Italian Neorealist Cinema / / Torunn Haaland.

How has Italian neorealist cinema changed the boundaries of cinematic narration and representation? In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition’s coherence in terms of its moral commitment to creating cri...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2012
Year of Publication:2022
Language:English
Series:Traditions in World Cinema : TWC
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Physical Description:1 online resource (248 p.)
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id 9780748636136
lccn 2013487492
ctrlnum (DE-B1597)616063
(OCoLC)1302162930
collection bib_alma
record_format marc
spelling Haaland, Torunn, author. aut http://id.loc.gov/vocabulary/relators/aut
Italian Neorealist Cinema / Torunn Haaland.
Edinburgh : Edinburgh University Press, [2022]
©2012
1 online resource (248 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Traditions in World Cinema : TWC
Frontmatter -- CONTENTS -- List of figures -- Acknowledgments -- Traditions in World Cinema -- 1. A moment and a country -- 2. Realism and neorealism -- 3. Literary neorealism: narration and testimony -- 4. Rossellini’s cities of war and resistance -- 5. Wandering among De Sica’s urbanites: shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog -- 6. Visconti’s worlds of aestheticism and ideology: between tradition and invention, from country to city -- 7. Faces and spaces of neorealism: from dystopian cities to utopian countries -- 8. The journey beyond neorealism: streetwalkers, political rebels, antimafi a resisters, stolen children and unwanted citizens -- Filmography -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
How has Italian neorealist cinema changed the boundaries of cinematic narration and representation? In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition’s coherence in terms of its moral commitment to creating critical viewing experiences around underrepresented realities and marginalised people. By examining both acclaimed masterpieces and lesser known works, parallels are drawn to realist theories and to past and present cinematic traditions. The ways in which successive generations of directors have readopted, negotiated and broken with the themes and aesthetics of neorealist film are discussed and evaluated, along with neorealist tendencies in other arts, such as literature.An engaging and informative read for students and scholars in Italian Studies, Italian Neorealist Cinema presents a new approach to a key cinematic tradition, and so is essential reading for everyone working in the field of Film Studies.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Motion pictures Italy.
Realism in motion pictures.
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468
print 9780748636112
https://doi.org/10.1515/9780748636136
https://www.degruyter.com/isbn/9780748636136
Cover https://www.degruyter.com/document/cover/isbn/9780748636136/original
language English
format eBook
author Haaland, Torunn,
Haaland, Torunn,
spellingShingle Haaland, Torunn,
Haaland, Torunn,
Italian Neorealist Cinema /
Traditions in World Cinema : TWC
Frontmatter --
CONTENTS --
List of figures --
Acknowledgments --
Traditions in World Cinema --
1. A moment and a country --
2. Realism and neorealism --
3. Literary neorealism: narration and testimony --
4. Rossellini’s cities of war and resistance --
5. Wandering among De Sica’s urbanites: shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog --
6. Visconti’s worlds of aestheticism and ideology: between tradition and invention, from country to city --
7. Faces and spaces of neorealism: from dystopian cities to utopian countries --
8. The journey beyond neorealism: streetwalkers, political rebels, antimafi a resisters, stolen children and unwanted citizens --
Filmography --
Bibliography --
Index
author_facet Haaland, Torunn,
Haaland, Torunn,
author_variant t h th
t h th
author_role VerfasserIn
VerfasserIn
author_sort Haaland, Torunn,
title Italian Neorealist Cinema /
title_full Italian Neorealist Cinema / Torunn Haaland.
title_fullStr Italian Neorealist Cinema / Torunn Haaland.
title_full_unstemmed Italian Neorealist Cinema / Torunn Haaland.
title_auth Italian Neorealist Cinema /
title_alt Frontmatter --
CONTENTS --
List of figures --
Acknowledgments --
Traditions in World Cinema --
1. A moment and a country --
2. Realism and neorealism --
3. Literary neorealism: narration and testimony --
4. Rossellini’s cities of war and resistance --
5. Wandering among De Sica’s urbanites: shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog --
6. Visconti’s worlds of aestheticism and ideology: between tradition and invention, from country to city --
7. Faces and spaces of neorealism: from dystopian cities to utopian countries --
8. The journey beyond neorealism: streetwalkers, political rebels, antimafi a resisters, stolen children and unwanted citizens --
Filmography --
Bibliography --
Index
title_new Italian Neorealist Cinema /
title_sort italian neorealist cinema /
series Traditions in World Cinema : TWC
series2 Traditions in World Cinema : TWC
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (248 p.)
contents Frontmatter --
CONTENTS --
List of figures --
Acknowledgments --
Traditions in World Cinema --
1. A moment and a country --
2. Realism and neorealism --
3. Literary neorealism: narration and testimony --
4. Rossellini’s cities of war and resistance --
5. Wandering among De Sica’s urbanites: shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog --
6. Visconti’s worlds of aestheticism and ideology: between tradition and invention, from country to city --
7. Faces and spaces of neorealism: from dystopian cities to utopian countries --
8. The journey beyond neorealism: streetwalkers, political rebels, antimafi a resisters, stolen children and unwanted citizens --
Filmography --
Bibliography --
Index
isbn 9780748636136
9783110780468
9780748636112
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 I88 H33 42014
geographic_facet Italy.
url https://doi.org/10.1515/9780748636136
https://www.degruyter.com/isbn/9780748636136
https://www.degruyter.com/document/cover/isbn/9780748636136/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430945
dewey-sort 3791.430945
dewey-raw 791.430945
dewey-search 791.430945
doi_str_mv 10.1515/9780748636136
oclc_num 1302162930
work_keys_str_mv AT haalandtorunn italianneorealistcinema
status_str n
ids_txt_mv (DE-B1597)616063
(OCoLC)1302162930
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
is_hierarchy_title Italian Neorealist Cinema /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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