What Makes an Apple? : : Six Conversations about Writing, Love, Guilt, and Other Pleasures / / Amos Oz.
Revelatory talks about art and life with internationally acclaimed Israeli novelist Amos OzIn the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, Judas. These candid, uninhibited dialogues show a side to Oz t...
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Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (152 p.) |
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100 | 1 | |a Oz, Amos, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a What Makes an Apple? : |b Six Conversations about Writing, Love, Guilt, and Other Pleasures / |c Amos Oz. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (152 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
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347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t A Heart Pierced by an Arrow -- |t Sometimes -- |t A Room of Your Own -- |t When Someone Beats Up Your Child -- |t What No Writer Can Do -- |t The Lights Have Been Changing without Us for a Long Time -- |t Acknowledgments -- |t Notes |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Revelatory talks about art and life with internationally acclaimed Israeli novelist Amos OzIn the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, Judas. These candid, uninhibited dialogues show a side to Oz that few ever saw. What Makes an Apple? presents the most revealing of these conversations in English for the first time, painting an illuminating and disarmingly intimate portrait of a towering literary figure of our time.In frank and open exchanges that are at turns buoyant, introspective, and argumentative, Oz explains what impels him to begin a story and shares his routines, habits, and challenges as a writer. He discusses the tectonic changes he experienced in his lifetime in relationships between women and men, and describes how his erotic coming of age shaped him not only as a man and lover but also as an author. Oz reflects on his parents, his formative years on a kibbutz, and how he dealt with and learned from his critics, his students, and his fame. He talks about why there is more humor in his later books and gives his exceptional take on fear of death.Resonating with Oz’s clear, honest, and humorous speaking voice, What Makes an Apple? offers a rare perspective on how Oz evolved as a person and a writer throughout his life, and enables readers to explore his work in new ways. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mai 2023) | |
650 | 0 | |a Authors, Israeli |y 20th century |v Interviews. | |
650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
653 | |a A. B. Yehoshua. | ||
653 | |a Abortion. | ||
653 | |a Across the Bridge (short story). | ||
653 | |a Ammunition. | ||
653 | |a Amos Oz. | ||
653 | |a Arabs. | ||
653 | |a Awareness. | ||
653 | |a Battle of Borodino. | ||
653 | |a Berl Katznelson. | ||
653 | |a Biblical Hebrew. | ||
653 | |a Blackmail. | ||
653 | |a Bnei Brak. | ||
653 | |a Bohemianism. | ||
653 | |a Book review. | ||
653 | |a Captain Nemo. | ||
653 | |a Caregiver. | ||
653 | |a Caricature. | ||
653 | |a Chutzpah. | ||
653 | |a City Of. | ||
653 | |a Coercion. | ||
653 | |a Consent. | ||
653 | |a Contraction (grammar). | ||
653 | |a Cripple. | ||
653 | |a Criticism. | ||
653 | |a Crutch. | ||
653 | |a Cursive. | ||
653 | |a Diaper. | ||
653 | |a Enthusiasm. | ||
653 | |a Eternal Happiness. | ||
653 | |a Etgar Keret. | ||
653 | |a Farce. | ||
653 | |a Femininity. | ||
653 | |a Forgive Me (TV series). | ||
653 | |a Franz Kafka. | ||
653 | |a Furniture. | ||
653 | |a Gabardine. | ||
653 | |a Generosity. | ||
653 | |a George Bernard Shaw. | ||
653 | |a Giza. | ||
653 | |a Granary. | ||
653 | |a Greater Israel. | ||
653 | |a Grocery store. | ||
653 | |a Half-truth. | ||
653 | |a Hatred. | ||
653 | |a Hormone. | ||
653 | |a Humiliation. | ||
653 | |a I Wish (manhwa). | ||
653 | |a Idiot. | ||
653 | |a Income. | ||
653 | |a Infantilization. | ||
653 | |a Israelis. | ||
653 | |a Jews. | ||
653 | |a Kibbutz. | ||
653 | |a Kindergarten. | ||
653 | |a Literacy. | ||
653 | |a Lunch. | ||
653 | |a Madame Bovary. | ||
653 | |a Mark Twain. | ||
653 | |a Market stall. | ||
653 | |a Masculinity. | ||
653 | |a Mezuzah. | ||
653 | |a Microphone. | ||
653 | |a Mind control. | ||
653 | |a Mishnaic Hebrew. | ||
653 | |a Mitzvah. | ||
653 | |a Modern Hebrew. | ||
653 | |a My Day. | ||
653 | |a My Michael (novel). | ||
653 | |a Nicholas de Lange. | ||
653 | |a Nipple. | ||
653 | |a Novelist. | ||
653 | |a Objectification. | ||
653 | |a Op-ed. | ||
653 | |a Opinion piece. | ||
653 | |a Orientalism. | ||
653 | |a Paul Gauguin. | ||
653 | |a Pity. | ||
653 | |a Poetry. | ||
653 | |a Privatization. | ||
653 | |a Prose. | ||
653 | |a Revised Version. | ||
653 | |a School of thought. | ||
653 | |a Sculpture. | ||
653 | |a Self-esteem. | ||
653 | |a Seoul. | ||
653 | |a Seriousness. | ||
653 | |a Spider. | ||
653 | |a State of Palestine. | ||
653 | |a Sweater. | ||
653 | |a Tendril. | ||
653 | |a The Newspaper. | ||
653 | |a The Other Hand. | ||
653 | |a To This Day. | ||
653 | |a United Workers Party (Saint Lucia). | ||
653 | |a Venus de Milo. | ||
653 | |a Verb. | ||
653 | |a Writing. | ||
653 | |a Year. | ||
653 | |a Yossi Sarid. | ||
653 | |a Your Money. | ||
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