The American Counterculture / / Christopher Gair.
The American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation.T...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2007 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (240 p.) |
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001 | 9780748629091 | ||
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100 | 1 | |a Gair, Christopher, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The American Counterculture / |c Christopher Gair. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2007 | |
300 | |a 1 online resource (240 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t Part One:1945-1960 -- |t Part Two:1961-1972 -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation.This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies.Key Features:*examines the ways in which texts were seen to be countercultural*assesses the extent to which they represented real opposition to cultural orthodoxies*scrutinises the notion of the counterculture*examines the limits to and achievements of the counterculture*places key countercultural figures and texts in context of the shifting wider social and political climate of the United States*uses case studies to illuminate the text. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Arts américains |x 20e siècle. | |
650 | 0 | |a Contre-culture |x Histoire |x 20e siècle |x États-Unis. | |
650 | 0 | |a Counterculture |x United States. | |
650 | 0 | |a Culture populaire |x Histoire |x 20e siècle |x États-Unis. | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a SOCIAL SCIENCE / Popular Culture. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Backlist eBook-Package 2013-2000 |z 9783110780468 |
776 | 0 | |c print |z 9780748619887 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748629091?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780748629091 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780748629091/original |
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