Poetry at Stake : : Lyric Aesthetics and the Challenge of Technology / / Carrie Noland.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013
• VerfasserIn: Noland, Carrie,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2022]; ©2000
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (280 p.) :; 12 halftones
• Other title: Frontmatter --; Contents --; Acknowledgments --; Abbreviations --; Introduction: Poetry at Stake: Lyric Aesthetics and the Challenge of Technology --; One. Traffic in the Unknown: Rimbaud's Interpretive Communities, Market Competition, and the Poetics of Voyance --; Two. A Poetry of Attractions: Rimbaud's Machine and the Theatrical Feerie --; Three. Confessing Philosophy: Negative Dialectics and/as Lyric Poetry --; Four. Blaise Cendrars and the Heterogeneous Discourses of the Lyric Subject --; Five. High Decoration: Sonia Delaunay, Blaise Cendrars, and the Poem as Fashion Design --; Six. Messages personnels: Radio, Cryptography, and the Resistance Poetry of Rene Char --; Seven. Rimbaud and Patti Smith: The Discoveries of Modern Poetry and the Popular Music Industry --; Eight. Laurie Anderson: Confessions of a Cyborg --; Coda --; Notes --; General Index --; Index of Primary Sources Cited
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780691227542; 9783110442502; 9783110784237
• DOI: 10.1515/9780691227542?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Carrie Noland.

Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.