Images and Ideas in Seventeenth-Century Spanish Painting / / Jonathan Brown.
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces t...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©1979 |
Year of Publication: | 2022 |
Language: | English |
Series: | Princeton Essays on the Arts ;
1 |
Online Access: | |
Physical Description: | 1 online resource (201 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780691241920 |
---|---|
ctrlnum |
(DE-B1597)618166 |
collection |
bib_alma |
record_format |
marc |
spelling |
Brown, Jonathan, author. aut http://id.loc.gov/vocabulary/relators/aut Images and Ideas in Seventeenth-Century Spanish Painting / Jonathan Brown. Princeton, NJ : Princeton University Press, [2022] ©1979 1 online resource (201 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Princeton Essays on the Arts ; 1 Frontmatter -- PREFACE -- CONTENTS -- LIST OF ILLUSTRATIONS -- PHOTOGRAPH CREDITS -- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING -- PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO -- 1. A Community of Scholars -- 2. El Arte de la Pintura as an Academic Document -- 3. Theory into Practice: The Arts and the Academy -- PART II: PAINTERS AND PROGRAMS -- 4. On the Meaning of Las Meninas -- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe -- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville -- EPILOGUE -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu.A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Art and society Spain. Catholic Church in art. Painting, Baroque Spain. Painting, Spanish. ART / History / General. bisacsh Abbasid Caliphate. Alonso Berruguete. Altarpiece. Angelo Nardi (painter). Antonio Mohedano. Antonio de Pereda. Apollo and Daphne (Bernini). Art history. Arte. Baroque painting. Bartolomé de las Casas. Benito Arias Montano. Caravaggio. Carthusians. Castile (historical region). Catholic Monarchs. Chapel of St. Jerome. Charles V, Holy Roman Emperor. Church Fathers. Cimabue. Classical mythology. Comedia (Spanish play). Council of Trent. Counter-Reformation. Court painter. Crown of Castile. Diego Velázquez. Discalced Carmelites. Don Juan Tenorio. El Greco. Erudition. Fernando de Herrera. Francisco Pacheco. Francisco de Borja. Francisco de Rioja. Friar. Garcilaso de la Vega (poet). Gaspar Melchor de Jovellanos. Genre painting. Georges de La Tour. Gian Lorenzo Bernini. Giovanni Baglione. Giovanni Battista Crescenzi. Gustave Courbet. Hieronymites. Iconography. Ignatius of Loyola. Illusionism (art). Impressionism. In Ictu Oculi. Jan van Eyck. Juan de Mal Lara. Juan de las Roelas. Jusepe de Ribera. Las Hilanderas (Velázquez). Las Meninas. Literature. Marsilio Ficino. Masaccio. Matthew 25. Military order (monastic society). Museo del Prado. Order of Santiago. Our Lady of Guadalupe. Painting. Parmigianino. Pietro da Cortona. Poetic diction. Poetry. Protestantism. Putto. Real Academia de Bellas Artes de San Fernando. Real Academia de la Historia. Religious art. Renaissance art. Sacristy. Saint Christopher. Santa Hermandad. Santa Trinita. Scholasticism. Seville Cathedral. Shakespeare's sonnets. Society of Jesus. Spain. Spanish Empire. Spanish Golden Age. Spanish art. Spanish nobility. Susanna (Book of Daniel). Teresa of Ávila. The Art of Painting. The Battle of Lepanto (Luna painting). The Dissertation. The Poetaster. The Return of the Prodigal Son (Rembrandt). Theory of painting. Tintoretto. Titian. University of Salamanca. Ut pictura poesis. https://doi.org/10.1515/9780691241920?locatt=mode:legacy https://www.degruyter.com/isbn/9780691241920 Cover https://www.degruyter.com/document/cover/isbn/9780691241920/original |
language |
English |
format |
eBook |
author |
Brown, Jonathan, Brown, Jonathan, |
spellingShingle |
Brown, Jonathan, Brown, Jonathan, Images and Ideas in Seventeenth-Century Spanish Painting / Princeton Essays on the Arts ; Frontmatter -- PREFACE -- CONTENTS -- LIST OF ILLUSTRATIONS -- PHOTOGRAPH CREDITS -- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING -- PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO -- 1. A Community of Scholars -- 2. El Arte de la Pintura as an Academic Document -- 3. Theory into Practice: The Arts and the Academy -- PART II: PAINTERS AND PROGRAMS -- 4. On the Meaning of Las Meninas -- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe -- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville -- EPILOGUE -- BIBLIOGRAPHY -- INDEX |
author_facet |
Brown, Jonathan, Brown, Jonathan, |
author_variant |
j b jb j b jb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Brown, Jonathan, |
title |
Images and Ideas in Seventeenth-Century Spanish Painting / |
title_full |
Images and Ideas in Seventeenth-Century Spanish Painting / Jonathan Brown. |
title_fullStr |
Images and Ideas in Seventeenth-Century Spanish Painting / Jonathan Brown. |
title_full_unstemmed |
Images and Ideas in Seventeenth-Century Spanish Painting / Jonathan Brown. |
title_auth |
Images and Ideas in Seventeenth-Century Spanish Painting / |
title_alt |
Frontmatter -- PREFACE -- CONTENTS -- LIST OF ILLUSTRATIONS -- PHOTOGRAPH CREDITS -- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING -- PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO -- 1. A Community of Scholars -- 2. El Arte de la Pintura as an Academic Document -- 3. Theory into Practice: The Arts and the Academy -- PART II: PAINTERS AND PROGRAMS -- 4. On the Meaning of Las Meninas -- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe -- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville -- EPILOGUE -- BIBLIOGRAPHY -- INDEX |
title_new |
Images and Ideas in Seventeenth-Century Spanish Painting / |
title_sort |
images and ideas in seventeenth-century spanish painting / |
series |
Princeton Essays on the Arts ; |
series2 |
Princeton Essays on the Arts ; |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (201 p.) |
contents |
Frontmatter -- PREFACE -- CONTENTS -- LIST OF ILLUSTRATIONS -- PHOTOGRAPH CREDITS -- INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING -- PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO -- 1. A Community of Scholars -- 2. El Arte de la Pintura as an Academic Document -- 3. Theory into Practice: The Arts and the Academy -- PART II: PAINTERS AND PROGRAMS -- 4. On the Meaning of Las Meninas -- 5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe -- 6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville -- EPILOGUE -- BIBLIOGRAPHY -- INDEX |
isbn |
9780691241920 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND806 |
callnumber-sort |
ND 3806 B76 |
geographic_facet |
Spain. |
url |
https://doi.org/10.1515/9780691241920?locatt=mode:legacy https://www.degruyter.com/isbn/9780691241920 https://www.degruyter.com/document/cover/isbn/9780691241920/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.6 |
dewey-sort |
3759.6 |
dewey-raw |
759.6 |
dewey-search |
759.6 |
doi_str_mv |
10.1515/9780691241920?locatt=mode:legacy |
work_keys_str_mv |
AT brownjonathan imagesandideasinseventeenthcenturyspanishpainting |
status_str |
n |
ids_txt_mv |
(DE-B1597)618166 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Images and Ideas in Seventeenth-Century Spanish Painting / |
_version_ |
1770176352827211776 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07683nam a22018615i 4500</leader><controlfield tag="001">9780691241920</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20221979nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691241920</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691241920</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)618166</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ND806</subfield><subfield code="b">.B76</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">759.6</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brown, Jonathan, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Images and Ideas in Seventeenth-Century Spanish Painting /</subfield><subfield code="c">Jonathan Brown.