The Novel, Volume 2 : : Forms and Themes / / ed. by Franco Moretti.
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2006 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (960 p.) :; 12 halftones. |
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Table of Contents:
- Frontmatter
- Contents
- On The Novel
- 2.1. THE LONG DURATION
- The Novel in Search of Itself: A Historical Morphology
- Epic, Novel
- The Poetry of Mediocrity
- The Experiments of Time: Providence and Realism
- Readings: Prototypes
- Aethiopika (Heliodorus, Third or Fourth Century)
- Maqāmāt (Hamadhānī, Late Tenth Century)
- Lazarillo de Tormes (“Lázaro de Tormes,” circa 1553)
- Le Grand Cyrus (Madeleine de Scudéry, 1649–1653)
- Persian Letters (Montesquieu, 1721)
- Waverley (Walter Scott, 1814)
- The Mysteries of Paris (Eugène Sue, 1842–1843)
- The War of the Worlds (H. G. Wells, 1898)
- The Kingdom of This World (Alejo Carpentier, 1949)
- 2.2. WRITING PROSE
- Forms of the Supernatural in Narrative
- The Prose of the World
- Excess and History in Hugo’s Ninety-three
- Minor Characters
- Toward a Database of Novelistic Topoi
- 2.3. THEMES, FIGURES
- The Fiction of Bourgeois Morality and the Paradox of Individualism
- The Death of Lucien de Rubempré
- A Portrait of the Artist as a Social Climber: Upward Mobility in the Novel
- A Businessman in Love
- Readings: Narrating Politics
- Max Havelaar (Multatuli, 1860)
- The Tiger of Malaysia (Emilio Salgari, 1883–1884)
- Ah Q (Lu Hsün, 1921–1922)
- Cement (Fedor Gladkov, 1925)
- A Private Matter (Beppe Fenoglio, 1963)
- Arrow of God (Chinua Achebe, 1964)
- Conversation in the Cathedral (Mario Vargas Llosa, 1969)
- The Aesthetics of Resistance (Peter Weiss, 1975–1981)
- Readings: The Sacrifice of the Heroine
- Aloisa and Melliora (Love in Excess, Eliza Haywood, 1719–1720)
- Natasha and Hélène (War and Peace, Leo Tolstoy, 1863–1869)
- Nana (Nana, Émile Zola, 1880)
- (Tess of the d’Urbervilles, Thomas Hardy, 1891)
- Elsie (The Dangerous Age, Karin Michaëlis, 1910)
- 2.4. SPACE AND STORY
- Over-writing as Un-writing: Descriptions, World-Making, and Novelistic Time
- The Roads of the Novel
- The Chronotopes of the Sea
- Torn Space: James Joyce’s Ulysses
- Readings: The New Metropolis
- Shanghai (Midnight, Mao Dun, 1932)
- Buenos Aires (Adán Buenosayres, Leopoldo Marechal, 1948)
- Lagos (People of the City, Cyprian Ekwensi, 1954)
- Cairo (The Cairo Trilogy, Naguib Mahfouz, 1956–1957)
- Havana (Three Trapped Tigers, Guillermo Cabrera Infante, 1967)
- Bombay (Midnight’s Children, Salman Rushdie, 1981)
- Istanbul (The Black Book, Orhan Pamuk, 1990)
- 2.5. UNCERTAIN BOUNDARIES
- Form and Chance: The German Novella
- Inconceivable History: Storytelling as Hyperphasia and Disavowal
- Innovation: Notes on Nihilism and the Aesthetics of the Novel
- Narrative Literature in the Turing Universe
- Readings: A Century of Experiments
- The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910)
- The Making of Americans (Gertrude Stein, 1925)
- Mrs. Dalloway (Virginia Woolf, 1925)
- Macunaíma (Mário de Andrade, 1928)
- Finnegans Wake (James Joyce, 1939)
- Molloy, Malone Dies, and The Unnamable (Samuel Beckett, 1951–1953)
- Hopscotch (Julio Cortázar, 1963)
- Gravity’s Rainbow (Thomas Pynchon, 1973)
- Contributors
- Author Index
- Works Cited Index