The Dandy in Irish and American Southern Fiction : : Aristocratic Drag / / Ellen Crowell.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Crowell, Ellen,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2007
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Studies in Transatlantic Literatures : ESTLI
• Physical Description: 1 online resource (240 p.) :; 7 B/W illustrations
• Other title: Frontmatter --; CONTENTS --; Illustrations --; Acknowledgements --; INTRODUCTION Sham Grandeurs, Sham Chivalries: Architectures of Aristocracy in Ireland and the American South --; CHAPTER 1 Oaks, Serpents and Dandies: Pseudoaristocracy in Maria Edgeworth’s Castle Rackrent and John Pendleton Kennedy’s Swallow Barn --; CHAPTER 2 The Picture of Charles Bon: Oscar Wilde’s Trip through Faulkner’s Yoknapatawpha --; CHAPTER 3 Ferocious Beauty: Elizabeth Bowen, Katherine Anne Porter and the Modernist Female Dandy --; EPILOGUE The Dandy Unmasked: Emma Donoghue’s ‘words for Things’ and Jim Grimsley’s Dream Boy --; WORKS CITED AND CONSULTED --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748631018; 9783110780468
• DOI: 10.1515/9780748631018?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ellen Crowell.

This book identifies and interprets the longstanding ideological and aesthetic dialogue between the literary imaginations of Anglo-Ireland and the Anglo-American South. It offers a rich comparative examination of nineteenth- and twentieth-century Irish and American Southern plantation literatures and their respective representations of race and nation, gender and sexuality, region and landscape, and the gothic imagination. Pairing major writers from both traditions, including Maria Edgeworth, William Faulkner, Oscar Wilde, Katherine Anne Porter and Elizabeth Bowen, the book shows how this transatlantic dialogue coalesced around questions of power, supremacy, and gentility: writers in Anglo-Irish and Anglo-Southern literary traditions recognized and spoke to each other through the discourse of aristocracy. As the book demonstrates, from the early nineteenth-century onwards, Irish and Anglo-Southern writers conducted a sustained exploration into constructions of aristocracy through the figure of the dissipated, deviant gentleman (or lady): the dandy. By augmenting literary analysis with a variety of historical, biographical, archival and visual materials, including nineteenth-century trade cards, original letters, and twentieth-century photographic portraits, the book offers readers a wide-ranging, interdisciplinary illumination of transatlantic modernism.