Hollywood Fantasies of Miscegenation : : Spectacular Narratives of Gender and Race / / Susan Courtney.
Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of m...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2005 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (400 p.) :; 142 halftones. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780691240220 |
---|---|
ctrlnum |
(DE-B1597)613940 (OCoLC)1291506343 |
collection |
bib_alma |
record_format |
marc |
spelling |
Courtney, Susan, author. aut http://id.loc.gov/vocabulary/relators/aut Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / Susan Courtney. Princeton, NJ : Princeton University Press, [2022] ©2005 1 online resource (400 p.) : 142 halftones. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- INTRODUCTION. What Happened in the Tunnel and Other Open American Secrets -- PART ONE: Exhuming the Silent Bodies -- CHAPTER ONE. The "Agony" of Spectatorship at Biograph -- CHAPTER TWO. The Mixed Birth of "Great White" Masculinity and the Classical Spectator -- PART TWO. Color Coding Identity and Desire -- CHAPTER THREE. "The Un-doable Stories," the "Usual Answers,' and Other "Epidermic Drama [s]": Coming to Terms with the Production Code -- CHAPTER FOUR. Picturizing Race: On Visibility, Racial Knowledge, and Cinematic Belief -- PART THREE. Rebirthing a Nation? -- CHAPTER FIVE. Out of the Plantation and into the Suburbs: Sensational Extremes in the Late 1950s -- CHAPTER SIX. Guess Who's Coming to Dinner with Eldridge Cleaver and the Supreme Court, or Reforming Populär Racial Memory with Hepburn and Tracy -- Notes -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Miscegenation in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Amiri Baraka. An Affair. Anathema. Anthropomorphism. Anti-Catholicism. Anti-clericalism. Anti-miscegenation laws. Assassination. Brazen bull. Caricature. Castration. Censorship. Classical Hollywood cinema. Complicity. Controversy. Counterculture. Cowardice. Crime. Criticism of capitalism. Decolonization. Decoy (TV series). Disparagement. Exhibitionism. Exoticism. Falsity. Film criticism. Folly to Be Wise. Forced marriage. Frantz Fanon. Great Disappointment. Hamlet's Father. Harold and Maude. Hegemonic masculinity. Horror film. Hypocrisy. Incest. Incubus. Interdiction. Interracial marriage. Intruder in the Dust. Knockouts. Ku Klux Klan. Libido. Loving v. Virginia. Marilyn Monroe. Marlon Brando. Masculinity. Melodrama. Miscegenation. Misogyny. Monster's Ball. Motion Picture Production Code. Nativism (politics). Oppression. Persecution. Phallocentrism. Populism. Pornography. Power Hungry (Fringe). Pre-Code Hollywood. Premarital sex. Pseudonym. Pseudoscience. Psychoanalysis. Racial segregation. Racialism. Racism. Radicalism (historical). Rape. Ridicule. Sadomasochism. Sentimentality. Sex comedy. Sexual Desire (book). Sexual Politics. Sexual assault. Sexual fantasy. Sexual harassment. Sexual obsessions. Sexual racism. Sexual violence. Slavery. Stunting (broadcasting). Subversion. Supercouple. Swinging (sexual practice). The Interpretation of Dreams. The Offence. The Political Unconscious. To Kill a Mockingbird. Touch of Evil. Uncle Tom. Undoing (psychology). Verisimilitude (fiction). Verisimilitude. War Paint. White people. Xenophobia. Yellow Peril. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 9783110442502 https://doi.org/10.1515/9780691240220?locatt=mode:legacy https://www.degruyter.com/isbn/9780691240220 Cover https://www.degruyter.com/document/cover/isbn/9780691240220/original |
language |
English |
format |
eBook |
author |
Courtney, Susan, Courtney, Susan, |
spellingShingle |
Courtney, Susan, Courtney, Susan, Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- INTRODUCTION. What Happened in the Tunnel and Other Open American Secrets -- PART ONE: Exhuming the Silent Bodies -- CHAPTER ONE. The "Agony" of Spectatorship at Biograph -- CHAPTER TWO. The Mixed Birth of "Great White" Masculinity and the Classical Spectator -- PART TWO. Color Coding Identity and Desire -- CHAPTER THREE. "The Un-doable Stories," the "Usual Answers,' and Other "Epidermic Drama [s]": Coming to Terms with the Production Code -- CHAPTER FOUR. Picturizing Race: On Visibility, Racial Knowledge, and Cinematic Belief -- PART THREE. Rebirthing a Nation? -- CHAPTER FIVE. Out of the Plantation and into the Suburbs: Sensational Extremes in the Late 1950s -- CHAPTER SIX. Guess Who's Coming to Dinner with Eldridge Cleaver and the Supreme Court, or Reforming Populär Racial Memory with Hepburn and Tracy -- Notes -- Index |
author_facet |
Courtney, Susan, Courtney, Susan, |
author_variant |
s c sc s c sc |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Courtney, Susan, |
title |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / |
title_sub |
Spectacular Narratives of Gender and Race / |
title_full |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / Susan Courtney. |
title_fullStr |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / Susan Courtney. |
title_full_unstemmed |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / Susan Courtney. |
title_auth |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- INTRODUCTION. What Happened in the Tunnel and Other Open American Secrets -- PART ONE: Exhuming the Silent Bodies -- CHAPTER ONE. The "Agony" of Spectatorship at Biograph -- CHAPTER TWO. The Mixed Birth of "Great White" Masculinity and the Classical Spectator -- PART TWO. Color Coding Identity and Desire -- CHAPTER THREE. "The Un-doable Stories," the "Usual Answers,' and Other "Epidermic Drama [s]": Coming to Terms with the Production Code -- CHAPTER FOUR. Picturizing Race: On Visibility, Racial Knowledge, and Cinematic Belief -- PART THREE. Rebirthing a Nation? -- CHAPTER FIVE. Out of the Plantation and into the Suburbs: Sensational Extremes in the Late 1950s -- CHAPTER SIX. Guess Who's Coming to Dinner with Eldridge Cleaver and the Supreme Court, or Reforming Populär Racial Memory with Hepburn and Tracy -- Notes -- Index |
