Heritage Film Audiences : : Period Films and Contemporary Audiences in the UK /

Heritage Film Audiences : : Period Films and Contemporary Audiences in the UK / / Claire Monk.

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The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' fil...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
VerfasserIn:
Monk, Claire,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2011
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (248 p.) :; 11 B/W tables
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Appendices
  • Acknowledgements
  • Introduction
  • 1 The Heritage Film Debate: From Textual Critique to Audience
  • 2 The Heritage Audience Survey: Methodology and Issues
  • 3 Demographics and Identities: A Portrait of the Survey Respondents
  • 4 Respondents’ Film Viewing Habit(u)s
  • 5 Patterns of Film Taste: Period and Non- Period Films
  • 6 Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and ‘Authenticity’, Engagement and Escape
  • 7 Audience Pleasures, Attitudes and Perspectives 2: ‘Quality’, Literary Pleasures, Adaptation and Cultural Value
  • 8 Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies
  • Appendices
  • Selective Filmography
  • Bibliography
  • Index

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