Fringe and Fortune : : The Role of Critics in High and Popular Art / / Wesley Monroe Shrum.
Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the m...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©1996 |
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Physical Description: | 1 online resource (315 p.) :; 14 halftones 1 map 6 line illus. 11 tables |
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Shrum, Wesley Monroe, author. aut http://id.loc.gov/vocabulary/relators/aut Fringe and Fortune : The Role of Critics in High and Popular Art / Wesley Monroe Shrum. Princeton, NJ : Princeton University Press, [2022] ©1996 1 online resource (315 p.) : 14 halftones 1 map 6 line illus. 11 tables text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Why does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the mediation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival. Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers. The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance. Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Art and society. Art criticism. Popular culture. Social classes. PERFORMING ARTS / Theater / History & Criticism. bisacsh Boston Symphony. British Broadcasting Corporation (BBC). Canadian fringes. Daily Telegraph. Festival Times. Festival of Israel. Fringe First awards. Fringe. Gilded Balloon. Holyrood Palace. Kant, Immanuel. Marquis of Tweeddale. Pleasance. Scottish nationalism. accessibility of art. accumulative advantage. aestheticians. amateur critics. amateur performers. attendance. cabaret. centralization. classical canon. competition. cultural capital. discourse practices. discovery myth. discriminating aesthetic. diversity. editorial bias. education. egalitarianism. entertainment. genres. heckling. hegemony theory. iconography of judgment. ideology. intimacy and space. judgment. medical revues. modality of reviews. modern criticism. opening date. painting. performance changes. quality claims. recommendations. reputation. revue. spectators. standards. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Gap Years 9783110784237 https://doi.org/10.1515/9780691227634?locatt=mode:legacy https://www.degruyter.com/isbn/9780691227634 Cover https://www.degruyter.com/document/cover/isbn/9780691227634/original |
language |
English |
format |
eBook |
author |
Shrum, Wesley Monroe, Shrum, Wesley Monroe, |
spellingShingle |
Shrum, Wesley Monroe, Shrum, Wesley Monroe, Fringe and Fortune : The Role of Critics in High and Popular Art / Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author |
author_facet |
Shrum, Wesley Monroe, Shrum, Wesley Monroe, |
author_variant |
w m s wm wms w m s wm wms |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Shrum, Wesley Monroe, |
title |
Fringe and Fortune : The Role of Critics in High and Popular Art / |
title_sub |
The Role of Critics in High and Popular Art / |
title_full |
Fringe and Fortune : The Role of Critics in High and Popular Art / Wesley Monroe Shrum. |
title_fullStr |
Fringe and Fortune : The Role of Critics in High and Popular Art / Wesley Monroe Shrum. |
title_full_unstemmed |
Fringe and Fortune : The Role of Critics in High and Popular Art / Wesley Monroe Shrum. |
title_auth |
Fringe and Fortune : The Role of Critics in High and Popular Art / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author |
title_new |
Fringe and Fortune : |
title_sort |
fringe and fortune : the role of critics in high and popular art / |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (315 p.) : 14 halftones 1 map 6 line illus. 11 tables |
contents |
Frontmatter -- Contents -- Illustrations -- Tables -- Preface -- Introduction. A Critic's New Clothes -- Part One. The Critic -- Chapter One. Cultural Mediation and the Status Bargain -- Chapter Two. Critics in the Performing Arts -- Part Two. The Fringe -- Chapter Three. Development of the Festival Fringe -- Chapter Four. Festivals and the Modern Fringe -- Chapter Five. Myth of the Fringe -- Part Three. The Triangle of Mediation -- Chapter Six. Do Critics Matter? -- Chapter Seven. Critical Evaluation -- Chapter Eight. Do Performers Listen? -- Part Four. Beyond the Fringe -- Chapter Nine. Beyond Formal Evaluation -- Chapter Ten. Discourse and Hierarchy -- Epilogue -- Appendix A. Review Genres -- Appendix B. Methodological -- Appendix C. Note on the Study of Mediation and Reception -- Appendix D. Tables -- Notes -- Bibliography -- Index -- About the Author |
isbn |
9780691227634 9783110442496 9783110784237 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N72 |
callnumber-sort |
N 272 S6 |
url |
https://doi.org/10.1515/9780691227634?locatt=mode:legacy https://www.degruyter.com/isbn/9780691227634 https://www.degruyter.com/document/cover/isbn/9780691227634/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700/.1/03 |
dewey-sort |
3700 11 13 |
dewey-raw |
700/.1/03 |
dewey-search |
700/.1/03 |
doi_str_mv |
10.1515/9780691227634?locatt=mode:legacy |
oclc_num |
1312726630 |
work_keys_str_mv |
AT shrumwesleymonroe fringeandfortunetheroleofcriticsinhighandpopularart |
status_str |
n |
ids_txt_mv |
(DE-B1597)576627 (OCoLC)1312726630 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Gap Years |
is_hierarchy_title |
Fringe and Fortune : The Role of Critics in High and Popular Art / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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fullrecord |
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