Afromodernisms : : Paris, Harlem and the Avant-Garde / / Fionnghuala Sweeney, Kate Marsh.
Makes a persuasive case for a black Atlantic literary renaissance & its impact on modernist studiesThese 10 new chapters stretch and challenge current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers and intellectuals as key actors an...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2021] ©2013 |
Year of Publication: | 2021 |
Language: | English |
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Physical Description: | 1 online resource (264 p.) :; 12 B/W illustrations |
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Sweeney, Fionnghuala, author. aut http://id.loc.gov/vocabulary/relators/aut Afromodernisms : Paris, Harlem and the Avant-Garde / Fionnghuala Sweeney, Kate Marsh. Edinburgh : Edinburgh University Press, [2021] ©2013 1 online resource (264 p.) : 12 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction: Afromodernisms - Black Modernist Practice in Contemporary Context -- I. Paris, blackness and the avant-garde -- 1. Black Modernism and the Making of the Twentieth Century: Paris, 1919 -- 2. Futurist Responses to African American Culture -- 3. Creating Homoutopia: Féral Benga's Body in the Matrix of Modernism -- II. Afromodern Caribbean -- 4. Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti -- 5. Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity -- 6. 'Forget Paris?' - Transnationalism in the Spiritual Works of Karl Parboosingh -- III. Harlem: Metaphors of modern experience -- 7. 'Death to any one that puts his foot in No Man['s] Land': 'Afromodernist' Reimagining and Aesthetic Experimentation in Horace Pippin's World War I Manuscripts and Paintings -- 8. Making the Word Flesh: Three at the Threshold of Tomorrow -- 9. 'Thinking in hieroglyphics': Representations of Egypt in the New Negro Renaissance -- Afterword: Stormy Weather and Afromodernism -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Makes a persuasive case for a black Atlantic literary renaissance & its impact on modernist studiesThese 10 new chapters stretch and challenge current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers and intellectuals as key actors and core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century. This is the first book-length publication to explore the term 'Afromodernisms' and the first study to address together the cognate fields of modernism and the black Atlantic. Key FeaturesSets a new agenda for the study of blackness and modernismSpecially commissioned contribution from Tyler Stovall on Black Modernism and an Afterword from Demetrius Eudell on 'What to the Negro is Modernism?'Identifies key locations of modernism: Harlem, Paris, HaitiAddresses the question of gender, often overlooked in black Atlantic scholarship Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Artists, Black. Arts, Black. Authors, Black. Avant-garde (Aesthetics) History 20th century. Literature Black authors. Modernism (Art) African influences. Modernism (Literature) African influences. Modernism (Literature). Literary Studies. LITERARY CRITICISM / General. bisacsh Bernier, Celeste-Marie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Farebrother, Rachel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hucke, Claudia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lawson, Bill E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lewis, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marsh, Kate, author. aut http://id.loc.gov/vocabulary/relators/aut Pinto, Samantha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Raynaud, Claudine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smalls, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stovall, Tyler, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Strożek, Przemysław, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sweeney, Fionnghuala, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748646401 https://doi.org/10.1515/9780748646418?locatt=mode:legacy https://www.degruyter.com/isbn/9780748646418 Cover https://www.degruyter.com/document/cover/isbn/9780748646418/original |
language |
English |
format |
eBook |
author |
Sweeney, Fionnghuala, Sweeney, Fionnghuala, Marsh, Kate, |
spellingShingle |
Sweeney, Fionnghuala, Sweeney, Fionnghuala, Marsh, Kate, Afromodernisms : Paris, Harlem and the Avant-Garde / Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction: Afromodernisms - Black Modernist Practice in Contemporary Context -- I. Paris, blackness and the avant-garde -- 1. Black Modernism and the Making of the Twentieth Century: Paris, 1919 -- 2. Futurist Responses to African American Culture -- 3. Creating Homoutopia: Féral Benga's Body in the Matrix of Modernism -- II. Afromodern Caribbean -- 4. Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti -- 5. Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity -- 6. 'Forget Paris?' - Transnationalism in the Spiritual Works of Karl Parboosingh -- III. Harlem: Metaphors of modern experience -- 7. 'Death to any one that puts his foot in No Man['s] Land': 'Afromodernist' Reimagining and Aesthetic Experimentation in Horace Pippin's World War I Manuscripts and Paintings -- 8. Making the Word Flesh: Three at the Threshold of Tomorrow -- 9. 'Thinking in hieroglyphics': Representations of Egypt in the New Negro Renaissance -- Afterword: Stormy Weather and Afromodernism -- Notes on Contributors -- Index |