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1979</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (201 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Princeton Essays on the Arts ;</subfield><subfield code="v">1</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">PREFACE -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">LIST OF ILLUSTRATIONS -- </subfield><subfield code="t">PHOTOGRAPH CREDITS -- </subfield><subfield code="t">INTRODUCTION: OBSERVATIONS ON THE HISTORIOGRAPHY OF SEVENTEENTH-CENTURY SPANISH PAINTING -- </subfield><subfield code="t">PART I: THEORY AND ART IN THE ACADEMY OF FRANCISCO PACHECO -- </subfield><subfield code="t">1. A Community of Scholars -- </subfield><subfield code="t">2. El Arte de la Pintura as an Academic Document -- </subfield><subfield code="t">3. Theory into Practice: The Arts and the Academy -- </subfield><subfield code="t">PART II: PAINTERS AND PROGRAMS -- </subfield><subfield code="t">4. On the Meaning of Las Meninas -- </subfield><subfield code="t">5. Zurbaran's Paintings in the Sacristy of the Monastery of Guadalupe -- </subfield><subfield code="t">6. Hieroglyphs of Death and Salvation: The Decoration of the Church of the Hermandad de la Caridad, Seville -- </subfield><subfield code="t">EPILOGUE -- </subfield><subfield code="t">BIBLIOGRAPHY -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu.A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velázquez, Zurbarán's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdés Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and society</subfield><subfield code="z">Spain.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Catholic Church in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painting, Baroque</subfield><subfield code="z">Spain.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painting, Spanish.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Abbasid Caliphate.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Alonso Berruguete.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Altarpiece.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Angelo Nardi (painter).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Antonio Mohedano.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Antonio de Pereda.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Apollo and Daphne (Bernini).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Art history.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Arte.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Baroque painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bartolomé de las Casas.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Benito Arias Montano.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Caravaggio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Carthusians.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Castile (historical region).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Catholic Monarchs.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Chapel of St. Jerome.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Charles V, Holy Roman Emperor.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Church Fathers.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cimabue.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Classical mythology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Comedia (Spanish play).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Council of Trent.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Counter-Reformation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Court painter.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Crown of Castile.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Diego Velázquez.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Discalced Carmelites.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Don Juan Tenorio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">El Greco.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Erudition.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Fernando de Herrera.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Francisco Pacheco.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Francisco de Borja.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Francisco de Rioja.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Friar.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Garcilaso de la Vega (poet).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gaspar Melchor de Jovellanos.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Genre painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Georges de La Tour.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gian Lorenzo Bernini.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Giovanni Baglione.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Giovanni Battista Crescenzi.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gustave Courbet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hieronymites.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Iconography.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ignatius of Loyola.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Illusionism (art).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Impressionism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">In Ictu Oculi.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jan van Eyck.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Juan de Mal Lara.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Juan de las Roelas.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jusepe de Ribera.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Las Hilanderas (Velázquez).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Las Meninas.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marsilio Ficino.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Masaccio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Matthew 25.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Military order (monastic society).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Museo del Prado.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Order of Santiago.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Our Lady of Guadalupe.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Parmigianino.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pietro da Cortona.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Poetic diction.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Poetry.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Protestantism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Putto.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Real Academia de Bellas Artes de San Fernando.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Real Academia de la Historia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Religious art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Renaissance art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sacristy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Saint Christopher.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Santa Hermandad.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Santa Trinita.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Scholasticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Seville Cathedral.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Shakespeare's sonnets.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Society of Jesus.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spain.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spanish Empire.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spanish Golden Age.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spanish art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Spanish nobility.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Susanna (Book of Daniel).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Teresa of Ávila.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Art of Painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Battle of Lepanto (Luna painting).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Dissertation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Poetaster.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Return of the Prodigal Son (Rembrandt).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Theory of painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Tintoretto.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Titian.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">University of Salamanca.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ut pictura poesis.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691241920?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691241920</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780691241920/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |