War and Nation in the Theatre of Shakespeare and His Contemporaries / / Simon Barker.

This original study explores a vital aspect of early modern cultural history: the way that warfare is represented in the theatre of Shakespeare and his contemporaries. The book contrasts the Tudor and Stuart prose that called for the establishment of a standing army in the name of nation, discipline...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
VerfasserIn:
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2007
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (256 p.)
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245 1 0 |a War and Nation in the Theatre of Shakespeare and His Contemporaries /  |c Simon Barker. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2007 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t PREFACE --   |t Part I Introductory Worlds --   |t 1 ‘KEEP IT DARK’ --   |t 2 IN THEATRE --   |t Part II Commitment --   |t 3 GOOD FRIDAY, 1513 --   |t 4 ‘THE DOUBLE-ARMED MAN’ --   |t Part III Shakespeare and the Wars --   |t 5 ‘WE BAND OF BROTHERS’ --   |t 6 THE EXIT STRATEGY --   |t Part IV Refusal --   |t 7 GENTLER CRAFTS --   |t 8 BEYOND HISTORY --   |t 9 THE ABANDONED SOLDIER --   |t BIBLIOGRAPHY AND FURTHER READING --   |t INDEX 
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520 |a This original study explores a vital aspect of early modern cultural history: the way that warfare is represented in the theatre of Shakespeare and his contemporaries. The book contrasts the Tudor and Stuart prose that called for the establishment of a standing army in the name of nation, discipline and subjectivity, and the drama of the period that invited critique of this imperative. Barker examines contemporary dramatic texts both for their radical position on war and, in the case of the later drama, for their subversive commentary on an emerging idealisation of Shakespeare and his work.The book argues that the early modern period saw the establishment of political, social and theological attitudes to war that were to become accepted as natural in succeeding centuries. Barker's reading of the drama of the period reveals the discontinuities in this project as a way of commenting on the use of the past within modern warfare. The book is also a survey and analysis of literary theory over the last twenty-five years in relation to the issue of early modern war - and develops an argument about the study of literature and war in general.Key FeaturesInterdisciplinary approach addressing the early-modern period as one of particular importance in the history of warfareExamines the way that the period helped shape modern attitudes to warSets Shakespeare in the context of those dramatists who preceded him, as well as his contemporaries and successorsSurveys the work of the past and considers the future of criticism in relation to warfare 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a English drama  |x History and criticism  |x Early modern and Elizabethan, 1500-1600. 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
650 0 |a Military art and science in literature. 
650 0 |a Nationalism in literature. 
650 0 |a War in literature. 
650 4 |a Literary Studies. 
650 7 |a DRAMA / Shakespeare.  |2 bisacsh 
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