The Zero Hour : : Glasnost and Soviet Cinema in Transition /

The Zero Hour : : Glasnost and Soviet Cinema in Transition / / Andrew Horton, Michael Brashinsky.

Now faced with the "zero hour" created by a new freedom of expression and the dramatic breakup of the Soviet Union, Soviet cinema has recently become one of the most interesting in the world, aesthetically as well as politically. How have Soviet filmmakers responded to the challenges of gl...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
VerfasserIn:
Horton, Andrew,
Brashinsky, Michael,
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2022]
©1992
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (304 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Illustrations
  • Acknowledgments
  • Introduction: Period of Adjustment
  • Part One. Glasnost: Back To The Present
  • 1. Back to the Present: (Representing the Soviet Past in Feature Films
  • 2. "We Are Your Children": Soviet Youth, Cinema, and Changing Values
  • 3. "Wherever Will I Begin?" Soviet Women in Cinema and on Film
  • Part Two. Glasnost: Down With Stuttering
  • 4. Is It Easy to Be Honest? Glasnost in the Documentary Film
  • 5. Down with Stuttering: Soviet Popular Genres and the New Film Language
  • 6. From Accusatory to Joyful Laughter: Restructuring the Soviet Comic-Satiric Muse
  • Part Three. The Islands Of The Continent
  • 7. The Islands of the Continent: A Revised Map for Ethnic Cinemas
  • In Place of a Conclusion: The Zew Hour
  • Filmography
  • Bibliography
  • Index

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