The Novel, Volume 2 : : Forms and Themes / / ed. by Franco Moretti.

Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013
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HerausgeberIn:
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2022]
©2006
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (960 p.) :; 12 halftones.
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Table of Contents:
  • Frontmatter
  • Contents
  • On The Novel
  • 2.1. THE LONG DURATION
  • The Novel in Search of Itself: A Historical Morphology
  • Epic, Novel
  • The Poetry of Mediocrity
  • The Experiments of Time: Providence and Realism
  • Readings: Prototypes
  • Aethiopika (Heliodorus, Third or Fourth Century)
  • Maqāmāt (Hamadhānī, Late Tenth Century)
  • Lazarillo de Tormes (“Lázaro de Tormes,” circa 1553)
  • Le Grand Cyrus (Madeleine de Scudéry, 1649–1653)
  • Persian Letters (Montesquieu, 1721)
  • Waverley (Walter Scott, 1814)
  • The Mysteries of Paris (Eugène Sue, 1842–1843)
  • The War of the Worlds (H. G. Wells, 1898)
  • The Kingdom of This World (Alejo Carpentier, 1949)
  • 2.2. WRITING PROSE
  • Forms of the Supernatural in Narrative
  • The Prose of the World
  • Excess and History in Hugo’s Ninety-three
  • Minor Characters
  • Toward a Database of Novelistic Topoi
  • 2.3. THEMES, FIGURES
  • The Fiction of Bourgeois Morality and the Paradox of Individualism
  • The Death of Lucien de Rubempré
  • A Portrait of the Artist as a Social Climber: Upward Mobility in the Novel
  • A Businessman in Love
  • Readings: Narrating Politics
  • Max Havelaar (Multatuli, 1860)
  • The Tiger of Malaysia (Emilio Salgari, 1883–1884)
  • Ah Q (Lu Hsün, 1921–1922)
  • Cement (Fedor Gladkov, 1925)
  • A Private Matter (Beppe Fenoglio, 1963)
  • Arrow of God (Chinua Achebe, 1964)
  • Conversation in the Cathedral (Mario Vargas Llosa, 1969)
  • The Aesthetics of Resistance (Peter Weiss, 1975–1981)
  • Readings: The Sacrifice of the Heroine
  • Aloisa and Melliora (Love in Excess, Eliza Haywood, 1719–1720)
  • Natasha and Hélène (War and Peace, Leo Tolstoy, 1863–1869)
  • Nana (Nana, Émile Zola, 1880)
  • (Tess of the d’Urbervilles, Thomas Hardy, 1891)
  • Elsie (The Dangerous Age, Karin Michaëlis, 1910)
  • 2.4. SPACE AND STORY
  • Over-writing as Un-writing: Descriptions, World-Making, and Novelistic Time
  • The Roads of the Novel
  • The Chronotopes of the Sea
  • Torn Space: James Joyce’s Ulysses
  • Readings: The New Metropolis
  • Shanghai (Midnight, Mao Dun, 1932)
  • Buenos Aires (Adán Buenosayres, Leopoldo Marechal, 1948)
  • Lagos (People of the City, Cyprian Ekwensi, 1954)
  • Cairo (The Cairo Trilogy, Naguib Mahfouz, 1956–1957)
  • Havana (Three Trapped Tigers, Guillermo Cabrera Infante, 1967)
  • Bombay (Midnight’s Children, Salman Rushdie, 1981)
  • Istanbul (The Black Book, Orhan Pamuk, 1990)
  • 2.5. UNCERTAIN BOUNDARIES
  • Form and Chance: The German Novella
  • Inconceivable History: Storytelling as Hyperphasia and Disavowal
  • Innovation: Notes on Nihilism and the Aesthetics of the Novel
  • Narrative Literature in the Turing Universe
  • Readings: A Century of Experiments
  • The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910)
  • The Making of Americans (Gertrude Stein, 1925)
  • Mrs. Dalloway (Virginia Woolf, 1925)
  • Macunaíma (Mário de Andrade, 1928)
  • Finnegans Wake (James Joyce, 1939)
  • Molloy, Malone Dies, and The Unnamable (Samuel Beckett, 1951–1953)
  • Hopscotch (Julio Cortázar, 1963)
  • Gravity’s Rainbow (Thomas Pynchon, 1973)
  • Contributors
  • Author Index
  • Works Cited Index