Breath in Cinema / Davina Quinlivan. |
title_fullStr |
The Place of Breath in Cinema / Davina Quinlivan. |
title_full_unstemmed |
The Place of Breath in Cinema / Davina Quinlivan. |
title_auth |
The Place of Breath in Cinema / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction: Troubling Invisibility and the Breathing Body -- 1. The Haptic Logic of a Breathing Body: Elemental Topographies of Memory and Loss -- 2. An ‘Air in Flesh’: An Anatomy of Breath, Carnality and Transcendence: The Breathing Bodies of David Cronenberg -- 3. Towards Inter-subjectivities of Breath and the Breathing Film Viewer: Lars von Trier’s ‘Gold Heart’ Trilogy -- Conclusion -- Bibliography -- Filmography -- Index |
title_new |
The Place of Breath in Cinema / |
title_sort |
the place of breath in cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (232 p.) : 12 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction: Troubling Invisibility and the Breathing Body -- 1. The Haptic Logic of a Breathing Body: Elemental Topographies of Memory and Loss -- 2. An ‘Air in Flesh’: An Anatomy of Breath, Carnality and Transcendence: The Breathing Bodies of David Cronenberg -- 3. Towards Inter-subjectivities of Breath and the Breathing Film Viewer: Lars von Trier’s ‘Gold Heart’ Trilogy -- Conclusion -- Bibliography -- Filmography -- Index |
isbn |
9780748649006 9783110780468 9780748648993 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 B62 Q56 42012 |
url |
https://doi.org/10.1515/9780748649006 https://www.degruyter.com/isbn/9780748649006 https://www.degruyter.com/document/cover/isbn/9780748649006/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.436561 |
dewey-sort |
3791.436 3561 |
dewey-raw |
791.436 561 |
dewey-search |
791.436 561 |
doi_str_mv |
10.1515/9780748649006 |
oclc_num |
1302163132 |
work_keys_str_mv |
AT quinlivandavina theplaceofbreathincinema AT quinlivandavina placeofbreathincinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)614533 (OCoLC)1302163132 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
is_hierarchy_title |
The Place of Breath in Cinema / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
_version_ |
1770176376967528448 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04264nam a22007215i 4500</leader><controlfield tag="001">9780748649006</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222012stk fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2013498615</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748649006</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748649006</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)614533</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1302163132</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1995.9.B62</subfield><subfield code="b">Q56 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.436 561</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Quinlivan, Davina, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Place of Breath in Cinema /</subfield><subfield code="c">Davina Quinlivan.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (232 p.) :</subfield><subfield code="b">12 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction: Troubling Invisibility and the Breathing Body -- </subfield><subfield code="t">1. The Haptic Logic of a Breathing Body: Elemental Topographies of Memory and Loss -- </subfield><subfield code="t">2. An ‘Air in Flesh’: An Anatomy of Breath, Carnality and Transcendence: The Breathing Bodies of David Cronenberg -- </subfield><subfield code="t">3. Towards Inter-subjectivities of Breath and the Breathing Film Viewer: Lars von Trier’s ‘Gold Heart’ Trilogy -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: Case studies are taken from the work of major directors, including David Cronenberg, Atom Egoyan and Lars von TrierKey concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality)Makes a notable contribution to the study of film sound and haptic perception</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Human body in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures -- Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Respiration.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Backlist eBook-Package 2013-2000</subfield><subfield code="z">9783110780468</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780748648993</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748649006</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780748649006</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780748649006/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078046-8 Edinburgh University Press Backlist eBook-Package 2013-2000</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |