Autobiographical Identities in Contemporary Arab Culture / / Valerie Anishchenkova.

Explores developments in Arab autobiography over the last 40 yearsThis original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exempla...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
VerfasserIn:
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2021]
©2014
Year of Publication:2021
Language:English
Series:Edinburgh Studies in Modern Arabic Literature : ESMAL
Online Access:
Physical Description:1 online resource (240 p.) :; 10 B/W illustrations
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245 1 0 |a Autobiographical Identities in Contemporary Arab Culture /  |c Valerie Anishchenkova. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Series Editor's Foreword --   |t Acknowledgments --   |t Transliterated Names --   |t Figures --   |t Introduction: Writing Arab Selfhood - From Taha Husayn to Blogging --   |t 1 Autobiography and Nation-Building : Constructing Personal Identity in the Postcolonial World --   |t 2 Writing Selves on Bodies --   |t 3 Mapping Autobiographical Subjectivity in the Age of Multiculturalism --   |t 4 Visions of Self : Filming Autobiographical Subjectivity --   |t 5 What Does My Avatar Say About Me? Autobiographical Cyber-writing and Postmodern Identity --   |t Conclusion : Arab Autobiography in the Twenty-first Century --   |t Bibliography --   |t Index 
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520 |a Explores developments in Arab autobiography over the last 40 yearsThis original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection and blogging. Valerie Anishchenkova argues that the Arabic autobiographical genre has evolved into a mobile, unrestricted category arming authors with narrative tools to articulate their selfhood.Reading works from Arab nations such as Egypt, Iraq, Morocco, Syria and Lebanon, Anishchenkova connects the century's rapid political and ideological developments to increasing autobiographical experimentation in Arabic works. The immense scope of her study also forces consideration of film and online forms of self-representation and builds a new theoretical framework for these modes of autobiographical cultural production.Key FeaturesInvestigates how diverse autobiographical subjectivities have evolved from the previous notions of uniform subjectivityIntroduces novel autobiographical sub-genres such as autobiographical film and bloggingTheorises the fluid and ever-expanding Arab autobiographical discourse 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Arabic literature  |x History and criticism. 
650 0 |a Autobiographical memory  |x Arab countries. 
650 0 |a Autobiographical memory  |z Arab countries. 
650 0 |a Autobiography. 
650 0 |a Self  |x Arab countries. 
650 0 |a Self  |z Arab countries. 
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