Framing Pictures : : Film and the Visual Arts / / Steven Jacobs.
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2011 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in Film and Intermediality : ESFI
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Physical Description: | 1 online resource (224 p.) :; 36 B/W illustrations |
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Jacobs, Steven, author. aut http://id.loc.gov/vocabulary/relators/aut Framing Pictures : Film and the Visual Arts / Steven Jacobs. Edinburgh : Edinburgh University Press, [2022] ©2011 1 online resource (224 p.) : 36 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Art and motion pictures. Arts. Motion pictures and the arts. Motion pictures Appreciation. Motion pictures Philosophy. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748640171 https://doi.org/10.1515/9780748647033?locatt=mode:legacy https://www.degruyter.com/isbn/9780748647033 Cover https://www.degruyter.com/document/cover/isbn/9780748647033/original |
language |
English |
format |
eBook |
author |
Jacobs, Steven, Jacobs, Steven, |
spellingShingle |
Jacobs, Steven, Jacobs, Steven, Framing Pictures : Film and the Visual Arts / Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index |
author_facet |
Jacobs, Steven, Jacobs, Steven, |
author_variant |
s j sj s j sj |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Jacobs, Steven, |
title |
Framing Pictures : Film and the Visual Arts / |
title_sub |
Film and the Visual Arts / |
title_full |
Framing Pictures : Film and the Visual Arts / Steven Jacobs. |
title_fullStr |
Framing Pictures : Film and the Visual Arts / Steven Jacobs. |
title_full_unstemmed |
Framing Pictures : Film and the Visual Arts / Steven Jacobs. |
title_auth |
Framing Pictures : Film and the Visual Arts / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index |
title_new |
Framing Pictures : |
title_sort |
framing pictures : film and the visual arts / |
series |
Edinburgh Studies in Film and Intermediality : ESFI |
series2 |
Edinburgh Studies in Film and Intermediality : ESFI |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (224 p.) : 36 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index |
isbn |
9780748647033 9783110780468 9780748640171 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.25 J33 42011 |
url |
https://doi.org/10.1515/9780748647033?locatt=mode:legacy https://www.degruyter.com/isbn/9780748647033 https://www.degruyter.com/document/cover/isbn/9780748647033/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9780748647033?locatt=mode:legacy |
oclc_num |
1302162818 |
work_keys_str_mv |
AT jacobssteven framingpicturesfilmandthevisualarts |
status_str |
n |
ids_txt_mv |
(DE-B1597)616093 (OCoLC)1302162818 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
is_hierarchy_title |
Framing Pictures : Film and the Visual Arts / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
_version_ |
1806143321204064257 |
fullrecord |
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