The Proof Stage : : How Theater Reveals the Human Truth of Mathematics / / Stephen Abbott.

How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty,...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2023]
©2023
Year of Publication:2023
Language:English
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Physical Description:1 online resource (416 p.) :; 15 color + 82 b/w illus.
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Other title:Frontmatter --
Contents --
Prologue --
1. Stoppard: The Incline from Thinking to Feeling --
2. Jarry and Witkiewicz: Geometry of a New Theater --
3. Beckett: The Language of Incompleteness --
4. Dürrenmatt, Frayn, and McBurney: The Shape of Content --
5. Stoppard: The Logic of Self-Conscious Theater --
6. Whitemore, Wilson, and Mighton: The Dramatic Life of Alan Turing --
7. Auburn: Beautiful Proofs --
Acknowledgments --
Notes --
Bibliography --
Index
Summary:How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780691243368
9783111318103
9783111319032
9783111319292
9783111318912
9783110749748
DOI:10.1515/9780691243368?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Stephen Abbott.