Kings and Connoisseurs : : Collecting Art in Seventeenth-Century Europe / / Jonathan Brown.

A vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintingsOld master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, J...

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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2023]
©1996
Year of Publication:2023
Language:English
Series:The A. W. Mellon Lectures in the Fine Arts ; 35
Online Access:
Physical Description:1 online resource (264 p.) :; 226 b/w illus.
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245 1 0 |a Kings and Connoisseurs :  |b Collecting Art in Seventeenth-Century Europe /  |c Jonathan Brown. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2023] 
264 4 |c ©1996 
300 |a 1 online resource (264 p.) :  |b 226 b/w illus. 
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490 0 |a The A. W. Mellon Lectures in the Fine Arts ;  |v 35 
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520 |a A vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintingsOld master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, Jonathan Brown tells the story of how painting rose to this exalted status. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. By comparing collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) 
650 0 |a Painting  |x Collectors and collecting  |z Europe  |x History  |y 17th century. 
650 0 |a Painting  |x Private collections  |z Europe  |x History  |y 17th century. 
650 7 |a ART / History / General.  |2 bisacsh 
653 |a Arundel, Thomas Howard, Earl of. 
653 |a Balthasar Castiglione. 
653 |a Banqueting House, Whitehall. 
653 |a Buckingham, George Villiers, Duke of. 
653 |a Buckingham, George. 
653 |a Carr, Robert, Earl of Somerset. 
653 |a Cecil, Robert, Earl of Salisbury. 
653 |a Charles I as Hunter. 
653 |a Charles I, King of England. 
653 |a Christina of Denmark. 
653 |a Commonwealth Sale. 
653 |a Croy, Charles de. 
653 |a Dyck, Anthony van. 
653 |a Four Seasons pl. 
653 |a Four Seasons. 
653 |a George Villiers, Duke of Buckingham pl. 
653 |a Henrietta Maria of France, Queen of England. 
653 |a Henry, Prince of Wales. 
653 |a James I, King of England. 
653 |a Landscape with Diogenes. 
653 |a Lumley, John, Lord. 
653 |a Maximilian. 
653 |a Mytens, Daniel, Charles I pl. 
653 |a Pontius, Paul, Balthasar Gerbier pl. 
653 |a Talbot, Aletheia, Lady Arundel. 
653 |a Talbot, Gilbert. 
653 |a Villiers, George. 
653 |a Whitehall Group (circle of collectors at court of Charles I). 
653 |a and Arundel. 
653 |a as art patron. 
653 |a execution. 
653 |a gallery pictures. 
653 |a on Charles I as collector. 
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