Death and the Moving Image : : Ideology, Iconography and I / / Michele Aaron.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
• VerfasserIn: Aaron, Michele,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2014
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (272 p.) :; 10 B/W illustrations
• Other title: Frontmatter --; Contents --; Figures --; Acknowledgements --; Introduction: Everywhere and Nowhere --; Part I Before - Flirting with Death --; 1 Self-endangerment and the Subject of Film --; 2 Cinema and Suicide --; 3 Sacrifice and Spectatorship in Context --; Part II During - Depicting Death --; 4 The Cinematic Language of Dying --; 5 Grammar Lessons: Dying and Difference --; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved --; Part III After - Responding to Death --; 7 At Last: Towards a Cinema of No Return --; Notes --; Bibliography --; Filmography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748630479; 9783110780451
• DOI: 10.1515/9780748630479?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Michele Aaron.

Winner of the 2015 Kraszna-Krausz Best Moving Image Book AwardExamines the representation of death and dying in mainstream cinemaDeath and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way.Key FeaturesExamines the formal, psychological and political exchange between cinema and deathAccessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance