We Are Made of Stories : : Self-Taught Artists in the Robson Family Collection / / Leslie Umberger.

A richly illustrated history of self-taught artists and how they changed American artArtists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (288 p.) :; 154 color + 41 b/w illustrations
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100 1 |a Umberger, Leslie,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a We Are Made of Stories :  |b Self-Taught Artists in the Robson Family Collection /  |c Leslie Umberger. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (288 p.) :  |b 154 color + 41 b/w illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t DIRECTOR’ S FOREWORD --   |t Far & wide / inside & out --   |t A changing tide: American self-taught artists shift the narrative --   |t Catalogue of works --   |t Bibliography --   |t INDEX --   |t IMAGE CREDITS 
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520 |a A richly illustrated history of self-taught artists and how they changed American artArtists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers.Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability.Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another.Published in association with the Smithsonian American Art MuseumExhibition ScheduleSmithsonian American Art Museum, Washington, DCJuly 1, 2022–March 26, 2023 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 7 |a ART / Folk & Outsider Art.  |2 bisacsh 
653 |a Aaron Douglas. 
653 |a Adage. 
653 |a African Americans. 
653 |a American Folk Art Museum. 
653 |a Anselm Kiefer. 
653 |a Art in America. 
653 |a Art movement. 
653 |a Artists Rights Society. 
653 |a Augusta Savage. 
653 |a Beadwork. 
653 |a Ben Ratliff. 
653 |a Biblical Magi. 
653 |a Bill Traylor. 
653 |a Book. 
653 |a Carny. 
653 |a Cathy. 
653 |a Child of God. 
653 |a Clarence Schmidt. 
653 |a Clementine Hunter. 
653 |a Collection de l'art brut. 
653 |a Comic strip. 
653 |a Compulsory voting. 
653 |a Curator. 
653 |a Daniel J. Boorstin. 
653 |a David C. Driskell. 
653 |a Down syndrome. 
653 |a Edward Hicks. 
653 |a Electra Havemeyer Webb. 
653 |a Elijah Pierce. 
653 |a Essay. 
653 |a Etymology. 
653 |a Federal Art Project. 
653 |a First appearance. 
653 |a Folk art. 
653 |a George Floyd. 
653 |a Gladys Nilsson. 
653 |a God. 
653 |a Gullah. 
653 |a Harcourt (publisher). 
653 |a Harlem Renaissance. 
653 |a Headline. 
653 |a Henry Darger. 
653 |a Holger Cahill. 
653 |a Horace Pippin. 
653 |a Ibid (short story). 
653 |a In the Realms of the Unreal. 
653 |a James Johnson Sweeney. 
653 |a James Weldon Johnson. 
653 |a Jerry Siegel. 
653 |a Jim Nutt. 
653 |a John Trumbull. 
653 |a Jon Serl. 
653 |a Joseph Yoakum. 
653 |a Judith Scott (artist). 
653 |a Knoxville Museum of Art. 
653 |a Lonnie Holley. 
653 |a Marino Auriti. 
653 |a Matthew Higgs. 
653 |a Metonymy. 
653 |a Michael Kimmelman. 
653 |a Mieke Bal. 
653 |a Modern Primitives (book). 
653 |a Modernism. 
653 |a Mutability (poem). 
653 |a Narrative. 
653 |a Nellie Mae Rowe. 
653 |a Oppression. 
653 |a Outsider art. 
653 |a Philadelphia Wireman. 
653 |a Poetry. 
653 |a Publication. 
653 |a Purvis Young. 
653 |a Radical criticism. 
653 |a Renwick Gallery. 
653 |a Requirement. 
653 |a Robert Farris Thompson. 
653 |a Robert Goldwater. 
653 |a Robert Rauschenberg. 
653 |a Roberta Smith. 
653 |a Sam Doyle. 
653 |a Shirley Chisholm. 
653 |a Slavery. 
653 |a Smithsonian American Art Museum. 
653 |a Smithsonian Institution. 
653 |a Storytelling. 
653 |a Surrealism. 
653 |a The Other Hand. 
653 |a The Public Interest. 
653 |a Their Lives. 
653 |a This Country. 
653 |a Thornburg v. Gingles. 
653 |a Thornton Dial. 
653 |a Tom Joyce. 
653 |a Ulysses Davis (artist). 
653 |a Voting. 
653 |a Warner Sallman. 
653 |a William Arnett. 
653 |a William Edmondson. 
653 |a Wonders of the World. 
653 |a Work of art. 
700 1 |a Robson, Douglas O,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Umberger, Leslie,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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