title_new |
Hollywood Fantasies of Miscegenation : |
title_sort |
hollywood fantasies of miscegenation : spectacular narratives of gender and race / |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (400 p.) : 142 halftones. |
contents |
Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- INTRODUCTION. What Happened in the Tunnel and Other Open American Secrets -- PART ONE: Exhuming the Silent Bodies -- CHAPTER ONE. The "Agony" of Spectatorship at Biograph -- CHAPTER TWO. The Mixed Birth of "Great White" Masculinity and the Classical Spectator -- PART TWO. Color Coding Identity and Desire -- CHAPTER THREE. "The Un-doable Stories," the "Usual Answers,' and Other "Epidermic Drama [s]": Coming to Terms with the Production Code -- CHAPTER FOUR. Picturizing Race: On Visibility, Racial Knowledge, and Cinematic Belief -- PART THREE. Rebirthing a Nation? -- CHAPTER FIVE. Out of the Plantation and into the Suburbs: Sensational Extremes in the Late 1950s -- CHAPTER SIX. Guess Who's Coming to Dinner with Eldridge Cleaver and the Supreme Court, or Reforming Populär Racial Memory with Hepburn and Tracy -- Notes -- Index |
isbn |
9780691240220 9783110442502 |
url |
https://doi.org/10.1515/9780691240220?locatt=mode:legacy https://www.degruyter.com/isbn/9780691240220 https://www.degruyter.com/document/cover/isbn/9780691240220/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/6552 |
dewey-sort |
3791.43 46552 |
dewey-raw |
791.43/6552 |
dewey-search |
791.43/6552 |
doi_str_mv |
10.1515/9780691240220?locatt=mode:legacy |
oclc_num |
1291506343 |
work_keys_str_mv |
AT courtneysusan hollywoodfantasiesofmiscegenationspectacularnarrativesofgenderandrace |
status_str |
n |
ids_txt_mv |
(DE-B1597)613940 (OCoLC)1291506343 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Hollywood Fantasies of Miscegenation : Spectacular Narratives of Gender and Race / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143299328671744 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07992nam a22018255i 4500</leader><controlfield tag="001">9780691240220</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222005nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691240220</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691240220</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)613940</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1291506343</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/6552</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Courtney, Susan, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood Fantasies of Miscegenation :</subfield><subfield code="b">Spectacular Narratives of Gender and Race /</subfield><subfield code="c">Susan Courtney.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (400 p.) :</subfield><subfield code="b">142 halftones.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Illustrations -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">INTRODUCTION. What Happened in the Tunnel and Other Open American Secrets -- </subfield><subfield code="t">PART ONE: Exhuming the Silent Bodies -- </subfield><subfield code="t">CHAPTER ONE. The "Agony" of Spectatorship at Biograph -- </subfield><subfield code="t">CHAPTER TWO. The Mixed Birth of "Great White" Masculinity and the Classical Spectator -- </subfield><subfield code="t">PART TWO. Color Coding Identity and Desire -- </subfield><subfield code="t">CHAPTER THREE. "The Un-doable Stories," the "Usual Answers,' and Other "Epidermic Drama [s]": Coming to Terms with the Production Code -- </subfield><subfield code="t">CHAPTER FOUR. Picturizing Race: On Visibility, Racial Knowledge, and Cinematic Belief -- </subfield><subfield code="t">PART THREE. Rebirthing a Nation? -- </subfield><subfield code="t">CHAPTER FIVE. Out of the Plantation and into the Suburbs: Sensational Extremes in the Late 1950s -- </subfield><subfield code="t">CHAPTER SIX. Guess Who's Coming to Dinner with Eldridge Cleaver and the Supreme Court, or Reforming Populär Racial Memory with Hepburn and Tracy -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Miscegenation in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Amiri Baraka.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">An Affair.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anathema.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anthropomorphism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anti-Catholicism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anti-clericalism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anti-miscegenation laws.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Assassination.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Brazen bull.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Caricature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Castration.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Censorship.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Classical Hollywood cinema.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Complicity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Controversy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Counterculture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cowardice.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Crime.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Criticism of capitalism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Decolonization.