Death-Drive : : Freudian Hauntings in Literature and Art / / Robert Rowland Smith.

Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2010
Year of Publication:2022
Language:English
Series:The Frontiers of Theory : FRTH
Online Access:
Physical Description:1 online resource (256 p.) :; 3 B/W illustrations
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245 1 0 |a Death-Drive :  |b Freudian Hauntings in Literature and Art /  |c Robert Rowland Smith. 
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490 0 |a The Frontiers of Theory : FRTH 
505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Acknowledgements --   |t Note on the Text --   |t Series Editor’s Preface --   |t Author’s Preface --   |t Introduction --   |t 1. Memento Mori --   |t 2. The Death-Drive Does Not Think --   |t 3. A Subject Is Being Beaten --   |t 4. White Over Red --   |t 5. Literature – Repeat Nothing --   |t 6. A Harmless Suggestion --   |t 7. The Rest of Radioactive Light --   |t Postscript: Approaching Death --   |t Index 
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520 |a Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death.In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key FeaturesIncludes a general introduction to the death-drivePresents an original theory of aestheticsAnalyses both theoretical and clinical psychoanalysisOffers in-depth treatment of FreudProvides an overview of philosophies of death 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
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