9/11 and the Literature of Terror / / Martin Randall.

Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacksWorks by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormou...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2011
Year of Publication:2022
Language:English
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Physical Description:1 online resource (174 p.)
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id 9780748646975
ctrlnum (DE-B1597)615522
(OCoLC)1302165152
collection bib_alma
record_format marc
spelling Randall, Martin, author. aut http://id.loc.gov/vocabulary/relators/aut
9/11 and the Literature of Terror / Martin Randall.
Edinburgh : Edinburgh University Press, [2022]
©2011
1 online resource (174 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgements -- Introduction: Eyewitnesses, Conspiracies and Baudrillard -- 1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories -- 2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane -- 3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World -- 4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue -- 5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 -- 6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys -- 7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man -- Conclusion: ‘I am a Lover of America’ -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacksWorks by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11.Key FeaturesContributes to the growing literature on 9/11, presenting an over-view of some of the main texts that have represented the attacks and their aftermathFocus on Don DeLillo: adds to the literature surrounding this major American novelistFocus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayistMan on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/11
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Literature, Modern 21st century History and criticism.
September 11 Terrorist Attacks, 2001 Influence.
September 11 Terrorist Attacks, 2001, in literature.
American Studies.
LITERARY CRITICISM / American / General. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468
print 9780748638529
https://doi.org/10.1515/9780748646975?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748646975
Cover https://www.degruyter.com/document/cover/isbn/9780748646975/original
language English
format eBook
author Randall, Martin,
Randall, Martin,
spellingShingle Randall, Martin,
Randall, Martin,
9/11 and the Literature of Terror /
Frontmatter --
Contents --
Acknowledgements --
Introduction: Eyewitnesses, Conspiracies and Baudrillard --
1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories --
2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane --
3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World --
4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue --
5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 --
6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys --
7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man --
Conclusion: ‘I am a Lover of America’ --
Notes --
Bibliography --
Index
author_facet Randall, Martin,
Randall, Martin,
author_variant m r mr
m r mr
author_role VerfasserIn
VerfasserIn
author_sort Randall, Martin,
title 9/11 and the Literature of Terror /
title_full 9/11 and the Literature of Terror / Martin Randall.
title_fullStr 9/11 and the Literature of Terror / Martin Randall.
title_full_unstemmed 9/11 and the Literature of Terror / Martin Randall.
title_auth 9/11 and the Literature of Terror /
title_alt Frontmatter --
Contents --
Acknowledgements --
Introduction: Eyewitnesses, Conspiracies and Baudrillard --
1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories --
2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane --
3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World --
4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue --
5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 --
6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys --
7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man --
Conclusion: ‘I am a Lover of America’ --
Notes --
Bibliography --
Index
title_new 9/11 and the Literature of Terror /
title_sort 9/11 and the literature of terror /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (174 p.)
contents Frontmatter --
Contents --
Acknowledgements --
Introduction: Eyewitnesses, Conspiracies and Baudrillard --
1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories --
2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane --
3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World --
4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue --
5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 --
6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys --
7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man --
Conclusion: ‘I am a Lover of America’ --
Notes --
Bibliography --
Index
isbn 9780748646975
9783110780468
9780748638529
era_facet 21st century
url https://doi.org/10.1515/9780748646975?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748646975
https://www.degruyter.com/document/cover/isbn/9780748646975/original
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 810 - American literature in English
dewey-ones 810 - American literature in English
dewey-full 810.9358
dewey-sort 3810.9358
dewey-raw 810.9358
dewey-search 810.9358
doi_str_mv 10.1515/9780748646975?locatt=mode:legacy
oclc_num 1302165152
work_keys_str_mv AT randallmartin 911andtheliteratureofterror
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ids_txt_mv (DE-B1597)615522
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hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
is_hierarchy_title 9/11 and the Literature of Terror /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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