The Forest : : A Fable of America in the 1830s / / Alexander Nemerov.

A vivid historical imagining of the lives of individuals—from painters, poets, and politicians to enslaved people, artisans, and travelers—in the early United StatesSet amid the glimmering lakes and disappearing forests of the early United States, The Forest imagines how a wide variety of Americans...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2023]
©2023
Year of Publication:2023
Language:English
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Physical Description:1 online resource (336 p.) :; 59 color + 7 b/w illus.
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100 1 |a Nemerov, Alexander,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Forest :  |b A Fable of America in the 1830s /  |c Alexander Nemerov. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2023] 
264 4 |c ©2023 
300 |a 1 online resource (336 p.) :  |b 59 color + 7 b/w illus. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 0 |t Frontmatter --   |t Contents --   |t Author’s Note --   |t Part One: Herodotus among the Trees --   |t Part Two: The Tavern to the Traveler --   |t Part Three: Come, Thick Night --   |t Part Four: Panic --   |t Part Five: Animals Are Where They Are --   |t Part Six: The Clocks of Forestville --   |t Part Seven: Supernatural --   |t Part Eight: Four Greens --   |t Part Nine: Three Levitations --   |t Postscript: The Shield --   |t Acknowledgments --   |t Notes --   |t Credits 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a A vivid historical imagining of the lives of individuals—from painters, poets, and politicians to enslaved people, artisans, and travelers—in the early United StatesSet amid the glimmering lakes and disappearing forests of the early United States, The Forest imagines how a wide variety of Americans experienced their lives. Part truth, part fiction, featuring both real and invented characters, the book follows painters, poets, enslaved people, farmers, and artisans living and working throughout the country’s contemporary expanse. Some of the historical characters—such as Thomas Cole, Margaret Fuller, Nathaniel Hawthorne, Fanny Kemble, Edgar Allan Poe, and Nat Turner—are well-known, while others are not. But all are creators of private and grand designs—makers of the worlds they inhabited.The Forest unfolds in brief stories. Each episode reveals an intricate lost world. Characters cross paths or go their own ways, each striving for something different but together forming a pattern of life. For Alexander Nemerov, the forest is a description of American society, the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate shade and sun. Through vivid descriptions of the people, sights, smells, and sounds of Jacksonian America, illustrated with paintings, prints, and photographs, The Forest brings American history to life on a human scale.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Art and society  |z United States  |x History  |y 19th century. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
653 |a Alexander Jackson Davis. 
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653 |a Benjamin Henry Latrobe. 
653 |a Book. 
653 |a Burial. 
653 |a Cahokia. 
653 |a Caroline Lee Hentz. 
653 |a Chestnut. 
653 |a Church bell. 
653 |a Claude Lorrain. 
653 |a Cotton Tree (Sierra Leone). 
653 |a D. H. Lawrence. 
653 |a Daguerreotype. 
653 |a Delicacy. 
653 |a Dickcissel. 
653 |a Easel. 
653 |a Edgar Allan Poe. 
653 |a Engraving. 
653 |a Facsimile. 
653 |a Fanny Kemble. 
653 |a Fine art. 
653 |a Fireplace. 
653 |a Forest floor. 
653 |a Francis Parkman. 
653 |a Germination. 
653 |a Great Dismal Swamp. 
653 |a Handkerchief. 
653 |a Harriet Tubman. 
653 |a Helen Jewett. 
653 |a Hiram Powers. 
653 |a Hudson River. 
653 |a Hyde Hall. 
653 |a Illustration. 
653 |a Indian removal. 
653 |a Jacques Maritain. 
653 |a James Fenimore Cooper. 
653 |a Jane McCrea. 
653 |a Jean-Jacques Rousseau. 
653 |a John Constable. 
653 |a John James Audubon. 
653 |a John Quidor. 
653 |a John Vanderlyn. 
653 |a Joslyn Art Museum. 
653 |a Karl Bodmer. 
653 |a Lam Qua. 
653 |a Laura Bridgman. 
653 |a Leather. 
653 |a Locust tree. 
653 |a Lord Byron. 
653 |a Louis Daguerre. 
653 |a Magnifying glass. 
653 |a Meal. 
653 |a Monks Mound. 
653 |a Nat Turner. 
653 |a Nathaniel Hawthorne. 
653 |a National Gallery of Art. 
653 |a Necromancy. 
653 |a Nelson-Atkins Museum of Art. 
653 |a Ojibwe. 
653 |a Oxford University Press. 
653 |a Philip Hone. 
653 |a Photography. 
653 |a Phrenology. 
653 |a Piasa. 
653 |a Poetry. 
653 |a Pym (novel). 
653 |a Ralph Waldo Emerson. 
653 |a Robert Montgomery Bird. 
653 |a Salt well. 
653 |a Samuel Morse. 
653 |a Sequoyah. 
653 |a Slavery. 
653 |a Smithsonian Institution. 
653 |a Statue. 
653 |a Sulky. 
653 |a The Clocks. 
653 |a The Confessions of Nat Turner. 
653 |a The Damnation of Theron Ware. 
653 |a The Decameron. 
653 |a The Narrative of Arthur Gordon Pym of Nantucket. 
653 |a Thomas Sully. 
653 |a Thorvaldsen Museum. 
653 |a Thought. 
653 |a Tontine. 
653 |a Tracery. 
653 |a Trail trees. 
653 |a V. 
653 |a Vegetation. 
653 |a Wallpaper. 
653 |a Wildness. 
653 |a William Maclure. 
653 |a William Sidney Mount. 
653 |a William Styron. 
653 |a Wreath. 
653 |a Writing. 
653 |a Yale University Art Gallery. 
653 |a Young Goodman Brown. 
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