Islamic Conversion and Christian Resistance on the Early Modern Stage / / Jane Hwang Degenhardt.

This book explores the theme of Christian conversion to Islam in 12 early-modern English plays by Shakespeare, Marlowe, Massinger and others. In these works, conversion from Christianity to Islam is represented as both erotic and tragic: as a sexual seduction and a fate worse than death. Degenhardt...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
VerfasserIn:
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2010
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (272 p.) :; 20 B/W illustrations
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245 1 0 |a Islamic Conversion and Christian Resistance on the Early Modern Stage /  |c Jane Hwang Degenhardt. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t List of Figures --   |t Introduction: Seduction, Resistance, and Redemption: “Turning Turk” and the Embodiment of Christian Faith --   |t 1 Dangerous Fellowship: Universal Faith and its Bodily Limits in The Comedy of Errors and Othello --   |t 2 Recycled Models: Catholic Martyrdom and Embodied Resistance to Conversion in The Virgin Martyr and Other Red Bull Plays --   |t 3 Engendering Faith: Sexual Defilement and Spiritual Redemption in The Renegado --   |t 4 “Reforming” the Knights of Malta: Male Chastity and Temperance in Five Early Modern Plays --   |t 5 Epilogue: Turning Miscegenation into Tragicomedy (Or Not): Robert Greene’s Orlando Furioso --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This book explores the theme of Christian conversion to Islam in 12 early-modern English plays by Shakespeare, Marlowe, Massinger and others. In these works, conversion from Christianity to Islam is represented as both erotic and tragic: as a sexual seduction and a fate worse than death. Degenhardt examines the theatre's treatment of the intercourse between the Christian and Islamic faiths to reveal connections between sexuality, race and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals and the ideals of the Knights of Malta. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / Drama.  |2 bisacsh 
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776 0 |c print  |z 9780748640843 
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