Alloys : : American Sculpture and Architecture at Midcentury / / Marin R. Sullivan.
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern designAlloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (272 p.) :; 25 color + 125 b/w illus. |
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LEADER | 08971nam a22019935i 4500 | ||
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001 | 9780691232461 | ||
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020 | |a 9780691232461 | ||
024 | 7 | |a 10.1515/9780691232461 |2 doi | |
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100 | 1 | |a Sullivan, Marin R., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Alloys : |b American Sculpture and Architecture at Midcentury / |c Marin R. Sullivan. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (272 p.) : |b 25 color + 125 b/w illus. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Prologue The Architectural Requirements of Space -- |t Introduction Alloying Space -- |t 1 The Space Above -- |t 2 Dividing Space -- |t 3 The Space Between -- |t Epilogue Preserving Space(s) -- |t Acknowledgments -- |t Notes -- |t Index -- |t Photography and Copyright Credits |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern designAlloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces.Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an accurate framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction.A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
650 | 0 | |a Modernism (Art) |z United States. | |
650 | 0 | |a Sculpture and architecture |z United States |x History |y 20th century. | |
650 | 0 | |a Sculpture, American |y 20th century. | |
650 | 0 | |a Site-specific sculpture |z United States |y 20th century. | |
650 | 7 | |a ART / Sculpture & Installation. |2 bisacsh | |
653 | |a 666 Fifth Avenue. | ||
653 | |a Abstract expressionism. | ||
653 | |a Ada Louise Huxtable. | ||
653 | |a Adolph Gottlieb. | ||
653 | |a Alexander Calder. | ||
653 | |a Alexander Liberman. | ||
653 | |a Alexander Stirling Calder. | ||
653 | |a Aline B. Saarinen. | ||
653 | |a Anish Kapoor. | ||
653 | |a Architectural Design. | ||
653 | |a Architectural Forum. | ||
653 | |a Architectural Record. | ||
653 | |a Architectural firm. | ||
653 | |a Architectural historian. | ||
653 | |a Atomic Age. | ||
653 | |a Black Mountain College. | ||
653 | |a Buckminster Fuller. | ||
653 | |a Charles Sheeler. | ||
653 | |a Charles and Ray Eames. | ||
653 | |a Claes Oldenburg. | ||
653 | |a Constantin Brâncu?i. | ||
653 | |a Contemporary society. | ||
653 | |a Designer. | ||
653 | |a Donald Deskey. | ||
653 | |a Dropped ceiling. | ||
653 | |a Edgar J. Kaufmann. | ||
653 | |a Edward Durell Stone. | ||
653 | |a Edward Larrabee Barnes. | ||
653 | |a Eero Saarinen. | ||
653 | |a Eliel Saarinen. | ||
653 | |a Eliot Noyes. | ||
653 | |a Fine art. | ||
653 | |a Florence Knoll. | ||
653 | |a Frank Gehry. | ||
653 | |a George Nelson (designer). | ||
653 | |a Gordon Bunshaft. | ||
653 | |a Ground Floor. | ||
653 | |a Harry Bertoia. | ||
653 | |a Harvard Graduate Center. | ||
653 | |a Henry-Russell Hitchcock. | ||
653 | |a Herbert Bayer. | ||
653 | |a Herbert Ferber. | ||
653 | |a Herbert Matter. | ||
653 | |a Herman Miller (manufacturer). | ||
653 | |a Inland Steel Building. | ||
653 | |a Interior design. | ||
653 | |a International Style (architecture). | ||
653 | |a Isamu Noguchi. | ||
653 | |a Jack Burnham. | ||
653 | |a John Cage. | ||
653 | |a Josiah McElheny. | ||
653 | |a Kevin Roche. | ||
653 | |a La Grande Vitesse. | ||
653 | |a Le Corbusier. | ||
653 | |a Lee Bontecou. | ||
653 | |a Lever House. | ||
653 | |a Lighting. | ||
653 | |a Lincoln Center for the Performing Arts. | ||
653 | |a MIT Chapel. | ||
653 | |a Manufacturers Trust Company Building. | ||
653 | |a Marcel Breuer. | ||
653 | |a Marcel Duchamp. | ||
653 | |a Mark Rothko. | ||
653 | |a Mark Tobey. | ||
653 | |a Mary Callery. | ||
653 | |a Max Abramovitz. | ||
653 | |a Mid-century modern. | ||
653 | |a Minimalism. | ||
653 | |a Modern architecture. | ||
653 | |a Modern sculpture. | ||
653 | |a Modernism. | ||
653 | |a Mural. | ||
653 | |a Natalie de Blois. | ||
653 | |a National Gallery of Art. | ||
653 | |a Naum Gabo. | ||
653 | |a Noguchi table. | ||
653 | |a Olivetti. | ||
653 | |a Philip Johnson. | ||
653 | |a Pietro Belluschi. | ||
653 | |a Public art. | ||
653 | |a Richard Lippold. | ||
653 | |a Robert Rauschenberg. | ||
653 | |a Saul Steinberg. | ||
653 | |a Sculpture. | ||
653 | |a Seagram Building. | ||
653 | |a Shoji Sadao. | ||
653 | |a Sigfried Giedion. | ||
653 | |a Sven Markelius. | ||
653 | |a The Architects' Collaborative. | ||
653 | |a The Broad. | ||
653 | |a The Typewriter. | ||
653 | |a Urban renewal. | ||
653 | |a Vestibule (architecture). | ||
653 | |a Vincent Scully. | ||
653 | |a Walter Gropius. | ||
653 | |a Weathering steel. | ||
653 | |a Whitney Museum of American Art. | ||
653 | |a William Baziotes. | ||
653 | |a Wingspread. | ||
653 | |a Work of art. | ||
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