What the Thunder Said : : How The Waste Land Made Poetry Modern / / Jed Rasula.
On the 100th anniversary of T. S. Eliot’s modernist masterpiece, a rich cultural history of The Waste Land’s creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put its thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. “B...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
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Rasula, Jed, author. aut http://id.loc.gov/vocabulary/relators/aut What the Thunder Said : How The Waste Land Made Poetry Modern / Jed Rasula. Princeton, NJ : Princeton University Press, [2022] ©2022 1 online resource (344 p.) : 32 b/w illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction -- Part One -- Chapter one Wagnerism -- Chapter Two The Forest of Symbols & the Listening Eye -- Chapter Three Becoming Modern -- Part Two -- Chapter Four The School of Images -- Chapter Five Pig Cupid -- Chapter Six Enter Eliot -- Part Three -- Chapter Seven “My nerves are bad tonight” -- Chapter Eight “I have heard the mermaids singing” -- Chapter Nine Other Voices -- Part Four -- Chapter Ten Parallax -- Chapter Eleven “Ezra Pound Speaking” -- Chapter Twelve Significant Emotion -- Acknowledgments -- References -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star On the 100th anniversary of T. S. Eliot’s modernist masterpiece, a rich cultural history of The Waste Land’s creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put its thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. “But,” as Jed Rasula writes, “The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern.” In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, “April is the cruellest month, breeding / Lilacs out of the dead land,” to its closing Sanskrit mantra, “Shantih shantih shantih,” The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound’s injunction to “make it new.” What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot’s storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the “men of 1914.”Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century’s most influential poem. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) LITERARY CRITICISM / Poetry. bisacsh A Season in Hell. Aldous Huxley. Aphorism. Arnaut Daniel. Arthur Cravan. Arthur Rimbaud. Arthur Symons. Assonance. Blaise Cendrars. Caresse Crosby. Charles Baudelaire. Charles Demuth. Charles Olson. Charles Reznikoff. Conrad Aiken. D. H. Lawrence. Dada. Darius Milhaud. De Profundis (letter). Demimonde. E. M. Forster. Erudition. Essay. Eustace Mullins. Existentialism. Ezra Pound. F. L. Lucas. F. S. Flint. Floyd Dell. Ford Madox Ford. Fredric Wertham. Gelett Burgess. Georg Wilhelm Friedrich Hegel. George Antheil. Gerontion. Gilbert Murray. Guillaume Apollinaire. Hart Crane. Hector Berlioz. Henri Bergson. Herbert Spencer. Hugh Ross Williamson. Hugh Selwyn Mauberley. Imagism. Irving Babbitt. James Abbott McNeill Whistler. James Huneker. Jeremiad. John Crowe Ransom. John Masefield. John Middleton Murry. John Peale Bishop. Joseph Moncure March. Karl Shapiro. Kurt Schwitters. Kurt Weill. Lothario. Louis MacNeice. Louis Untermeyer. Ludwig Tieck. Lytton Strachey. Malcolm Cowley. Manifesto of Futurism. Marcel Broodthaers. Marcel Duchamp. Mario Praz. Mythopoeia. New Criticism. Nian Rebellion. Pierre Leroux. Poetry. Prometheus. Randall Jarrell. Revolution. Revue. Richard Aldington. Ripostes. Robert Bridges. Robert Frost. Rosicrucianism. Rupert Brooke. Sherwood Anderson. Symbolist Manifesto. T. E. Hulme. The Birth of Tragedy. The Egoist (periodical). The Machiavellian Moment. Thomas Carlyle. Thus Spoke Zarathustra. Tristan Tzara. V. Venusberg (mythology). Victor Plarr. Vorticism. W. B. Yeats. W. H. Auden. Wallace Stevens. Walter Pater. William Empson. Wyndham Lewis. Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English 9783110993752 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 9783110993738 ZDB-23-DKU Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2022 9783110749731 print 9780691225777 https://doi.org/10.1515/9780691225784?locatt=mode:legacy https://www.degruyter.com/isbn/9780691225784 Cover https://www.degruyter.com/document/cover/isbn/9780691225784/original |
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Rasula, Jed, Rasula, Jed, |
spellingShingle |
Rasula, Jed, Rasula, Jed, What the Thunder Said : How The Waste Land Made Poetry Modern / Frontmatter -- Contents -- Introduction -- Part One -- Chapter one Wagnerism -- Chapter Two The Forest of Symbols & the Listening Eye -- Chapter Three Becoming Modern -- Part Two -- Chapter Four The School of Images -- Chapter Five Pig Cupid -- Chapter Six Enter Eliot -- Part Three -- Chapter Seven “My nerves are bad tonight” -- Chapter Eight “I have heard the mermaids singing” -- Chapter Nine Other Voices -- Part Four -- Chapter Ten Parallax -- Chapter Eleven “Ezra Pound Speaking” -- Chapter Twelve Significant Emotion -- Acknowledgments -- References -- Bibliography -- Index |