author_facet |
Sweeney, Fionnghuala, Sweeney, Fionnghuala, Marsh, Kate, Bernier, Celeste-Marie, Bernier, Celeste-Marie, Farebrother, Rachel, Farebrother, Rachel, Hucke, Claudia, Hucke, Claudia, Lawson, Bill E., Lawson, Bill E., Lewis, Barbara, Lewis, Barbara, Marsh, Kate, Marsh, Kate, Pinto, Samantha, Pinto, Samantha, Raynaud, Claudine, Raynaud, Claudine, Smalls, James, Smalls, James, Stovall, Tyler, Stovall, Tyler, Strożek, Przemysław, Strożek, Przemysław, Sweeney, Fionnghuala, Sweeney, Fionnghuala, |
author_variant |
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author2 |
Bernier, Celeste-Marie, Bernier, Celeste-Marie, Farebrother, Rachel, Farebrother, Rachel, Hucke, Claudia, Hucke, Claudia, Lawson, Bill E., Lawson, Bill E., Lewis, Barbara, Lewis, Barbara, Marsh, Kate, Marsh, Kate, Pinto, Samantha, Pinto, Samantha, Raynaud, Claudine, Raynaud, Claudine, Smalls, James, Smalls, James, Stovall, Tyler, Stovall, Tyler, Strożek, Przemysław, Strożek, Przemysław, Sweeney, Fionnghuala, Sweeney, Fionnghuala, |
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author_sort |
Sweeney, Fionnghuala, |
title |
Afromodernisms : Paris, Harlem and the Avant-Garde / |
title_sub |
Paris, Harlem and the Avant-Garde / |
title_full |
Afromodernisms : Paris, Harlem and the Avant-Garde / Fionnghuala Sweeney, Kate Marsh. |
title_fullStr |
Afromodernisms : Paris, Harlem and the Avant-Garde / Fionnghuala Sweeney, Kate Marsh. |
title_full_unstemmed |
Afromodernisms : Paris, Harlem and the Avant-Garde / Fionnghuala Sweeney, Kate Marsh. |
title_auth |
Afromodernisms : Paris, Harlem and the Avant-Garde / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction: Afromodernisms - Black Modernist Practice in Contemporary Context -- I. Paris, blackness and the avant-garde -- 1. Black Modernism and the Making of the Twentieth Century: Paris, 1919 -- 2. Futurist Responses to African American Culture -- 3. Creating Homoutopia: Féral Benga's Body in the Matrix of Modernism -- II. Afromodern Caribbean -- 4. Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti -- 5. Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity -- 6. 'Forget Paris?' - Transnationalism in the Spiritual Works of Karl Parboosingh -- III. Harlem: Metaphors of modern experience -- 7. 'Death to any one that puts his foot in No Man['s] Land': 'Afromodernist' Reimagining and Aesthetic Experimentation in Horace Pippin's World War I Manuscripts and Paintings -- 8. Making the Word Flesh: Three at the Threshold of Tomorrow -- 9. 'Thinking in hieroglyphics': Representations of Egypt in the New Negro Renaissance -- Afterword: Stormy Weather and Afromodernism -- Notes on Contributors -- Index |
title_new |
Afromodernisms : |
title_sort |
afromodernisms : paris, harlem and the avant-garde / |
publisher |
Edinburgh University Press, |
publishDate |
2021 |
physical |
1 online resource (264 p.) : 12 B/W illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Illustrations -- Acknowledgements -- Introduction: Afromodernisms - Black Modernist Practice in Contemporary Context -- I. Paris, blackness and the avant-garde -- 1. Black Modernism and the Making of the Twentieth Century: Paris, 1919 -- 2. Futurist Responses to African American Culture -- 3. Creating Homoutopia: Féral Benga's Body in the Matrix of Modernism -- II. Afromodern Caribbean -- 4. Modernism, Anthropology, Africanism and the Self: Hurston and Herskovits on/in Haiti -- 5. Asymmetrical Possessions: Zora Neale Hurston and the Gendered Fictions of Black Modernity -- 6. 'Forget Paris?' - Transnationalism in the Spiritual Works of Karl Parboosingh -- III. Harlem: Metaphors of modern experience -- 7. 'Death to any one that puts his foot in No Man['s] Land': 'Afromodernist' Reimagining and Aesthetic Experimentation in Horace Pippin's World War I Manuscripts and Paintings -- 8. Making the Word Flesh: Three at the Threshold of Tomorrow -- 9. 'Thinking in hieroglyphics': Representations of Egypt in the New Negro Renaissance -- Afterword: Stormy Weather and Afromodernism -- Notes on Contributors -- Index |
isbn |
9780748646418 9783110780468 9780748646401 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX456 |
callnumber-sort |
NX 3456.5 M64 |
era_facet |
20th century. |
url |
https://doi.org/10.1515/9780748646418?locatt=mode:legacy https://www.degruyter.com/isbn/9780748646418 https://www.degruyter.com/document/cover/isbn/9780748646418/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.4112 |
dewey-sort |
3700.4112 |
dewey-raw |
700.4112 |
dewey-search |
700.4112 |
doi_str_mv |
10.1515/9780748646418?locatt=mode:legacy |
oclc_num |
1291508277 |
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Afromodernisms : Paris, Harlem and the Avant-Garde / |
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