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Decoy (TV series).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Disparagement.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Exhibitionism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Exoticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Falsity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Film criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Folly to Be Wise.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Forced marriage.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Frantz Fanon.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Great Disappointment.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hamlet's Father.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Harold and Maude.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hegemonic masculinity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Horror film.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hypocrisy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Incest.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Incubus.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Interdiction.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Interracial marriage.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Intruder in the Dust.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Knockouts.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ku Klux Klan.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Libido.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Loving v. Virginia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marilyn Monroe.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marlon Brando.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Masculinity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Melodrama.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Miscegenation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Misogyny.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Monster's Ball.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Motion Picture Production Code.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Nativism (politics).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Oppression.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Persecution.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Phallocentrism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Populism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pornography.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Power Hungry (Fringe).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pre-Code Hollywood.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Premarital sex.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pseudonym.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pseudoscience.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Psychoanalysis.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Racial segregation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Racialism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Racism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Radicalism (historical).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rape.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ridicule.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sadomasochism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sentimentality.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sex comedy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual Desire (book).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual Politics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual assault.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual fantasy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual harassment.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual obsessions.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual racism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sexual violence.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Slavery.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Stunting (broadcasting).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Subversion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Supercouple.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Swinging (sexual practice).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Interpretation of Dreams.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Offence.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Political Unconscious.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">To Kill a Mockingbird.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Touch of Evil.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Uncle Tom.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Undoing (psychology).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Verisimilitude (fiction).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Verisimilitude.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">War Paint.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">White people.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Xenophobia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Yellow Peril.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Princeton University Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110442502</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691240220?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691240220</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780691240220/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044250-2 Princeton University Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |