The Embedded Portrait : : Giotto, Giottino, Angelico / / Christopher S. Wood.
A new study of the early Renaissance portraitIn fourteenth-century Italy, ever more women and men-not only clergy but also laity-introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2023] 2023 |
Year of Publication: | 2023 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (376 p.) :; 125 color illus. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 04886nam a22009015i 4500 | ||
---|---|---|---|
001 | 9780691254609 | ||
003 | DE-B1597 | ||
005 | 20231209095929.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 231209t20232023nju fo d z eng d | ||
020 | |a 9780691254609 | ||
024 | 7 | |a 10.1515/9780691254609 |2 doi | |
035 | |a (DE-B1597)658654 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nju |c US-NJ | ||
072 | 7 | |a ART016000 |2 bisacsh | |
100 | 1 | |a Wood, Christopher S., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Embedded Portrait : |b Giotto, Giottino, Angelico / |c Christopher S. Wood. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2023] | |
264 | 4 | |c 2023 | |
300 | |a 1 online resource (376 p.) : |b 125 color illus. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t I. Franciscanism, the Laity, and Portraits -- |t II. The Democratization of the Portrait, 1270-1320 -- |t III. Historiography and Method -- |t IV. Witnesses -- |t V. Interlopers -- |t VI. The Classic Art History of the Portrait -- |t VII. Fra Angelico and the Portrait -- |t Excursus: Reference and Likeness -- |t Acknowledgments -- |t Notes -- |t Index -- |t Credits |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a A new study of the early Renaissance portraitIn fourteenth-century Italy, ever more women and men-not only clergy but also laity-introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked the first worshippers of Christ: Mary, the Three Magi, Mary Magdalene. At the same time, they modeled, for modern viewers, ideal involvement in the emotion-laden stories. In The Embedded Portrait, Christopher S. Wood traces these incursions of the real and profane into Florentine sacred painting between Giotto and Fra Angelico.The portraits not only intruded upon a sacred space, but also intervened in an artwork. The pressure exerted by the modern interlopers-their lives and experiences, implied by their portraits-threatened the formal closure that had served as a powerful symbolic form of the pact between God and humans. The Embedded Portrait reconstructs this art historical drama from the point of view of the artists rather than the patrons. Following clues left by Vasari, the book assigns a leading role to the painter Giottino, or "little Giotto." Little-known today but highly regarded in his lifetime, Giottino proposed a new manner of painting that was later realized by Fra Angelico through his own innovative approach to the problem of the embedded portrait.Seeking not to stabilize the artworks but to extend their reach, the interpretations offered in The Embedded Portrait re-create and update the psychic and libidinal energies that gave rise to these works in the first place. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) | |
650 | 7 | |a ART / Individual Artists / General. |2 bisacsh | |
653 | |a Alberti on portraits. | ||
653 | |a Allegory of Obedience. | ||
653 | |a Florence. | ||
653 | |a Giotto Fra Angelico. | ||
653 | |a Giotto de Stefano. | ||
653 | |a Historiography of art history. | ||
653 | |a Italian. | ||
653 | |a Italy. | ||
653 | |a Lamentation over the Body of Christ. | ||
653 | |a Lamentation over the Dead Christ. | ||
653 | |a Late medieval. | ||
653 | |a Middle Ages. | ||
653 | |a Painting Portrait. | ||
653 | |a Patronage. | ||
653 | |a Patrons. | ||
653 | |a Pieta. | ||
653 | |a Portraiture Donor. | ||
653 | |a Realism. | ||
653 | |a Religion. | ||
653 | |a Renaissance. | ||
653 | |a Sacred art. | ||
653 | |a Siena. | ||
653 | |a art beauty. | ||
653 | |a art criticism. | ||
653 | |a art history. | ||
653 | |a compositional features in art. | ||
653 | |a embedded portraits. | ||
653 | |a fourteenth century art. | ||
653 | |a portraits. | ||
856 | 4 | 0 | |u https://doi.org/10.1515/9780691254609?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780691254609 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780691254609/original |
912 | |a EBA_CL_MUAR | ||
912 | |a EBA_EBKALL | ||
912 | |a EBA_ECL_MUAR | ||
912 | |a EBA_EEBKALL | ||
912 | |a EBA_ESSHALL | ||
912 | |a EBA_PPALL | ||
912 | |a EBA_SSHALL | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a PDA11SSHE | ||
912 | |a PDA13ENGE | ||
912 | |a PDA17SSHEE | ||
912 | |a PDA5EBK |