Temporality and Film Analysis / / Matilda Mroz.
Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of dura...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (240 p.) |
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100 | 1 | |a Mroz, Matilda, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Temporality and Film Analysis / |c Matilda Mroz. |
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264 | 4 | |c ©2012 | |
300 | |a 1 online resource (240 p.) | ||
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347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction -- |t CHAPTER 1 Time, in Theory -- |t CHAPTER 2 L’Avventura: Temporal Adventures -- |t CHAPTER 3 Mirror: Traces and Transfiguration -- |t CHAPTER 4 Signs and Meaning in the Decalogue -- |t Epilogue -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni’s L’Avventura, Andrei Tarkovsky’s Mirror, and the ten short films that make up Krzysztof Kieślowski’s Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism.Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Film criticism. | |
650 | 0 | |a Motion pictures |x Philosophy. | |
650 | 0 | |a Time in motion pictures. | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Backlist eBook-Package 2013-2000 |z 9783110780468 |
776 | 0 | |c print |z 9780748643462 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748643479?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780748643479 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780748643479/original |
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