Badiou and Cinema / / Alex Ling.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Ling, Alex,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2010
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Abbreviations of Frequently Cited Texts --; Introduction: Gorky’s Maxim --; 1 Presenting Alain Badiou --; 2 Can Cinema be Thought? --; 3 In the Kingdom of Shadows --; 4 An Aesthetic of Truth --; 5 An Instant or an Eternity: Thinking Cinema After Deleuze --; 6 Alain Resnais and the Mise en Scène of Two --; 7 The Castle of Impurity --; Conclusion: The Future of an Illusion --; Bibliography --; Filmography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748644483; 9783110780468
• DOI: 10.1515/9780748644483?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Alex Ling.

Applies Badiou's philosophy to well-known films such as Hiroshima Mon Amour, Vertigo and The MatrixAlex Ling employs the philosophy of Alain Badiou to answer the question central to all serious film scholarship: 'can cinema be thought?' Treating this question on three levels, the author first asks if we can really think what cinema is, at an ontological level. Secondly, he investigates whether cinema can actually think for itself; that is, whether or not it is truly 'artistic'. Finally, he explores in what ways we can rethink the consequences of the fact that cinema thinks.In answering these questions, the author uses well-known films ranging to illustrate Badiou's philosophy and to consider the ways in which his work can be extended, critiqued and reframed with respect to the medium of cinema.