The Global Rules of Art : : The Emergence and Divisions of a Cultural World Economy / / Larissa Buchholz.
A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwidePrior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while c...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Princeton Studies in Global and Comparative Sociology
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Online Access: | |
Physical Description: | 1 online resource (416 p.) :; 57 b/w illus. 17 tables. 8 maps. |
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LEADER | 08826nam a22019815i 4500 | ||
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001 | 9780691239866 | ||
003 | DE-B1597 | ||
005 | 20230529101353.0 | ||
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020 | |a 9780691239866 | ||
024 | 7 | |a 10.1515/9780691239866 |2 doi | |
035 | |a (DE-B1597)633759 | ||
035 | |a (OCoLC)1345584550 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nju |c US-NJ | ||
050 | 4 | |a N8601 |b .B83 2022 | |
072 | 7 | |a ART043000 |2 bisacsh | |
082 | 0 | 4 | |a 706.88 |2 23 |
100 | 1 | |a Buchholz, Larissa, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Global Rules of Art : |b The Emergence and Divisions of a Cultural World Economy / |c Larissa Buchholz. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (416 p.) : |b 57 b/w illus. 17 tables. 8 maps. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Princeton Studies in Global and Comparative Sociology | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t List of Tables -- |t Preface: An Unsettling Success -- |t 1 A Global Field Approach to Art and Culture -- |t Part I. The Emergence of a Global Field in the Contemporary Visual Arts -- |t 2 The Genesis of a Global Artistic Subfield -- |t 3 From an International Avant-Garde Market to a Global Commercial Subfield -- |t Part II. Dynamics of Artistic Recognition in the Globalizing Field -- |t 4 Cross-Border Valuation between Art Experts and the Market -- |t 5 Diversity and Careers in a Dual Cultural World Economy -- |t Part III. Creative Lives -- |t 6 Becoming a Global Artist at the Relatively Autonomous Pole -- |t 7 The Hype of the Chinese Market Star Yue Minjun -- |t 8 “Global Art” between Autonomy and Heteronomy -- |t Epilogue -- |t Acknowledgments -- |t Appendices -- |t Notes -- |t References -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwidePrior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with artists, critics, curators, gallerists, and auction house agents—Larissa Buchholz examines the emergence of a world-spanning art field whose logics have increasingly become defined in global terms.Deftly blending comprehensive historical analyses with illuminating case studies, The Global Rules of Art breaks new ground in its exploration of valuation and how cultural hierarchies take shape in a global context. The book’s innovative global field approach will appeal to scholars in the sociology of art, cultural and economic sociology, interdisciplinary global studies, and anyone interested in the dynamics of global art and culture. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
650 | 0 | |a Art and globalization. | |
650 | 0 | |a Art |x Marketing. | |
650 | 0 | |a Art, Modern |y 20th century |x Economic aspects. | |
650 | 0 | |a Art, Modern |y 21st century |x Economic aspects. | |
650 | 7 | |a ART / Business Aspects. |2 bisacsh | |
653 | |a Andy Warhol. | ||
653 | |a Art Basel. | ||
653 | |a Art Express. | ||
653 | |a Art Journal (College Art Association journal). | ||
653 | |a Art auction. | ||
653 | |a Art critic. | ||
653 | |a Art criticism. | ||
653 | |a Art department. | ||
653 | |a Art for art's sake. | ||
653 | |a Art group. | ||
653 | |a Art history. | ||
653 | |a Art methodology. | ||
653 | |a Art movement. | ||
653 | |a Artforum. | ||
653 | |a Artnet. | ||
653 | |a Artprice. | ||
653 | |a Auction. | ||
653 | |a Capital control. | ||
653 | |a Career. | ||
653 | |a Central bank. | ||
653 | |a Commercial art. | ||
653 | |a Competition (economics). | ||
653 | |a Competitive landscape. | ||
653 | |a Contemporary art. | ||
653 | |a Core business. | ||
653 | |a Cultural Revolution. | ||
653 | |a Cultural capital. | ||
653 | |a Cultural imperialism. | ||
653 | |a Curator. | ||
653 | |a Currency. | ||
653 | |a Deterritorialization. | ||
653 | |a Documenta. | ||
653 | |a Economic capital. | ||
653 | |a Economic globalization. | ||
653 | |a Ethnoscape. | ||
653 | |a Externality. | ||
653 | |a Fluxus. | ||
653 | |a General Agreement on Tariffs and Trade. | ||
653 | |a Geopolitics. | ||
653 | |a Global Exchange. | ||
653 | |a Global Finance (magazine). | ||
653 | |a Global Leadership. | ||
653 | |a Global Map. | ||
653 | |a Global administrative law. | ||
653 | |a Global city. | ||
653 | |a Global field. | ||
653 | |a Global imbalances. | ||
653 | |a Global issue. | ||
653 | |a Global justice. | ||
653 | |a Global saving glut. | ||
653 | |a Global strategy. | ||
653 | |a Global studies. | ||
653 | |a Globalism. | ||
653 | |a Globality. | ||
653 | |a Globalization. | ||
653 | |a Headline. | ||
653 | |a Imperialism. | ||
653 | |a India Art Fair. | ||
653 | |a Infrastructure. | ||
653 | |a Institution. | ||
653 | |a International Competition Network. | ||
653 | |a International Monetary Fund. | ||
653 | |a International Style (architecture). | ||
653 | |a International economics. | ||
653 | |a International law. | ||
653 | |a International monetary systems. | ||
653 | |a International organization. | ||
653 | |a International relations. | ||
653 | |a Internationalization. | ||
653 | |a Jeff Koons. | ||
653 | |a Kunsthalle. | ||
653 | |a Kunstmuseum Basel. | ||
653 | |a Land art. | ||
653 | |a Law of war. | ||
653 | |a Market liquidity. | ||
653 | |a Mercantilism. | ||
653 | |a National symbol. | ||
653 | |a Nationalization. | ||
653 | |a New International Economic Order. | ||
653 | |a Policy. | ||
653 | |a Pop art. | ||
653 | |a Principles (retailer). | ||
653 | |a Protectionism. | ||
653 | |a Public international law. | ||
653 | |a Regional policy. | ||
653 | |a Regulatory state. | ||
653 | |a Sociology of art. | ||
653 | |a Sotheby's. | ||
653 | |a Spanish art. | ||
653 | |a Symbolic capital. | ||
653 | |a Technological determinism. | ||
653 | |a Trade association. | ||
653 | |a Trade war. | ||
653 | |a Transnationalism. | ||
653 | |a Venice Biennale. | ||
653 | |a Visual art of the United States. | ||
653 | |a Wang Guangyi. | ||
653 | |a World Trade Organization. | ||
653 | |a World economy. | ||
653 | |a World history. | ||
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773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press Complete eBook-Package 2022 |z 9783110749731 |
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