Framing Pictures : : Film and the Visual Arts / / Steven Jacobs.

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2011
Year of Publication:2022
Language:English
Series:Edinburgh Studies in Film and Intermediality : ESFI
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Physical Description:1 online resource (224 p.) :; 36 B/W illustrations
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id 9780748647033
lccn 2011508501
ctrlnum (DE-B1597)616093
(OCoLC)1302162818
collection bib_alma
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spelling Jacobs, Steven, author. aut http://id.loc.gov/vocabulary/relators/aut
Framing Pictures : Film and the Visual Arts / Steven Jacobs.
Edinburgh : Edinburgh University Press, [2022]
©2011
1 online resource (224 p.) : 36 B/W illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Edinburgh Studies in Film and Intermediality : ESFI
Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Art and motion pictures.
Arts.
Motion pictures and the arts.
Motion pictures Appreciation.
Motion pictures Philosophy.
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / General. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468
print 9780748640171
https://doi.org/10.1515/9780748647033?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748647033
Cover https://www.degruyter.com/document/cover/isbn/9780748647033/original
language English
format eBook
author Jacobs, Steven,
Jacobs, Steven,
spellingShingle Jacobs, Steven,
Jacobs, Steven,
Framing Pictures : Film and the Visual Arts /
Edinburgh Studies in Film and Intermediality : ESFI
Frontmatter --
Contents --
List of Illustrations --
Preface --
Acknowledgements --
CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film --
CHAPTER 2 Vasari in Hollywood: Artists and Biopics --
CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo --
CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard --
CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography --
CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema --
Appendix to Chapter 2: Artist Biopics --
Bibliography --
Index
author_facet Jacobs, Steven,
Jacobs, Steven,
author_variant s j sj
s j sj
author_role VerfasserIn
VerfasserIn
author_sort Jacobs, Steven,
title Framing Pictures : Film and the Visual Arts /
title_sub Film and the Visual Arts /
title_full Framing Pictures : Film and the Visual Arts / Steven Jacobs.
title_fullStr Framing Pictures : Film and the Visual Arts / Steven Jacobs.
title_full_unstemmed Framing Pictures : Film and the Visual Arts / Steven Jacobs.
title_auth Framing Pictures : Film and the Visual Arts /
title_alt Frontmatter --
Contents --
List of Illustrations --
Preface --
Acknowledgements --
CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film --
CHAPTER 2 Vasari in Hollywood: Artists and Biopics --
CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo --
CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard --
CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography --
CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema --
Appendix to Chapter 2: Artist Biopics --
Bibliography --
Index
title_new Framing Pictures :
title_sort framing pictures : film and the visual arts /
series Edinburgh Studies in Film and Intermediality : ESFI
series2 Edinburgh Studies in Film and Intermediality : ESFI
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (224 p.) : 36 B/W illustrations
contents Frontmatter --
Contents --
List of Illustrations --
Preface --
Acknowledgements --
CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film --
CHAPTER 2 Vasari in Hollywood: Artists and Biopics --
CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo --
CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard --
CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography --
CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema --
Appendix to Chapter 2: Artist Biopics --
Bibliography --
Index
isbn 9780748647033
9783110780468
9780748640171
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995.25 J33 42011
url https://doi.org/10.1515/9780748647033?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748647033
https://www.degruyter.com/document/cover/isbn/9780748647033/original
illustrated Not Illustrated
doi_str_mv 10.1515/9780748647033?locatt=mode:legacy
oclc_num 1302162818
work_keys_str_mv AT jacobssteven framingpicturesfilmandthevisualarts
status_str n
ids_txt_mv (DE-B1597)616093
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
is_hierarchy_title Framing Pictures : Film and the Visual Arts /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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