author_facet |
Rasula, Jed, Rasula, Jed, |
author_variant |
j r jr j r jr |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Rasula, Jed, |
title |
What the Thunder Said : How The Waste Land Made Poetry Modern / |
title_sub |
How The Waste Land Made Poetry Modern / |
title_full |
What the Thunder Said : How The Waste Land Made Poetry Modern / Jed Rasula. |
title_fullStr |
What the Thunder Said : How The Waste Land Made Poetry Modern / Jed Rasula. |
title_full_unstemmed |
What the Thunder Said : How The Waste Land Made Poetry Modern / Jed Rasula. |
title_auth |
What the Thunder Said : How The Waste Land Made Poetry Modern / |
title_alt |
Frontmatter -- Contents -- Introduction -- Part One -- Chapter one Wagnerism -- Chapter Two The Forest of Symbols & the Listening Eye -- Chapter Three Becoming Modern -- Part Two -- Chapter Four The School of Images -- Chapter Five Pig Cupid -- Chapter Six Enter Eliot -- Part Three -- Chapter Seven “My nerves are bad tonight” -- Chapter Eight “I have heard the mermaids singing” -- Chapter Nine Other Voices -- Part Four -- Chapter Ten Parallax -- Chapter Eleven “Ezra Pound Speaking” -- Chapter Twelve Significant Emotion -- Acknowledgments -- References -- Bibliography -- Index |
title_new |
What the Thunder Said : |
title_sort |
what the thunder said : how the waste land made poetry modern / |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (344 p.) : 32 b/w illus. |
contents |
Frontmatter -- Contents -- Introduction -- Part One -- Chapter one Wagnerism -- Chapter Two The Forest of Symbols & the Listening Eye -- Chapter Three Becoming Modern -- Part Two -- Chapter Four The School of Images -- Chapter Five Pig Cupid -- Chapter Six Enter Eliot -- Part Three -- Chapter Seven “My nerves are bad tonight” -- Chapter Eight “I have heard the mermaids singing” -- Chapter Nine Other Voices -- Part Four -- Chapter Ten Parallax -- Chapter Eleven “Ezra Pound Speaking” -- Chapter Twelve Significant Emotion -- Acknowledgments -- References -- Bibliography -- Index |
isbn |
9780691225784 9783110993899 9783110994810 9783110993752 9783110993738 9783110749731 9780691225777 |
url |
https://doi.org/10.1515/9780691225784?locatt=mode:legacy https://www.degruyter.com/isbn/9780691225784 https://www.degruyter.com/document/cover/isbn/9780691225784/original |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
821 - English poetry |
dewey-full |
821/.912 |
dewey-sort |
3821 3912 |
dewey-raw |
821/.912 |
dewey-search |
821/.912 |
doi_str_mv |
10.1515/9780691225784?locatt=mode:legacy |
oclc_num |
1338840545 |
work_keys_str_mv |
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status_str |
n |
ids_txt_mv |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2022 |
is_hierarchy_title |
What the Thunder Said : How The Waste Land Made Poetry Modern / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English |
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It was a poem that unequivocally declared that the ancient art of poetry had become modern.” In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, “April is the cruellest month, breeding / Lilacs out of the dead land,” to its closing Sanskrit mantra, “Shantih shantih shantih,” The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound’s injunction to “make it new.” What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. 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ind2=" "><subfield code="a">Robert Frost.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rosicrucianism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rupert Brooke.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sherwood Anderson.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Symbolist Manifesto.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">T. E. Hulme.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Birth of Tragedy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Egoist (periodical).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Machiavellian Moment.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Thomas Carlyle.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Thus Spoke Zarathustra.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Tristan Tzara.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">V.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Venusberg (mythology).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Victor Plarr.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Vorticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">W. 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