Sonic Modernity : : Representing Sound in Literature, Culture and the Arts / / Sam Halliday.
Reveals the many roles and forms of sound in modernismDrawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2013 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Modernist Culture : ECCSMC
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Online Access: | |
Physical Description: | 1 online resource (224 p.) |
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245 | 1 | 0 | |a Sonic Modernity : |b Representing Sound in Literature, Culture and the Arts / |c Sam Halliday. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (224 p.) | ||
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490 | 0 | |a Edinburgh Critical Studies in Modernist Culture : ECCSMC | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of illustrations -- |t Series Editors’ Preface -- |t Acknowledgements -- |t Introduction: The Sonic Cultures of Modernity -- |t 1. Theorising Sound and Hearing -- |t 2. Sound and Social Life -- |t 3. Seeing Sound -- |t 3. Seeing Sound -- |t 5. The Art of Listening -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Reveals the many roles and forms of sound in modernismDrawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting.Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Sound in art. | |
650 | 0 | |a Sound in literature. | |
650 | 0 | |a Sound in mass media. | |
650 | 0 | |a Sound in motion pictures. | |
650 | 0 | |a Sound |x Social aspects. | |
650 | 4 | |a Literary Studies. | |
650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Backlist eBook-Package 2013-2000 |z 9783110780468 |
776 | 0 | |c print |z 9780748627615 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748632565?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780748632565 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780748632565/original |
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