Second Site / / James Nisbet.

A meditation on how environmental change and the passage of time transform the meaning of site-specific artIn the decades after World War II, artists and designers of the land art movement used the natural landscape to create monumental site-specific artworks. Second Site offers a powerful meditatio...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2021]
©2021
Year of Publication:2021
Language:English
Series:POINT: Essays on Architecture ; 4
Online Access:
Physical Description:1 online resource (144 p.) :; 29 color + 5 b/w illus.
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100 1 |a Nisbet, James,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Second Site /  |c James Nisbet. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2021] 
264 4 |c ©2021 
300 |a 1 online resource (144 p.) :  |b 29 color + 5 b/w illus. 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a POINT: Essays on Architecture ;  |v 4 
505 0 0 |t Frontmatter --   |t Contents --   |t Series Editor’s Preface --   |t Acknowledgments --   |t Preface --   |t Succession --   |t Time Worlds --   |t Site-Images --   |t Notes --   |t Image Credits 
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520 |a A meditation on how environmental change and the passage of time transform the meaning of site-specific artIn the decades after World War II, artists and designers of the land art movement used the natural landscape to create monumental site-specific artworks. Second Site offers a powerful meditation on how environmental change and the passage of time alter and transform the meanings—and sometimes appearances—of works created to inhabit a specific place.James Nisbet offers fresh approaches to well-known artworks by Ant Farm, Rebecca Belmore, Nancy Holt, Richard Serra, and Robert Smithson. He also examines the work of less recognized artists such as Agnes Denes, Bonnie Devine, and herman de vries. Nisbet tracks the vicissitudes wrought by climate change and urban development on site-specific artworks, taking readers from the plains of Amarillo, Texas, to a field of volcanic rock in Mexico City, to abandoned quarries in Finland.Providing vital perspectives on what it means to endure in an ecologically volatile world, Second Site provokes us to rethink long-held beliefs about the permanency of site-based art, and carries implications for how we understand artistic creation and the conservation of cultural heritage. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Earthworks (Art) 
650 0 |a Earthworks (Art)  |x Conservation and restoration. 
650 0 |a Earthworks (Art). 
650 0 |a Time and art. 
650 7 |a ART / Environmental & Land Art.  |2 bisacsh 
653 |a Alan Sonfist. 
653 |a Annette Michelson. 
653 |a Ant Farm (group). 
653 |a Antoine de la Mothe Cadillac. 
653 |a Art criticism. 
653 |a Art history. 
653 |a Astrology. 
653 |a At Dawn. 
653 |a Atlantic slave trade. 
653 |a Bonnie Devine. 
653 |a Bruce Springsteen. 
653 |a Bruno Latour. 
653 |a Buckminster Fuller. 
653 |a Cadillac Ranch. 
653 |a Calculation. 
653 |a Camp Ipperwash. 
653 |a Chip Lord. 
653 |a Classical tradition. 
653 |a Colonialism. 
653 |a Consciousness. 
653 |a Conservation area (United Kingdom). 
653 |a Construction. 
653 |a Contemporary art. 
653 |a Creative work. 
653 |a Curator. 
653 |a Documenta. 
653 |a Documentary film. 
653 |a Donna Haraway. 
653 |a Drought. 
653 |a Earth Day. 
653 |a Ecological succession. 
653 |a Ecology. 
653 |a Ecosystem. 
653 |a Edgar Heap of Birds. 
653 |a Environmental history. 
653 |a Environmental protection. 
653 |a Environmentalism. 
653 |a Ephemerality. 
653 |a Explanatory model. 
653 |a Fine-art photography. 
653 |a Fluxus. 
653 |a French Colonial. 
653 |a Genocide of indigenous peoples. 
653 |a Gravel road. 
653 |a Great Basin Desert. 
653 |a Greek mythology. 
653 |a Helen Escobedo. 
653 |a Ian McHarg. 
653 |a Indigenous peoples. 
653 |a Ipperwash Crisis. 
653 |a Joan Jonas. 
653 |a Jon. 
653 |a Land art. 
653 |a Landscape. 
653 |a Legislation. 
653 |a Local history. 
653 |a Marcel Duchamp. 
653 |a Mathias Goeritz. 
653 |a Mel Bochner. 
653 |a Michael Heizer. 
653 |a Military exercise. 
653 |a Modernity. 
653 |a Nancy Holt. 
653 |a New York City Department of Parks and Recreation. 
653 |a North America. 
653 |a Oak Ridges Moraine. 
653 |a Obsolescence. 
653 |a Old-growth forest. 
653 |a Originality. 
653 |a Overpainting. 
653 |a Peace symbols. 
653 |a Photography. 
653 |a Poetry. 
653 |a Police action. 
653 |a Popular culture. 
653 |a Publication. 
653 |a Real estate development. 
653 |a Rebecca Belmore. 
653 |a Richard Serra. 
653 |a Robert Smithson. 
653 |a Roland Barthes. 
653 |a Romanticism. 
653 |a Sculpture. 
653 |a Secondary succession. 
653 |a Sense of Place. 
653 |a Site planning. 
653 |a Social history. 
653 |a Sovereignty. 
653 |a Spiral Jetty. 
653 |a The Image of the City. 
653 |a The Lightning Field. 
653 |a The Other Hand. 
653 |a Tilted Arc. 
653 |a Umberto Eco. 
653 |a Urbanization. 
653 |a Virginia Dwan. 
653 |a Walkway. 
653 |a Walter De Maria. 
653 |a Work of art. 
653 |a Writing. 
700 1 |a Whiting, Sarah,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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