From Drawing to Painting : : Poussin, Watteau, Fragonard, David, and Ingres / / Pierre Rosenberg.
Unique perspectives from an acclaimed art historian on the relationship between drawing and paintingFrom Drawing to Painting interweaves biographical information about five renowned French artists-Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominiqu...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2023] ©2000 |
Year of Publication: | 2023 |
Language: | English |
Series: | The A. W. Mellon Lectures in the Fine Arts ;
35 |
Online Access: | |
Physical Description: | 1 online resource (280 p.) :; 260 b/w illus. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780691252919 |
---|---|
ctrlnum |
(DE-B1597)666250 |
collection |
bib_alma |
record_format |
marc |
spelling |
Rosenberg, Pierre, author. aut http://id.loc.gov/vocabulary/relators/aut From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / Pierre Rosenberg. Princeton, NJ : Princeton University Press, [2023] ©2000 1 online resource (280 p.) : 260 b/w illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda The A. W. Mellon Lectures in the Fine Arts ; 35 restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Unique perspectives from an acclaimed art historian on the relationship between drawing and paintingFrom Drawing to Painting interweaves biographical information about five renowned French artists-Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres-with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Pierre Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.From Drawing to Painting Offers an unprecedented view of the artistic process, and makes an important and beautiful addition to any art library.Please note: All images in this ebook are presented in black and white and have been reduced in size. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) Drawing, French. Painting, French 19th century. Painting, French. ART / History / Baroque & Rococo. bisacsh https://www.degruyter.com/isbn/9780691252919 Cover https://www.degruyter.com/document/cover/isbn/9780691252919/original |
language |
English |
format |
eBook |
author |
Rosenberg, Pierre, Rosenberg, Pierre, |
spellingShingle |
Rosenberg, Pierre, Rosenberg, Pierre, From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / The A. W. Mellon Lectures in the Fine Arts ; |
author_facet |
Rosenberg, Pierre, Rosenberg, Pierre, |
author_variant |
p r pr p r pr |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Rosenberg, Pierre, |
title |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / |
title_sub |
Poussin, Watteau, Fragonard, David, and Ingres / |
title_full |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / Pierre Rosenberg. |
title_fullStr |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / Pierre Rosenberg. |
title_full_unstemmed |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / Pierre Rosenberg. |
title_auth |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / |
title_new |
From Drawing to Painting : |
title_sort |
from drawing to painting : poussin, watteau, fragonard, david, and ingres / |
series |
The A. W. Mellon Lectures in the Fine Arts ; |
series2 |
The A. W. Mellon Lectures in the Fine Arts ; |
publisher |
Princeton University Press, |
publishDate |
2023 |
physical |
1 online resource (280 p.) : 260 b/w illus. |
isbn |
9780691252919 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NC - Drawing, Design, Illustration |
callnumber-label |
NC246 |
callnumber-sort |
NC 3246 R673 42000 |
era_facet |
19th century. |
url |
https://www.degruyter.com/isbn/9780691252919 https://www.degruyter.com/document/cover/isbn/9780691252919/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
740 - Drawing & decorative arts |
dewey-ones |
741 - Drawing & drawings |
dewey-full |
741/.092/244 |
dewey-sort |
3741 292 3244 |
dewey-raw |
741/.092/244 |
dewey-search |
741/.092/244 |
work_keys_str_mv |
AT rosenbergpierre fromdrawingtopaintingpoussinwatteaufragonarddavidandingres |
status_str |
n |
ids_txt_mv |
(DE-B1597)666250 |
carrierType_str_mv |
cr |
is_hierarchy_title |
From Drawing to Painting : Poussin, Watteau, Fragonard, David, and Ingres / |
_version_ |
1784037360571252736 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03768nam a2200637Ia 45e0</leader><controlfield tag="001">9780691252919</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20231101071823.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">231101t20232000nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691252919</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691252919</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691252919</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)666250</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NC246</subfield><subfield code="b">.R673 2000</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015090</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">741/.092/244</subfield><subfield code="2">21</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rosenberg, Pierre, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">From Drawing to Painting :</subfield><subfield code="b">Poussin, Watteau, Fragonard, David, and Ingres /</subfield><subfield code="c">Pierre Rosenberg.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2000</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 p.) :</subfield><subfield code="b">260 b/w illus.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The A. W. Mellon Lectures in the Fine Arts ;</subfield><subfield code="v">35</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Unique perspectives from an acclaimed art historian on the relationship between drawing and paintingFrom Drawing to Painting interweaves biographical information about five renowned French artists-Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres-with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Pierre Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.From Drawing to Painting Offers an unprecedented view of the artistic process, and makes an important and beautiful addition to any art library.Please note: All images in this ebook are presented in black and white and have been reduced in size.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Drawing, French.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painting, French</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painting, French.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Baroque & Rococo.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691252919</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780691252919/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |