The New Extremism in Cinema : : From France to Europe / / Tanya Horeck, Tina Kendall.
Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2011 |
Year of Publication: | 2022 |
Language: | English |
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Horeck, Tanya, author. aut http://id.loc.gov/vocabulary/relators/aut The New Extremism in Cinema : From France to Europe / Tanya Horeck, Tina Kendall. Edinburgh : Edinburgh University Press, [2022] ©2011 1 online resource (248 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- Chapter 1 Introduction -- Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema -- Part 1 French Cinema and the New Extremism -- Chapter 3 The Wounded Screen -- Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism -- Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism -- Part II Becoming Animal: Posthumanism and the New Extremism -- Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life -- Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export -- Chapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real -- Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches? -- Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain -- Chapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi -- Chapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films -- Part IV Ethics and Spectatorship in the New Extremism -- Chapter 13 Lars von Trier’s Dogville: A Feel-Bad Film -- Chapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold -- Chapter 15 Interrogating the Obscene: Extremism and Michael Haneke -- Chapter 16 On the Unwatchable -- Afterword -- Chapter 17 More Moralism from that ‘Wordy Fuck’ -- Notes on Contributors -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion pictures -- Europe -- History. Motion pictures Europe History. Sex in motion pictures. Violence in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Archer, Neil, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Barker, Martin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beugnet, Martine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chamarette, Jenny, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coulthard, Lisa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Goddard, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Grønstad, Asbjørn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hickin, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Horeck, Tanya, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kendall, Tina, author. aut http://id.loc.gov/vocabulary/relators/aut Kendall, Tina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Larsson, Mariah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lübecker, Nikolaj, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Quandt, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wheatley, Catherine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wimmer, Leila, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748641604 https://doi.org/10.1515/9780748647095 https://www.degruyter.com/isbn/9780748647095 Cover https://www.degruyter.com/document/cover/isbn/9780748647095/original |
language |
English |
format |
eBook |
author |
Horeck, Tanya, Horeck, Tanya, Kendall, Tina, |
spellingShingle |
Horeck, Tanya, Horeck, Tanya, Kendall, Tina, The New Extremism in Cinema : From France to Europe / Frontmatter -- Contents -- Acknowledgements -- Chapter 1 Introduction -- Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema -- Part 1 French Cinema and the New Extremism -- Chapter 3 The Wounded Screen -- Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism -- Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism -- Part II Becoming Animal: Posthumanism and the New Extremism -- Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life -- Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export -- Chapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real -- Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches? -- Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain -- Chapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi -- Chapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films -- Part IV Ethics and Spectatorship in the New Extremism -- Chapter 13 Lars von Trier’s Dogville: A Feel-Bad Film -- Chapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold -- Chapter 15 Interrogating the Obscene: Extremism and Michael Haneke -- Chapter 16 On the Unwatchable -- Afterword -- Chapter 17 More Moralism from that ‘Wordy Fuck’ -- Notes on Contributors -- Works Cited -- Index |
author_facet |
Horeck, Tanya, Horeck, Tanya, Kendall, Tina, Archer, Neil, Archer, Neil, Barker, Martin, Barker, Martin, Beugnet, Martine, Beugnet, Martine, Chamarette, Jenny, Chamarette, Jenny, Coulthard, Lisa, Coulthard, Lisa, Goddard, Michael, Goddard, Michael, Grønstad, Asbjørn, Grønstad, Asbjørn, Hickin, Daniel, Hickin, Daniel, Horeck, Tanya, Horeck, Tanya, Kendall, Tina, Kendall, Tina, Kendall, Tina, Kendall, Tina, Larsson, Mariah, Larsson, Mariah, Lübecker, Nikolaj, Lübecker, Nikolaj, Quandt, James, Quandt, James, Wheatley, Catherine, Wheatley, Catherine, Wimmer, Leila, Wimmer, Leila, |
author_variant |
t h th t h th t k tk |
author_role |
VerfasserIn VerfasserIn VerfasserIn |
author2 |
Archer, Neil, Archer, Neil, Barker, Martin, Barker, Martin, Beugnet, Martine, Beugnet, Martine, Chamarette, Jenny, Chamarette, Jenny, Coulthard, Lisa, Coulthard, Lisa, Goddard, Michael, Goddard, Michael, Grønstad, Asbjørn, Grønstad, Asbjørn, Hickin, Daniel, Hickin, Daniel, Horeck, Tanya, Horeck, Tanya, Kendall, Tina, Kendall, Tina, Kendall, Tina, Kendall, Tina, Larsson, Mariah, Larsson, Mariah, Lübecker, Nikolaj, Lübecker, Nikolaj, Quandt, James, Quandt, James, Wheatley, Catherine, Wheatley, Catherine, Wimmer, Leila, Wimmer, Leila, |
author2_variant |
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MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Horeck, Tanya, |
title |
The New Extremism in Cinema : From France to Europe / |
title_sub |
From France to Europe / |
title_full |
The New Extremism in Cinema : From France to Europe / Tanya Horeck, Tina Kendall. |
title_fullStr |
The New Extremism in Cinema : From France to Europe / Tanya Horeck, Tina Kendall. |
title_full_unstemmed |
The New Extremism in Cinema : From France to Europe / Tanya Horeck, Tina Kendall. |
title_auth |
The New Extremism in Cinema : From France to Europe / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Chapter 1 Introduction -- Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema -- Part 1 French Cinema and the New Extremism -- Chapter 3 The Wounded Screen -- Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism -- Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism -- Part II Becoming Animal: Posthumanism and the New Extremism -- Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life -- Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export -- Chapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real -- Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches? -- Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain -- Chapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi -- Chapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films -- Part IV Ethics and Spectatorship in the New Extremism -- Chapter 13 Lars von Trier’s Dogville: A Feel-Bad Film -- Chapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold -- Chapter 15 Interrogating the Obscene: Extremism and Michael Haneke -- Chapter 16 On the Unwatchable -- Afterword -- Chapter 17 More Moralism from that ‘Wordy Fuck’ -- Notes on Contributors -- Works Cited -- Index |
title_new |
The New Extremism in Cinema : |
title_sort |
the new extremism in cinema : from france to europe / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (248 p.) |
contents |
Frontmatter -- Contents -- Acknowledgements -- Chapter 1 Introduction -- Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema -- Part 1 French Cinema and the New Extremism -- Chapter 3 The Wounded Screen -- Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism -- Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism -- Part II Becoming Animal: Posthumanism and the New Extremism -- Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life -- Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export -- Chapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real -- Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches? -- Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain -- Chapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi -- Chapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films -- Part IV Ethics and Spectatorship in the New Extremism -- Chapter 13 Lars von Trier’s Dogville: A Feel-Bad Film -- Chapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold -- Chapter 15 Interrogating the Obscene: Extremism and Michael Haneke -- Chapter 16 On the Unwatchable -- Afterword -- Chapter 17 More Moralism from that ‘Wordy Fuck’ -- Notes on Contributors -- Works Cited -- Index |
isbn |
9780748647095 9783110780468 9780748641604 |
geographic_facet |
Europe |
url |
https://doi.org/10.1515/9780748647095 https://www.degruyter.com/isbn/9780748647095 https://www.degruyter.com/document/cover/isbn/9780748647095/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4361 |
dewey-sort |
3791.4361 |
dewey-raw |
791.4361 |
dewey-search |
791.4361 |
doi_str_mv |
10.1515/9780748647095 |
oclc_num |
1306538643 |
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